Sentences with phrase «began as an exhibition»

Not exact matches

At any rate, as is true among all early peoples, from the beginning till far down the course of Hebrew thought, thunder and lightning were regarded as special exhibitions of superhuman power.
Windows began in 1985 as a fine dining restaurant, but soon after it opened patrons started asking chef - proprietor Henry Dinardo if he would cater art exhibition openings, weddings and high - end, large - scale corporate events.
Despite losing five of six exhibition games, Miami should have a year in keeping with its three - year performance as an expansion team (12 -29-1, best anywhere since football began growing).
Joachim Low will be encouraging his team to forget their past achievements though as this game with the Argentinians is not just an exhibition match, but a chance to prepare for their Euro 2016 qualifying campaign — which begins on Monday.
As the 20th Century came to a close, the Chicago Academy of Sciences began initiating plans to expand the Laflin Building and to provide more room for exhibitions, collections storage, and office space.
After I gained a choral exhibition to Cambridge's Corpus Christi College to read music, politics began to take over as the primary ambition.
Hon Kyei Mensah Bonsu tasked his constituency executives to move round the constituency and collect data of people with Northern and volta extraction so that they may be labelled as dead when the exhibition exercise begins.
I remember the first day of the boycotts clearly: They began the same day as the exhibition of my science project, which, of course, I had worked very hard on.
The researchers» investigations into fish biofluorescence began with a serendipitous observation of green eel fluorescence off of Little Cayman Island as Sparks and Gruber were imaging coral biofluorescence for an exhibit for the traveling American Museum of Natural History exhibition Creatures of Light: Nature's Bioluminescence.
«At the time I began my career in 1967 as a technical assistant on the Velar team, the intention was never to build a luxury vehicle,» he said at the exhibition's opening.
I found that walking seemed to alleviate my spirits, and so, once the novelty of the Exhibition had begun to fade, I started to explore the centre of Glasgow, to familiarise myself with this Second City of the Empire, this place of many hills - and it was on one of these invigorating excursions that I first encountered two ladies who, as it transpired, turned out to be close relatives of Ned Gillespie.
When work on the gallery's skulls, skeletons and teeth specimens began, an idea was born: hand - made transparent masks featuring animal teeth that would allow visitors to take «teeth selfies» to be displayed as part of the exhibition.
Alley cat exhibitions meant to improve the image of homeless cats were held as early as 1928, apparently beginning in Masillon, Ohio.
Naturally, Qatar will provide a lift for the whole region as infrastructure projects begin in earnest, in preparation for the FIFA World Cup 2022,» said Mark Walsh, Group Exhibition Director, Reed Travel Exhibitions.
«Some of these key factors include the unwavering commitment of the Abu Dhabi government to a well - thought - out plan, a strong and vibrant economy as well as the substantial strides made in the development of the tourism infrastructure including expansion of airport capacity, exhibition and meetings space, the completion of iconic hotel developments and an overall increase in hotel / hotel apartment room capacity which went from 12,800 rooms at the beginning of the year to 17,500 at the year - end.
I have been filling sketchbooks with designs in thatch for some time, but in creating this new piece of work, I was able to spend time with a thatcher (called Stewart Alexander) and design and make a unique piece of work for my exhibition as a result, albeit relatively small - scale for the time being until my skills and experience increase — my experience of thatching is at the absolute beginning.
As the debate around gender politics intensifies, this exhibition champions the emergence of the «gritty woman» in creative imagery, as brands begin to challenge stereotypes and embrace a fiery female mentalitAs the debate around gender politics intensifies, this exhibition champions the emergence of the «gritty woman» in creative imagery, as brands begin to challenge stereotypes and embrace a fiery female mentalitas brands begin to challenge stereotypes and embrace a fiery female mentality.
The exhibition is the final show at the Whitney for curator Jay Sanders, who has already begun a new term as executive director and chief curator at Artists Space.
Anderson converted the building into a state - of - the - art exhibition space and managed it as a commercial gallery beginning in 1991 before donating it to the University at Buffalo in 2000.
As it's a major exhibition, with 24 paintings on its checklist, I very much wish I could rave about it from beginning to end, but I'm afraid that I found it uneven.
His early career as a painter began after he was inspired by an 1883 exhibition in Boston of works by European impressionists.
As it is, the first paintings in the current exhibition with the same vibrant strength are not the pictures of tobacco papers and air fresheners that greet you at the beginning.
Beginning with the Renaissance masters, this scholarly and innovative exhibition examines the term «unfinished» in the broadest possible way and includes works left incomplete by their makers, which often give insight into the process of their creation, as well as those that partake of a non finito — intentionally unfinished — aesthetic that embraces the unresolved and open - ended.
Beginning in October, Haynes will contribute to all aspects of the museum's contemporary art program including exhibitions, acquisitions, and publications, as well as community programming and donor engagement.
An extensive archive of videos and documentary material related to works such as Damaged Goods Gallery Talk Starts Here (1986), Preliminary Prospectuses (1993), and Services (1994) will mark the beginning of this exhibition.
As part of the festival's events program, Ballroom Marfa will present an artist talk with Blumenfeld, who will speak on the evolution of her practice, beginning with her 2005 exhibition, Lunation 1011, to the genesis of her current work, The Polar Project.
The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.
«I believe that one reason I began writing essays — a form without a form, until you make it — was this: you didn't have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story,» Als writes in the introduction to his forthcoming book, which is titled after the exhibition.
Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.
Exhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cExhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cexhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal conferences.
After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»
As critical responses to the exhibition emphasized, New York has long been an important source of inspiration and material for the artist, who first came to the city in 1960; the exhibition included the work I Love New York, Crazy City (1995 — 1996), a three - volume scrapbook of architectural photographs, maps, hotel bills, receipts, flyers, and other souvenirs that Genzken began composing during a stay of several months.
While I was on my way to see his current exhibition, Trevor Winkfield — Saints, Dancers and Acrobats, at Tibor de Nagy Gallery (February 17 — March 25, 2018), I began to wonder — as someone who has followed his work since the late 1970s, and who has read many of the things written on his work, as well as much of his own writing — if I could add anything to what has already been said.
Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art...
As part of the 2017 group exhibition «Speech / Acts» at the ICA Philadelphia, Jemison displayed selections from «Untitled (Affirmations for Living),» an ongoing collage series she began in 2011.
Adventures of the Black Square, Abstract Art and Society 1915 — 2015 at Whitechapel Gallery until 6 April clearly and alternatively positions the work's reductive form (in this exhibition it is Malevich's diminutive undated Black Quadrilateral that is featured) as the beginning of a new art starting in Russia and Northern Europe in the early twentieth century.
When North Adams Mayor John Barrett III suggested the vast Marshall Street complex as a possible exhibition site, the idea of creating a contemporary arts center in North Adams began to take shape.
«The exhibition John Graham: Maverick Modernist at the Parrish Art Museum in Water Mill, Long Island, is a unique opportunity to explore the work of an artist who has hovered on the margins of the Modernist narrative for more than a half - century, when he isn't forgotten altogether... Maverick Modernist takes a deep dive into Graham's background as an artist, a career he began in earnest when, at the age of 35, he enrolled in the class of the Ashcan School painter John Sloan at the Art Students League in New York City.»
Since the beginning of his career, Tillmans has taken an active interest in the display of his works, using the exhibition as a distinct medium in its own right.
In the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practice.
As demonstrated in the exhibition's 1972 portrait of Warhol, he began by appropriating commercially printed imagery, and it was not until the early 1970s that he took his first photographs with a Polaroid camera.
As this exhibition demonstrates, we are just beginning to assimilate the depth of his work's complexities.
ARoS and Tate, London will begin a collaboration to stage an exhibition showing works by a number of seminal artists often referred to as partaking to the School of London, including: Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, Michael Andrews, and Paula Rego.
Tranen was designed by Henning Larsen Architects in the beginning of the 1980s as an ideal niche for the exhibition of contemporary art in a very public setting.
Natasha Kurchanova: Mark, I am interested in the beginning of your career as an artist because I would like to trace the transition between painting, in which you majored at Stanford University, and puppetry, which you started doing almost immediately after your first exhibition.
Twelve Galleries Project began in 2008 as a roving exhibition series featuring the work of emerging artists over the course of one year.
Starting in the mid-1950s, Giacomelli began to win photographic prizes and exhibit in group shows many of which focused on post-war humanistic photography, such as the exhibition entitled, «What is Man?»
The project space began as a pop - up exhibition that also played so well against the neighborhood's retail culture.
Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.
This exhibition charts Höch's career beginning with early works influenced by her time working in the fashion industry to key photomontages from her Dada period, such as Hochfinanz (High Finance)(1923), which sees notable figures collaged together with emblems of industry in a critique of the relationship between financiers and the military at the height of an economic crisis in Europe.
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