Sentences with phrase «becoming video artists»

Not exact matches

Hollie McNish, a published U.K. poet and spoken - word artist, posted this video entitled «Embarrassed» on YouTube on July 4 that slowly but surely became a viral sensation.

MIAMI, July 7 / PRNewswire / — ... The move represents Webdate's commitment to the South Beach club scene and signifies the company's strategy to overtake rival Match.com by becoming the dating community of choice among the hip and chic... Webdate is the only online dating service to provide video chat and the «webdating» experience as a substitute to the traditional blind date... The move puts Webdate in close proximity to the clubs where Webdate sponsors several parties a month for celebrities, supermodels, recording artists and athletes.

As they become available, I'll link to Gerber and Pozdorovkin's Meet the Artist Sundance video profile and to their Indiewire filmmaker interview.

I also discovered so many talented international film and video artists on Vimeo in 2016, only after becoming a member myself.

The Epic Mickey video game series has become known for bringing back long - forgotten or underused Disney characters and attractions that were a great inspiration to artists at Disney, Pixar, and other animation studios.

In these moments, art becomes personal home video, replete with nostalgia for moments in time that can only be glimpsed by representation; of course, these representations mask what happens off screen — mainly, the sustaining intensities of the artists involved.

Her art style became a hit with readers, and following her debut as a manga artist, she also became widely known as an illustrator for novels and video game characters.

St Muncie, IN About Blog Oil painting sales, commissions, techniques & free art instruction videos from an award winning artist Bill Inman who shares with you the secrets to become a professional artist.

In Yashar Azar Emdadian's video performance Des - Integration (2012), the artist shaves his torso in a public space, his body becoming the boundary between a migrant's molting of personal identity and his integration into another culture.

As a Game Capture Artist, you will become a vital part of video department and play a key role in promoting our products to gamers around the world.

If you love video games and want to pursue a career that allows you to design your own characters, then you should get on track to becoming a video game character artist.

Previous rewards + Become a Conquistador (your portrait will be drawn on a Conquistador figure by our concept artist) + an interview with our Game Designer (video call or face - to - face)

In 2012, she became a Legacy Artist at The Burchfield Penney Art Center in Buffalo, NY and her video work is being archived at the Rose Goldsen Archive at Cornell University in Ithaca, NY.

Fellow Los Angeles artist Paul McCarthy, who became equally transfixed by Kelley's stage presence during a performance festival in the early eighties, soon struck up a collaboration with him on a series of psychobiographic videos.

Video, painting, drawings in ink, and a conceptual installation where the artist became thief are included in our selections of new shows to know.

In the artworld, artists of the 1970s were inventing postmodernism, becoming socially conscious, and invading the commercial gallery scene with temporary installations and video.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Upon his return to Turkey, he began his career as a video artist in 1998 becoming internationally recognized for his sets of short videos that are usually between ten and twelve minutes long.

Nauman has been making work since the 1960s, when he became one of the first artists to experiment with video technology.

Howard Fried is an American conceptual artist who became known in the 1970s for his pioneering work in video, performance and installation art.

She became known for her technically simple videos that address the entertainment industry and its various formats, but also the art system with its lingering romantic notions of the artist's life, and subject these sources to humorous treatment.

A digital image with no fixed identity or context, Annlee became the subject of several works by a group of invited artists — including Dominique Gonzalez - Foerster, Anna Lena Vaney and Liam Gillick — incorporating video, sound, neon, print and sculpture.

The two artists also touch upon how modern technology has somehow becomes so flawless that it seems fake, making Atkins add technical mistakes to his video works on purpose: «It's a weirdly comforting thing to retrieve some analogue error.»

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

What is left if blockbusters are just business as usual, and videos by Tacita Dean become tributes to artists who have passed away?

Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.

See also: - The Boneyard Project Continues: Curators Carlo McCormick and Eric Firestone and Artist Kenny Scharf to Visit MOCA Tucson This Weekend - The Bone Yard Project: When Planes Become Contemporary Art Canvases in the Tucson Desert - Watch this Motocross Video: DC / Robbie Maddison's AIR.CRAFT with Crazy Stunts at the Tucson Boneyard

Traditionally, art exhibitions have been about looking, but as more and more artists cross boundaries to engage with sound, touch and movement or to use film and video, work that is static and silent is becoming the exception rather than the rule...

Videorover, NURTUREart's dedicated video program, aims at becoming an ever - expanding forum for emerging and underrepresented artists working in video.

Tonight's exhibition brings back several artists who participated in 2014, including Ted Brusubardis — whose piece Pacel Galvu became one of the best short videos I've experienced in many moons when it was shown in an appropriately darkened room at Portrait Society Gallery earlier this year — Adam Carr, Sara Condo, Cathy Cook, Paul Druecke, Kim Miller, Andrew Swant, Wes Tank, Xav Leplae, and co-organizer Marla Sanvick.

«I think it's not that the two are merging, but rather that our experiences are becoming altered in a new way by our interactions with technology,» says contemporary video and performance artist Ann Hirsch, whose work will be featured in «Electronic Superhighway.»

The results speak for themselves; her videos and multimedia projects have been shown everywhere from her native Guangzhou to the Tate Modern and the Guggenheim, and she's become one of the most coveted contemporary Chinese artists in the international auction circuit.

Generally the more the artists celebrate identity, like Cox's Yo Mamadonna or Smith's video of hip - hop in a park, the less convincing they become.

I think collectors are becoming increasingly curious about new types of work — performance, craft and video — and these provide a huge amount of freedom for artists and collectors alike.

From April to June, the Pompidou Museum becomes alive with public screenings featuring hundreds of films made in collaboration between choreographers, dancers, film makers and video artists.

Installed on Level 1 of Le Corbusier's 1963 Carpenter Center and intervening in the Busch - Reisinger Museum's room 1510 on the first floor of the Harvard Art Museums, the exhibition Shahryar Nashat: Skins and Stand - ins features a combination of video, sculpture, architectural interventions, and commissions that create a cohesive environment where the sensibilities and physicality of spectators become formally implicated in the artist's inquiries.

Steina (Steinunn Briem Bjarnadóttir Vasulka) became the first Icelandic woman artist chosen to represent the nation at the Venice Biennale, Vasulka Chamber is exhibiting her video - installation Orka (Force), the work Steina exhibited in the Icelandic pavilion in Venice in 1997.

She became controversial when the Yams Collective, a group of black artists exhibiting a video in the said biennial withdrew their work in protest.

With his vibrant wit and his vast and unclassifiable oeuvre, which includes painting, photography, sculpture and video, he has become a hugely influential artist, while his generosity and brilliance as a teacher has made him a beloved figure among generations of students.

«The conventions of television soap operas become a hilarious and insightful psycho - sexual playground for New York - based artist Kalup Linzy, as he turns this most mundane form inside out with his series of clever videos, «Conversations Wit De Churen».»

In the piece, now preserved in a simple black - and - white video format of the artist sitting at a desk, Wilson begins with the premise «Art making sucks identity from individuals who are close to it but not participating themselves and the only way to recover identity is to make art yourself» proceeding to ingest a photograph she took of her partner, a male artist, in attempt to recover her own identity becoming his equal in power and, in doing so, creating her own art.

«I've been doing this very cooperatively with LACMA, so the artists are artists that Michael likes and the works are ones he likes,» said Berggruen, who became a museum trustee in 2008 with encouragement from friends like Broad and video game mogul Bobby Kotick.

These historically minded works are joined by a four - channel video installation by the young Chinese contemporary artist Sun Xun, who became known for mixing visualizations of his father's recollections of the Cultural Revolution with scenes from dioramas at the American Museum of Natural History in his surreal 2015 animation The Time Vivarium.

As the youngest artist to present at the Whitney Biennial in 2006 (he was 25 at the time), Trecartin's first major work, A Family Finds Entertainment, has since become a seminal piece of video art; it's hyperactive pace and kitsch surrealism are now iconic (the word «Trecartin-esque» is a surprisingly common art - world adjective).

In this video Loretta Howard, founder and owner of Loretta Howard Gallery in New York talks about Edward Dugmore's path to becoming a painter, his connection to the San Francisco and New York schools and his relationships with the mega stars of Abstract Expressionism like Jackson Pollock, Franz Kline and Willem de Kooning and the fact that all these artists produced their works during the same time, working with the same underlying theories.

Caleb Lyons: Well I do have balls, or a pair of testiclesâ $ «they were on exhibit in my nude video: The Artist Is The Model: Do It Yourself, Still Life, Amateur Hour, Idiot Box, which was riffing on the ego and vulnerability of the artist, as well as the idea that through our immediate technologies everyone has become a producer, the «artist» has become the «model citizen» for exploitArtist Is The Model: Do It Yourself, Still Life, Amateur Hour, Idiot Box, which was riffing on the ego and vulnerability of the artist, as well as the idea that through our immediate technologies everyone has become a producer, the «artist» has become the «model citizen» for exploitartist, as well as the idea that through our immediate technologies everyone has become a producer, the «artist» has become the «model citizen» for exploitartist» has become the «model citizen» for exploitation.

Since the mid-1990s, with more easily accessible technical equipment and information, video has become a major form of expression of young Chinese artists.

Many museum - goers first became aware of Höller's work on the occasion of his 2007 exhibition at the Tate Modern in London, where several of the Belgian - born artist's slides were installed in the cavernous Turbine Hall as part of the museum's annual Unilever Series (watch videos of a ride down one of the slides here).

«When Attitudes Become Form: Bern 1969 / Venice 2013» brings together the original works presented at the Kunsthalle and Schulwarte, loaned for the event by important private collections and international museums (for example the works of Carl Andre, Claes Oldenburg, Bruce Nauman, Eva Hesse, Giovanni Anselmo, Hanne Darboven, Reiner Ruthenbeck, Marinus Boezem and Richard Tuttle); site - specific interventions «reenacted» directly or in association with the artists and their Estates (for instance the works of Joseph Beuys, Daniel Buren, Walter De Maria, Jan Dibbets, Alain Jacquet, Joseph Kosuth, Sol LeWitt, Keith Sonnier, Ger van Elk, Lawrence Weiner and Gilberto Zorio); plus a selection of photographs, videos, books, letters, ephemeral objects and other original materials relating to the 1969 show and its context.

Featuring two important sound pieces, previously unseen video documentation of seminal performances and a number of newly discovered photographs, all dating from 1971 - 1975, the exhibition reveals the artist's first forays into a performance - based practice dealing with time and the immaterial, themes which have again become central to her current work.