Sentences with phrase «before shooting of our film»

Lee sent them both for a bootcamp at two different farms for two weeks before the shooting of them film.

«He died two months before shooting of our film because he was drinking something like one liter of vodka a day,» said Komandarev.

Not exact matches

Before he ever made a Lord of the Rings movie, Peter Jackson shot Bad Taste over four years on weekends and nights, played two roles himself, and spent only $ 25,000 total to make the film.

«Knowing what we know now... film footage of Dealey Plaza from November 22, 1963, seems pregnant with enigmas and ironies — from the oddly expectant expressions on the faces of the onlookers on the grassy knoll in the instants before the shots were fired (What were they thinking?)

The hills are alive... During the first of many backpacking trips, Gazzaley shot 70 rolls of film, including this view of Otago Peninsula on New Zealand's South Island, and experienced a sense of connectedness with nature that he'd never felt before.

For the most part, Jamie worked out before his filming day, and Dakota would work out more after the end of shooting.

Before Charlie Ahearn shot his seminal hip - hop film «Wild Style» in 1982, he was directly exposed to the bourgeoning hip - hop, break - dancing and graffiti movement, while shooting his super-8 martial arts epic «The Deadly Art of Survival» around the projects (next door to his apartment) in the Lower East Side in 1979.

He buys cameras instead of renting them, creates a set of an alley way instead of just shooting in an alley, films on both 35 mm and HD at the same time, and that's before they even start actual production.

This decision, taken before any of the film had been shot, shapes the entirety of both The Philosopher's Stone and its sequel.

As before, Bujalski's preference for nonprofessional actors, his ear for the rhythms of conversation among bright young 20 - somethings and his adept use of a roving, hand - held camera (this time shooting in fuzzy black and white) lend the film an invigorating energy.

Well - intentioned, competently shot and put together, solidly acted, especially by tomorrow's superstar Jacob Lofland (who we'd call a revelation if he hadn't already impressed us so much as Neckbone in Jeff Nichols» «Mud»), and unafraid to swim in the traditionally shark - infested thematic waters of the American class system, the film nonetheless can't quite slip the «seen it before» noose.

I know I have said this before but 1926's Faust has got to be one of the most well shot and put together silent films.

I think that the mix of the really short shoot (miraculously, Prince Avalanche was filmed in 16 days), with what an action - packed shoot it was, in terms of the amount of scenes we did every day, and the comedic dynamic of the character was something that I never explored before.

In the film's final shot, Stewart's Maureen reveals a face that is not so much scared as uncertain, apprehensive, quietly waiting on the verge of something unknown; we hear a faint intake of breath before the picture of her fades, ghostlike, the whole screen bleaching to a whiter shade of pale.

Matthieu Kassovitz, «Babylon A.D.» (2008) One of the more recent director - studio feuds, «La Haine» director Matthieu Kassovitz's frustrations with 20th Century Fox over «Babylon A.D.,» a sci - fi action film he'd been developing for six years before going through tremendous professional pains to shoot and cut it, is among the most notorious.

I marvel at his Thomas Hardy adaptations — the devastating Jude and the redemptive The Claim (his take on The Mayor of Casterbridge)-- and I hadn't thought, before I actually saw him do it, that anyone but Charlie Kaufman would have a shot at turning Tristram Shandy into a viable film.

A smaller film like Before Midnight was never going to be in with a shot for any of the main categories but its witty and intelligent script, co-written by director Richard Linklater and stars Julie Delpy and Ethan Hawke, should have scored an original screenplay nod.

Last night at Fantastic Fest in Austin, TX, just before a showing of Penumbra, filmmaker Don Coscarelli (of Phantasm, The Beastmaster, Survival Quest, Bubba Ho - Tep) introduced an exclusive first look clip and early look at the teaser trailer for John Dies at the End, his crazy new horror film that he already shot late last year.

Before I Wake is not really a Netflix Original — instead, the film was shot in 2013 and was bound for theatrical release, until the rather sudden collapse of its distributor, Relativity.

The film was shot after The Act of Killing was edited but before it was released, and Oppenheimer's canny stewardship (and brinksmanship) is not irrelevant to their achievement; like Lanzmann, Ophuls, and Panh before him, in purely formal terms he's set a high bar for chroniclers of violence when it comes to galvanizing an audience.

Could you imagine if a cheeky shot was leaked out of Bruce Willis wearing a racist sandwich board, in the nude, before the film was released and therefore out of context?

As the film began as a loose collection of scenes, many of which were originally shot for Lynch's website on a low - resolution camera, Lynch committed to making the film on digital cameras and wrote scripts daily in response to what had been filmed the day before.

The filming of Black Panther ended right around when Infinity War began shooting, meaning that Marvel had no idea just how popular Black Panther would become before its characters were written into Infinity War.

The reason why Lionsgate are moving quickly is because they're running out of time with shooting on the film planned to begin in August so they can have access to Jennifer Lawrence before she reports to Fox for the «X-Men: First Class» sequel in January 2013.

It also has some footage you haven't seen before, a digitally - altered version of a shot from the film (above, with extra details added to the painting) and a little bit of the awesome Can song «Vitamin C» that is used to good effect in the film's opening.

It has everything you expect from one of his films: poetic, sometimes ridiculously so, voiceovers, long shots of nature being nature (or not), very little dialogue and a way of looking at a familiar subject that I, at least, had never quite thought of before.

The final shot (and final line) of the film is one you can see coming long before it occurs, and the way it is edited makes it feel cheap and hurried.

Ratner grew no less shy this weekend, according to Twitter and several Vulture sources: After a screening of his film Tower Heist at L.A.'s Arclight Cinemas, the director came out for a Q&A, and when asked by the moderator whether he prepares and rehearses with his actors before shooting a scene, Ratner waved his hand dismissively and said, «Rehearsing is for fags.»

In a way, you almost need to have very good charts and maps on the walls, so you know - because you're shooting out of order, because you're shooting at a rate of knots - what you have planned before the film starts.

«When we started on the film the local I.A (import administration) was causing a bit of a stir so we stopped prepping a week before shooting.

It's not every director who can show three kids (including an infant wrapped in swaddling clothes) perforated by bullets without so much as flinching, but that's Cooper's M.O., refined over the three films since his relatively marshmallowy «Crazy Heart»: As in «Black Mass» before this, violence packs more punch if depicted matter - of - factly, which somehow registers as «realistic» these days (although one suspects that it would be far more horrifying if his victims suffered slow, agonizing deaths after being shot).

I don't know what the actual process was, but this feels like the sort of intimate, small - scale film where the director had the actors live together for a few weeks before shooting began.

This comes after it was revealed actor Spiderman actor Tom Holland improvised the line «I don't want to go» before he died in the arms of Tony Stark — we did warn you about the spoilers — making it pretty clear that directors Joe and Anthony Russo are pretty relaxed about letting actors come up with their own suggestions during the shoot of the film.

Then the film concludes not with a «surprise ending» but with a series of shots that brilliantly summarize all that has gone before.

Before going off to Romania to shoot his next film, The Keeping Room, about a Civil War soldier who has broken off from the Union Army encounters a group of women who have been left to fend for themselves, Collider...

Xavier Dolan is the exceptionally talented director of five films shot before his twenty - fifth birthday, including «I Killed My Mother» and «Mommy»

But Sati has gone through the film with a fine - tooth comb and screencapped a TON of trick shots that I certainly never noticed before.

Before the festival began, she declared Still The Water her masterpiece, and it's at least a bit less tiresome than her previous films (Hanezu, The Mourning Forest, Shara, Suzaku), with some welcome familial warmth and some stirring shots of the Japanese coast.

Bekmambetov is a visual effects maestro (as he's proven with the Russian fantasy films «Night Watch» and «Day Watch»), and though most of his SFX trickery is squandered before the end of the first act, he still stages a mean gunfight; one good enough to rival even the most impressive sequence from «Shoot «Em Up.»

She follows the advice of her late mother to «have courage and be kind,» a phrase that is uttered so often in this film that, if you chose to play a drinking game where you drank a shot each time you heard it, you'd be dead before the main character got transformed for the ball.

What follows is a feature length version of that scene in every action film where people crouch behind cars and walls trying to get a shot or six off before they themselves take a bullet.

It was revealed recently that a Harley Quinn centric Birds of Prey (expected to introduce Batgirl before solo film) movie would be taking Suicide Squad 2 «s production spot and would likely then shoot after Prey wrapped.

The film just started shooting, so we have a long wait before we can see it, perhaps in the second half of 2017.

Angelina Jolie's second film as director tells the extraordinary story of Louis Zamperini, an Olympic long - distance runner who fought as a bombardier in the second world war and survived 47 days adrift after being shot down over the Pacific before being taken prisoner by the Japanese.

The film begins with a series of shoot - outs, killings, and barroom fights that establish him as emotionally tortured before prolonged bouts of sulking and brooding.

The White Ribbon (Sony)-- Winner of the Palm D'or at the 2009 Cannes Film Festival and Oscar nominee for Best Foreign Language Film and Best Cinematography, Michael Haneke's portrait of rural life in Germany before World War II is a beautifully shot film that evokes nostalgia in the austere black - and - white imagery while revealing a corrupt culture under the surface.

There's a moment about three - quarters of the way through BPM — this crucial shot's placement in the narrative, neither too early nor too late, is another mark of this film's exacting delicacy — when we get a glimpse into the dream world of Sean, a passionate lover of both life in general and his new boyfriend in particular, who's unrelievedly furious at the prospect of dying this far before his time.

There's also unfortunately the inescapable fact that there's only so many times you can shoot a ski slope before it loses it's spark and that's still 50 % of what the film is.

Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.

Although Samuel Shellabarger's novel had been bought by Fox long before the cameras rolled in 1946, it took a few years before everything was set to begin filming one of the studio's costliest production (which also included, Forever Amber, shot concurrently).