Sentences with phrase «before opening the film»

Not exact matches

The film opens just before the unveiling of the Macintosh, in 1984.

It is here that the title line of the film fits chronologically: but Welles chooses instead to flash - forward to this moment for the movie's opening, so we hear Falstaff say, «We have heard the chimes at midnight, Master Shallow,» before we know just why thinking of his youthful escapades makes him so heavy - hearted.

Before the film opened in Chicago, Ebert wrote that Kids is «a blunt warning for kids engaging in risky behavior, and a wakeup call for their parents... Watching Kids is fascinating, yet depressing.

Me Before You opened two weekends ago, hyped as «the most romantic film of the year.»

Lee Dixon tells an eye - opening story in the film 89 about being pinned up against the wall of the dressing room by his own team - mates before his first -LRB-...)

Lee Dixon tells an eye - opening story in the film 89 about being pinned up against the wall of the dressing room by his own team - mates before his first north London derby.

Doors open at 9 a.m. and moviegoers are encouraged to come early for games and activities before the film.

In one eye - opening section of the film, Thorning - Schmidt - who happens to be the former prime minister of Denmark - asks her husband why he is doing the interview before advising him on what to say.

Although Clegg was determined to resist any invitation to meet Cameron before polling day, tonight's film reveals a chance 45 - minute meeting, at the opening of the Supreme Court last October, which allowed them to get to know and trust each other — as Cameron says, he established that Clegg was «a reasonable person, in politics for the right reasons».

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

Before going all - out glam at Cannes opening night, the amped up the sex appeal at a photocall for her film Puss in Boots, wearing head - to - toe, traffic - stopping Gucci.

If you plan to shoot or film here, I recommend getting there before the restaurants open, give or take 30 mins to an hour before.

With zero PR experience coming out of a film and theater studies program, I ended up interning for a few months at Nike before a position opened up on the spirits team working primarily with Bombay Sapphire gin and Benedictine Liqueur (the bartender darling).

The prize pack consists of advance screening passes to see the film POMPEII on February 19th before it opens in theatres at the Fifth Avenue Cinemas (2110 Burrard St, Vancouver), limited edition toques and film posters.

Showfilmfirst.com hold film previews for the target audience to review before they open.

But while the film does insist on its own irreverence a bit too much at the outset — it opens with a group of birds inspirationally singing, «You're only as small as your dreams,» before they get abruptly knocked out of the sky — it offers plenty of lively fun once it settles down, and wisely keeps the pandering to a minimum.

That's a shame; I really would've preferred the more emotional and open - ended finish that you'd get if you conclude the film before the epilogue.

You are not watching Dirty Harry in this film as Eastwood leaves that persona before the opening credits roll.

To its credit, this visibly theatrical opening draws attention to themes including conversation and compromise, ideals and art, themes reinforced and complicated in the film's focus on the political manipulations Lincoln managed in order to ensure that the 13th Amendment was passed by the divided House of Representatives before the end of the war (it has been passed by the Senate before this film begins, in April 1864).

The film looks dreadful, and the CG effects are a legitimate eyesore: An opening animated sequence is so tacky, it took me a while before I realized it wasn't just another logo animation for a random film fund.

As the film opens, Katja (Kruger) is dropping off her son, Rocco (Rafael Santana), with her Turkish immigrant husband, Nuri (Numan Acar) at the tax consulting firm that they run before going off for a spa date with a pregnant friend.

This is the crux of Andrew Haigh's rivetingly beautiful new film, which screened at the Venice Film Festival this morning, and finds the British director working on a brighter, broader canvas than ever before: a present - day American West of drab diners, grumbling trucks, and starlit open desert.

As the film opens, this is the quote from French philosopher Albert Camus, that's scribed onto a blackboard before we are introduced to the protagonist and the personal conflict he finds himself in.

When the film opens, Homs could pass for a thriving Syrian city, though tanks in the streets and soldiers on rooftops reflect the mounting tension between the locals and the country's leader, president Bashar al - Assad, «elected» (the 2000 ballot offered no alternatives) after the death of his father, who had controlled the country for three decades before him.

Warner Brothers, which is marketing the film as a conventional thriller, recently overruled the producers» desire to show it in European festivals so that the studio could open it wide (in many theaters at once) and cash in as quickly as possible on the name value of its cast before word - of - mouth about its depressing subject matter could kill it.

The film opens in 1585, three years before the Spanish Armada sets sail, but concerns itself as much with Elizabeth's life at court as it does with her foreign policy.

Check out this behind - the - scenes featurette from the film opening in limited theatres on 27th December before going wide on 10th January.

So far Venice has revealed its opening night film, the Jake Gyllenhaal - led survival drama Everest, and an out - of - competition screening for Scott Cooper's Johnny Depp vehicle Black Mass, while Telluride won't announce its lineup until shortly before the annual event launches on 4 September.

It wisely takes the precaution of having its protagonist retire from the game before the film opens

Amazon Studios is partnering with Lionsgate on the theatrical release, opening the film in five theaters in New York and L.A. before adding more theaters in the coming weeks.

The Scottish director had never met Phoenix before the weeks of furiously prepping her first American film — needing to take advantage of a small summer opening in Phoenix's packed schedule, just one month after having secured financing at the Cannes Film Festival — but he more than confirmed her instincts that he would be perfect for the role.

The end credits begin with black and white footage of the real survivors all smiles, despite a lawsuit that arose right before the film opened accusing their lawyers of fraud that cheated them out of royalties.

Crimson Peak reveals the first fright before the opening title, yet 15 minutes into the film this original screenplay feels more like a Jane Austin adaptation than a horror movie, and that isn't a complaint.

Match Point, made during Woody Allen's extended fallow period, wisely takes the precaution of having its protagonist retire from the game before the film opens, so we don't get to see if Jonathan Rhys Meyers (pictured right with Scarlett Johansson) is as good a sportsman as he is a swordsman in this roman - à - quatre.

The film opens with typical helpless horror film teen Drew Decker (Carmen Electra) being murdered by a crazed but bumbling stalker, who makes creepy phone calls before assaulting his victim.

«The big unknown is how Black Panther will fare overseas, where Hollywood films with a black cast are perceived to face challenges,» the Hollywood Reporter explained three days before the film opened on February 15.

Before the opening credits, the film presents a series of conversations among the characters which make little to no sense.

Recorded two weeks before the film opened in theaters, the track discusses the production effort, often focusing on the improvisation that went on.

From the opening scene, which patiently observes Eric Marsh (Josh Brolin), a supervisor at the Prescott Fire Department in Arizona, preparing and packing his gear before training a group of firefighters, it's clear that the film's interests lie in the intricacies and minutiae of firefighting and disaster prevention.

But as much as the film, which opens here on May 18 (the day before that other wedding), is about the failure of the newlyweds to connect, it's also about how class puts us in our place.

The second disc opens with a handful of quieter pieces before the stirring finale, «The Fight for Peace», and the Israeli national anthem is used as the film's exit music.

It also has some footage you haven't seen before, a digitally - altered version of a shot from the film (above, with extra details added to the painting) and a little bit of the awesome Can song «Vitamin C» that is used to good effect in the film's opening.

Director Rupert Sanders, producer Joe Roth and stars Charlize Theron and Kristen Stewart were on hand to talk about Snow White and the Huntsmen (opening June 1) before showing some clips from the film.

FILM COMMENT spoke with Heller days before the movie's New Directors / New Films opening - night screening tonight, to discuss everything from Minnie's baby - blue bellbottoms to Patty Hearst to her own adolescent anxieties.

You'd think after the epic music biopic parody Walk Hard: The Dewey Cox Story that nobody else would open a film backstage before the big show (which itself was a send - up of the Johnny Cash biopic Walk the Line), but that's just what director Tate Taylor (The Help) does.

When Netflix does buy, its hunger for originals often means buying something pre-festival and slapping the Red «Original» logo on the film's opening credits before it gets to that Eccles premiere.

Focused only slightly differently is «San Andreas: The Real Fault Line» (6 mins., HD), which spends its opening moments very superficially discussing the real threat of earthquakes in California before delving into the production tricks behind the film's earth - shaking scenes, like a restaurant set designed so that everything visible in the frame is shaking except the floor itself, since it was being prowled by a Steadicam operator.

Obviously, that would have been a very different film, not the $ 120 million Sony production that is opening days before Christmas in over 3,000 theaters.

But the young, media - savvy Kim Jong - un made known his opposition to the film months before its scheduled opening through an unofficial spokesman and later North Korea's UN ambassador.

The film, from Sony Pictures, officially opens the Toronto Film Festival on September 8th where it receives its world premiere before opening across the UK and the US from September 23rd.