Not exact matches
This is the
character actor's debut
as a writer and director, and it's a good
beginning as Buscemi is able to flesh out real people in an engaging
character study, of
characters who are not the inventions of Hollywood.
English
character actor Timothy Spall plays the painter over the last 25 years of his life
as his work
began to grow more abstract.
As it draws to a close and the forest's sinister forces
begin to reveal themselves, our
characters descend deeper into hysteria, and the true breadth of the story and these
actors» talents bubble to the surface for a superb, ensemble - driven folktale that chills to the bone.
Disc 2
begins with «Into the Wild: The Story, The
Characters» (21:50), a featurette that spends time with Sean Penn, Emilie Hirsch, and author John Krakauer as they reflect on the characters and the actors assigned to bringing the
Characters» (21:50), a featurette that spends time with Sean Penn, Emilie Hirsch, and author John Krakauer
as they reflect on the
characters and the actors assigned to bringing the
characters and the
actors assigned to bringing them to life.
As each
actor, especially Joe Swanberg who plays Drake,
begins to talk and show what type of stereotypical
character they are going to play, I sat in my seat just waiting for them to die.
As the
actor establishes their
character — the
beginning Winslow Boy is sort of a rapid, pre-Christmas ground situation exposition dump; Mamet keeps it moving through dialogue speed, repetition, Barbara Tulliver's editing, and especially Benoît Delhomme's photography.
which
began filming earlier this week, follows the two
actors as their
characters find love and camaraderie on the picket line.
The virtues essentially stop with the shot design and the work of Edward Norton (himself being a sort of walking meta joke,
as his
character arrives on scene and immediately
begins armchair directing and taking control, something for which Norton himself has been infamous on set), and while the other
actors are fine, they do not manage to separate themselves
as anything other than puppets for Inarritu's agenda, who looms over every frame like some petulant child with a grudge and a budget that allowed him to force his opinions on an unwitting public.
As the conductor
begins to walk away from the
actors and singers, the frames are now completely out of sync, and each focuses on different
characters: the couple, the chorus, the conductor.
Many of Sendor's works
begin as visions, which coalesce into fictional narratives and scripts,
as he hires
actors and other artists to play his
characters» roles.