Sentences with phrase «before women in film»

Yet the small and fast - growing London - and - Hastings - based company was launched months before women in film started coming forward with stories of harassment.

Not exact matches

Before she turned actress Natalie Portman into a ballerina for the film Black Swan, dancer Mary Helen Bowers was already training women all over New York City through her fitness company, Ballet Beautiful, which she founded in 2008.

Before Jennifer Lawrence was the embodiment of girl power in The Hunger Games and became every woman, everywhere, she was the star of the Academy Award - nominated film Winter's Bone.

The film premiered in 2008 just before California voters were to vote on Proposition 8, the California ballot proposition stating that only marriage between a man and a woman is valid.

While the media and the film industry would have women believe this tends to occur spontaneously in one big gush just before a woman goes into labor, the reality is that it usually doesn't happen until she's well into contractions.

Federal prosecutors investigating President Trump's personal attorney, Michael D. Cohen, are seeking records related to two women who received payments in 2016 after alleging affairs with Trump years before — adult - film star Stormy Daniels and ex-Playboy model Karen McDougal — according to two people familiar with the matter.

In response, Katko said he never endorsed Trump and was convinced that Trump should step down from his campaign after audio leaked last month in which Trump, before filming «Access Hollywood» in 2005, made lewd comments about womeIn response, Katko said he never endorsed Trump and was convinced that Trump should step down from his campaign after audio leaked last month in which Trump, before filming «Access Hollywood» in 2005, made lewd comments about womein which Trump, before filming «Access Hollywood» in 2005, made lewd comments about womein 2005, made lewd comments about women.

the clearer it becomes that «Solo,» like many a «Star Wars» film before it, is not too interested in women.

Watching strong women and men respecting each other in a film has a strong impact on the younger generation as well and Lupita acknowledged the same, «There's a lot of subconscious conditioning we have to bring to the fore before we can change it.

Although we've seen the struggle for individualism and personal power done many times before, particularly in independent films, Real Women Have Curves never seems to lack for freshness despite it all.

Although there have been many films about pregnancy and the fears involved in having a baby, there are angles here not often taken before in comedy, including what goes through a man's mind when having sex with a pregnant woman («I don't want that to be the first thing the baby sees», etc.) that is funny (because it probably actually does go through a man's mind).

Before leaving Park City and the new acquaintances I met, the films I loved, and the experiences that will slowly fade in my memory, I attended Kelly Reichardt's Certain Women (10/10).

«I love playing this character,» Johansson told Entertainment Tonight on the set of Avengers: Infinity War, before reports that a Black Widow film is in development, «and I think there is definitely an opportunity to explore the Widow as a woman who has come into her own and is making independent and active choices for herself, probably for once in her life.

Sirk's film introduces the two women in the following sequence as they're driving home after a Manhattan shopping excursion (with Barbara Rush as Joyce), just before they arrive to hear about Dr Phillips» death.

Allegedly inspired by the true story of a Mexican man named Gojo Cardinas who killed dozens of women under the apparent influence of his mother before being incarcerated and rehabilitated, Santa Sangre is in many ways a novel retelling of Hitchcock's Psycho (1960), with that film's psychosexual subtext here put on full display with overt symbolism (e.g. Concha, the castrating mother's name, is slang for «vagina») and mixed with elements of The Hands of Orlac (Robert Wiene, 1924), The Invisible Man and George Romero's zombie films.

Another film that only focuses on privileged white people, and forgets that in 2015, more trans women of colour have been murdered than ever before.

Certain Women takes several short stories by Maile Meloy and uses them to create three only very loosely connected narratives, which are presented one by one through the bulk of the film, before revisiting them all briefly in the finale.

With «Before Midnight,» writer - director Richard Linklater and actors Ethan Hawke and Julie Delpy continue one of the most interesting projects in film history: a movie franchise based almost entirely on simple conversations between a woman and man.

A remake of the 2010 French film Crime d'amour, the movie stars Rachel McAdams and Noomi Rapace — their faces so porcelain and blemish - free it looks like they dipped them in buttermilk before every scene — as women in a Berlin ad agency, engaging in twisted office warfare.

In this film you really have to buy the fact that a woman would actually rent an apartment that shows obvious signs of being run by a slumlord before she ever signs the lease.

But not every actor, actress, and director who made films that HW distributed knew he abused women, or that he raped Rose in the 90s, other women before and others after, until they told us.

by Bryant Frazer Before Krzysztof Kieslowski became the standard - bearer for the latter - day European art film with ravishing portraits of unspeakably beautiful women living their lives under unutterably mysterious circumstances, he was a gruff but adventurous chronicler, in both documentary and narrative films, of lives lived in the rather more drab surroundings of communist Poland.

Kat Brown Despite the recent directing achievements of Angelina Jolie and Golden Globe nominee Ava DuVernay, research shows that women are less represented in the film industry than ever before.

Hepburn's official final film before entering semi-retirement was Wait Until Dark, Terence Young's lean, nerve - racking adaptation of Frederick Knott's popular stage play about a newly blind woman, Susy, trying to outwit a trio of drug - dealing thugs (played in the film by Alan Arkin, Richard Crenna, and Jack Weston).

Test audiences were perplexed i09 Kiefer Sutherland takes a supporting role in the remake of a film he once starred in, Flatliners (1990) Pajiba whiny women - fearing Ghostbusters haters are still at it, giving the movie a 3.5 rating on IMDb before the pubic has seen it Times of Israel talks to Quentin Tarantino about his career.

Before we dive in to this year's five foreign film Oscar nominees — «A Fantastic Woman,» «On Body and Soul,» «Loveless, «The Square,» and «The Insult» — we should probably dissect the category itself, one that probably remains an enigma for those who will tune in to watch the 90th Academy Awards March 4.

Other titles in this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain this section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticaIN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mysticain a tale of love, loss, memory and the mystical.

For that matter, if academy voters took international cinema seriously, they might have spared a thought for Beya, a Congolese woman who had never acted on - screen before giving her mesmerizing performance in «Félicité» (shortlisted as Senegal's entry for the foreign - language film Oscar).

The film's tension begins to rise with the band's opening song; a rendition of The Dead Kennedy's Nazi Punks F**k Off before rising once again when they happen upon the murder of a young woman in the Green Room.

Among the highlights include the world premiere of Chris Evans» directorial debut «Before We Go» (formerly «1:30 Train»), dueling Anna Kendrick films in dark drama «Cake» and musical adaptation «The Last Five Years,» ensemble comedy «This is Where I Leave You» starring Corey Stoll, Adam Driver and more, Jason Reitman's «Men, Women and Children» with Ansel Elgort, Kaitin Dever and others, and «99 Homes,» Ramin Bahrani's financial world set drama which also serves as the first film outside of «The Amazing Spider - Man» franchise for Andrew Garfield since «The Social Network.»

When the plot switches back to New York — Allen's once - favored stomping grounds before he moved things abroad for a while, starting with Match Point, in 2005 — we get a different setting and a different woman (Blake Lively, The Age of Adaline) with some passable moments and others that recall better scenes in earlier films.

Before taking on the role of Caroline, Kate Hudson played a single, career woman who is left with the responsibility of caring for her nieces and nephew when her sister unexpectedly dies in the film Raising Helen.

It was the best of times, it was the worst of times, it was the age of transcendent filmmaking in the The Lost City of Z and A Ghost Story, it was the age of foolish Spider - Man remakes / reboots / regurgitations, it was the epoch of a magnificent enquiry into belief by the evergreen Martin Scorsese, it was the epoch of the incredulous return of Mel Gibson in a box office hit, it was the season of Michael Haneke shining a light on our uncaring societal malaise, it was the season of manifold more people watching Baywatch, it was the spring of Aki Kaurismäki's warm - hearted but politically pressing The Other Side of Hope, it was the winter of despair at the box office results of masterpieces like Certain Women, Aquarius and The Death of Louis XIV, we had Yorgos Lanthimos» Kubrickian masterpiece before us, we had a new Kingsman film before us, we were all going direct to cinematic Heaven, we were all going direct the other way.

I realised, hours after the film ended, what it had reminded me of: Gretchen Mol's innocent and trusting young woman in The Notorious Bettie Page (2005) getting asked in the street to get in a car to go on a «date» with a guy she'd never met before.

Nimoy was even less eager than before to come back — during this time, he had directed a film version of his one - man play «Vincent» (1981), in which he played Theo van Gogh, and gave an Emmy - nominated performance opposite Ingrid Bergman (in her last role) in the mini-series «A Woman Called Golda» — but agreed to come back with the promise that Spock would be killed off once and for all.

It's been three years since Nicole Holofcener's lovely previous feature «Please Give» (though she's directed episodes of «Parks & Recreation» and «Enlightened» in between), and her latest — hitting TIFF before a late September release date — reunites her with Catherine Keener (who has starred in all of her films) alongside Toni Collette, Julia Louis - Dreyfus and the late James Gandolfini in the story of divorced woman (Dreyfus) who learns her new love interest (Gandolfini) is her new friend's ex-husband.

But before you start praising the film for casting someone who's more classically beautiful, I just want to remind you: the Barbie movie is a subversive comedy about a woman who doesn't fit in, in the land of Barbies.

While speaking to Vulture Christina mentioned the potential of the role and even talk she might be have been in the mix before when her Firefly director Joss Whedon was developing his own Wonder Woman film, before ultimately having Cobie Smulders attached.

But Telluride, and Venice before it, offers up so many great roles for women — so many brilliantly told films about real and imaginary women: a gay rising tennis star, a cleaning lady who falls in love with a monster, an aging movie star, a bratty teenager, a young Cambodian girl, and on and on it goes.

It's a small, unassuming film and not sexy despite the presence of some very beautiful women, one likely destined for limited theatrical exposure before finding a more takers in assorted home markets.

Of course, before 1980 women were rarely offered opportunities to direct films, especially in Hollywood.

There have been numerous women who've directed episodes of the various Star Trek TV shows, and with Clarkson set to oversee Star Trek 4, the film side of the franchise is finally boldly going where the previous movies have never gone before in this regard.

Earlier this year I had the opportunity to sit down with Kirsten before a screening of Pop Aye, we had a wonderful conversation about women in film, our hopes for the future of our industry, and her experiences in the past.

Neither Johns nor Berg, who received Producer credits on Justice League, are expected to receive similar credits on upcoming films such as Aquaman or Wonder Woman 2, though director Zack Snyder, who departed Justice League before Joss Whedon was brought in for reshoots, could serve as a producer on future films.

The woman at the start of the film becomes a very different being than the one we've known — even before the film's big reveal in the last scene.

As subtle here as his character in Scorsese's «Gangs of New Year» (set in NYC not long before the events of this film take place) was larger - than - life, the eternally mesmerizing Daniel Day - Lewis is quietly shattering as Newland Archer, a man contemplating a forbidden affair with a married woman, Ellen (Michelle Pfeiffer), whose eyes carry a refreshing spark of life.

The return of Polish - British director Pawel Pawlikowski, who made a splash with «The Last Resort» and «My Summer Of Love» before disappearing for the best part of a decade (he came back last year with little - seen Ethan Hawke thriller «The Woman In The Fifth «-RRB-, it's the first film that the director has shot and set in his native PolanIn The Fifth «-RRB-, it's the first film that the director has shot and set in his native Polanin his native Poland.

THE HOT SPOT Experience film noir like never before when a lowlife drifter (Don Johnson, Django Unchained), who sells used cars in a Texas burg, robs the local bank and gets involved with two sultry women: one bad, one innocent.

Immediately after viewing this film, in which a woman wakes up every morning with no recollection of what she did the day before, I thought what a wonderful notion it might be if I were to wake up and not remember Before I Go to before, I thought what a wonderful notion it might be if I were to wake up and not remember Before I Go to Before I Go to Sleep.

On the physical side, before we started shooting the film, they put me in the gym with Jason Momoa [Aquaman], Ezra Miller [Flash], the whole crew and an army of Amazon women who would be in our film.