Sentences with phrase «before moving the film»

Not exact matches

In the film, the subject passes before us in short, jerky steps, moving her foot through the air and putting it on and off the ground quite rigidly, without change of relative position of heel and toe, giving the effect of a stiff and awkward glide rather than a step.

He enjoyed the perks of being a film critic before moving on to New Scientist, and he became a television reporter with the advent of Channel 4.

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Caldwell made a series of guest appearances on small screen programs including The Bernie Mac Show, My Name Is Earl, and Hannah Montana before moving into films and specializing in glossy formulaic Hollywood outings.

Although I have gotten emotional over films with dogs as a central part of the film before, Megan Leavey is the first canine centric film I've watched since I became a dog owner myself, and it became an extremely moving experience.

With hidden cameras now aimed at them, trapping them in rooms, crawlspaces, underground tunnels, and filming their every move, David and Amy must struggle to get out alive before whomever is watching them can finish their latest masterpiece.

THE SHAWSHANK REDEMPTION moved me like no film had before and I wanted to tell the world... and I did to friends, family or anyone who would listen.

A quiet, moving film, For Ellen follows Joby's (Dano) attempt to connect with his daughter, Ellen (Mandigo), before he loses her completely.

When I spoke with them on January 9, 2012, I started the conversation asking about the primal fears that the film evokes before moving on to the way the story brought out the primal instincts in Grillo.

While the sequel was greenlit by distributors 20th Century Fox before the first film had even been released, Deadpool 2 now appears to be moving forward with production.

Some of his finest work can be seen in Drake's video for «Hold On, We're Going Home,» and he also starred in Damien Chazelle's short film for Whiplash, before Miles Teller moved into the role for the feature film.

I'll admit that going into Gridiron Gang, I was very skeptical that it would have anything to offer that I haven't seen before, but it surprised me, not because it did have anything unique, but that, for a formula film, it is competent, efficient, and until the final game, shows excellent restraint at not trying to overplay anything beyond what is necessary to move the plot along.

We started with one of this year's Razzie firsts, THE EMOJI MOVIE being the first animated film to vie for the worst picture award before moving on to the industry's love - hate relationship with Rotten Tomatoes; Adam Sandler's opinion of his fans; how Wilson has dealt with a steady diet of bad films for the last 38 years; the odd timing of FIFTY SHADES FREED's release; and who the Razzies consider to be fair game.

Beavan is an eight time Academy Award nominated designer who began in the theatre before moving into film with Merchant Ivory Productions in the 1980s.

The film itself moves with a zombie - like gait, lurching forward and coming to dead halts before lumbering on.

Indeed, Nispel's film is so slow - moving that it blows its one lead — it was actually completed before the battle - heavy spectacle of 300 and Apocalypto, but still manages to look and sound like a leaden knockoff.

As if that's not aggravating enough, on top of being uneven, the style of the film is already pretty problematic by its own right, because beyond pacing and focal consistency, there are such questionable structuring moves as the awkward placement of a text prologue before each segment, or overly thematic imagery, or ostensibly somewhat disjointed characterization, whose experimental tastes distance one's investment almost as much as experimental direction which relies too heavily on artistry and atmosphere to dramatically thrive.

Lewin paces his film almost perfectly before bringing things to a resounding and moving conclusion, and all within a sub-100-minute running time that proves — once again — that a film doesn't have to be a three - hour epic to offer something of value.

Achieving moments of lyrical beauty seldom before attempted, much less reached, in his earlier films, Rosi here appears to be moving beyond a politically - inspired cinema and more towards an investigation of private spheres of experience.

The reason why Lionsgate are moving quickly is because they're running out of time with shooting on the film planned to begin in August so they can have access to Jennifer Lawrence before she reports to Fox for the «X-Men: First Class» sequel in January 2013.

Stoller, who co-wrote The Muppets with How I Met Your Mother's Jason Segel, got his break on Undeclared before moving to film.

The Kottings moved from London to Louyre in the Pyrenees the year before, and the film has a strong sense of the natural world, as if they are just discovering the earthy rhythms after leaving the big city behind.

and other mythological creatures and then confronting a very pissed off Ares — before the heroes finally have to find their way into the Underworld through a very odd, three - dimensionally moving labyrinth — a kind of Greek - Deco - Escher construct that houses the film's best practical effect — a completely physical, GC - unenhanced minotaur.

In an age where all pop culture moves at lightning speed and few works stick around long enough to make an impact before they're replaced with the next thing, the fact that a film such as this one can be so instantly and deservedly iconic is worthy of celebration.

She quickly moved on to more dramatic roles in films like «Any Given Sunday,» «Vanilla Sky» and «Gangs of New York» before starring as one of the three super-spy bombshells in «Charlie's Angels» and its sequel, «Full Throttle.»

«Think of, like «The Color of Money,»» he told the site, before saying that the film marks his move into elder statesmen roles.

«I wanted to make the film earlier,» Farhadi said, but returned to Iran to make «The Salesman» before coming back around to «Everybody Knows,» moving to Spain for two years to immerse himself before production.

After graduating in 1990, Gwyneth moved back out west and enrolled at the University of California before abruptly quitting a year later to pursue a film career.

Burton and his co-director Mike Johnson (an animator on The Nightmare Before Christmas and James and the Giant Peach as well as a director on the short - lived Eddie Murphy TV show «The PJs») keep the film moving at a snappy pace.

Producer Joel Silver says the hope is to begin filming the Warner Bros. sequel before Robert Downey Jr. moves on to «Avengers: Infinity War.»

Populated by an eager groom (Alexander Skarsgård), eccentric parents (Charlotte Rampling and John Hurt) and arrogant brother - in - law (Kiefer Sutherland) in the first half, before making room for an intimate examination of the family dynamic in the second section, the cleverly compelling film captures attention from the operatic opening to the moving conclusion.

However, before McQueen moves onto his next film, it appears that he...

The last movie I want to mention before I hand off the mic to Amy is James Franco's The Disaster Artist, another film that performed the generous service of allowing me to forget everything else for a funny, moving, technically impressive two hours.

In a wholly unprecedented move, Kevin Spacey is being cut from Ridley Scott's finished film «All the Money in the World» and replaced by Christopher Plummer just over one month before it's supposed to hit theaters.

The film has a habit of getting stuck in meandering scenes before it moves on to the next act.»

When: December 11th Why: It's not very often that you see a film's release date moved to a more competitive time of year, but Warner Bros.» decision to push «In the Heart of the Sea» from last March to December (one week before the release of «The Force Awakens») speaks volumes of the studio's confidence in the Ron Howard - directed historical epic.

Before making Killing Them Softly he was working on the Marilyn Monroe biopic Blonde, and that film is moving forward once again, with Naomi Watts (above) still set to play Marilyn.

And though it lacks the wonderfully gritty texture of Mr. Daniels» last feature — The Paperboy — or the narrative coherence of his film before that — Precious — it still manages to move its audience and serve its story.

With a little over a month to go before its UK release, another new poster has arrived online for Nicolas Winding Refn's hotly - anticipated horror The Neon Demon featuring Elle Fanning; take a look here... SEE ALSO: Watch the latest trailer for The Neon Demon The film sees Elle Fanning (Maleficent) as an «aspiring model who moves to Los Angeles, -LSB-...]

«100 Years» includes priceless, far - too - brief test footage of animator Bob Clampett's run at the property (think the Fleischer Brothers meets Ralph Bakshi) and interviews with the likes of Jon Favreau, who almost directed the film for Paramount before moving on to Iron Man.

It was Lloyd's last short film, running to three reels, before he moved permanently into feature - length production.

In a move which would seem to add insult to injury in Spacey's demise, the Hollywood Foreign Press Association chose to bestow a Golden Globe nomination upon Christopher Plummer for Best Supporting Actor for his performance as J. Paul Getty, news which dropped several weeks before the film's theatrical release.

Elle (Eva Green)-- whose name, as is often commented on in the film, literally translates to «Her» — is a supposed super-fan who ingratiates herself into Delphine's life as a «good listener» before gradually moving into the author's flat and taking over her work, deleting slanderous Facebook posts, responding to emails, and even attending a face - to - face gig in her place.

Today, Eric and Trevan review the film before moving on to discuss movies with similar themes and plot lines, including Battle Royale, which just happens to be playing at the Screenland Crossroads this weekend.

Before we move on, let me just point out how delightful the prison scenes are in this film.

And while Aronofsky typically spends years writing his films before putting them into production, this time the Oscar - nominated director decided to move things along a little faster.

The streaming giant is boycotting Cannes over French rules that mean competition films have to wait three years before moving from movie theatres to Netflix account holders» screens.

Several theories about the film's origins of myth are thrown out: it follows Joseph Campbell's hero cycle (not really) and it follows Dante's Inferno (sort of, in that they start out at a party and move up to the bowels of Hell — alas, the argument that they are almost separated into those who deserve to die and those who do not doesn't support the data) before professor of religion (at Pepperdine University, a fact unmentioned in this featurette) Christopher Heard throws out that it's an adaptation of the Christ myth.

Maybe I should watch the documentary about him at 8:00 pm, before I move on to his films?

Moving on quickly and before I digress even further, Reichardt's film stars Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard plus Rising starlet Katherine Waterston (click here for more info on her) and focuses on those initial three and their plans of blowing up a hydroelectric dam.