Sentences with phrase «began creating installations»

In an effort to change that experience, I began creating installations and environments that my audience would walk into and become part of.

Not exact matches

When the BMA opens at 11 a.m., four volunteers will begin spitting colored food dye onto three walls of a gallery adjacent to the BMA's East Lobby, creating a vibrant backdrop for a new installation of Herring's work that will be on view beginning Saturday, October 22.

Working with Rhoades to realize large - scale installation projects like The Plexiglas House (2006), Dodd began integrating performance and architectural interventions to create holistic environments that generated their own narratives and pointed back to the performative quality of the artist studio as well as the everyday.

Roy began to receive grants for this work, the first from the New York Foundation for the Arts, and invitations to create installations around the world: Japan, Finland, Italy, Brazil, Canada, Costa Rica, France, Korea, Taiwan, and the United States (he recently returned from a residency on the tidal shore of the Mississippi River south of New Orleans where he created a piece in the water from black willow sticks).

«The Sentinels,» her series of five sculptures — Shape Shifter, Gridlock, One Way, Take Out, and a new yet - to - be-named work created for the Broadway installation — will be on exhibit along Broadway, from 36th to 41st Streets in the Garment District, beginning in early June through mid-November 2014.

Since the mid-1990s, Kruger began creating various large - scale immersive video — audio — text installations, which can completely envelop the viewer and his mind.

Oldenburg eventually began to create large - scale public installations, many of which were created in collaboration with Coosjie Van Bruggen, whom he later married.

This installation was specifically conceived for «Uneasy Dancer», and will include a number of newly created elements denoting the idea of representing the whole of anything, from beginning to end.

Though he was initially trained as an oil painter, Deng Guo Yuan also began creating sculptures and installations that both pay respect to traditions in Chinese art and incorporate elements of Western aesthetics.

Weems (American, born 1953) began the work while completing an MFA at the University of California, San Diego, where the late artist Allan Sekula created a similar installation about this family, Aerospace Folktales (1973), on view in the historical wing of the museum during the run of the exhibition.

The show begins with Genzken's crafted minimalist sculptures — structurally engineered and with a very obvious architectural basis — and culminate with her series of assemblages and installations that she is most well known for creating.

While «The Universal Adversary» is the first exhibition of this magnitude in the gallery, Ritchie has been working on an architectural scale for the last five years, beginning with Games of Chance And Skill in 2002, a permanent installation created for MIT, and to be followed this summer by Stare Decisis, a GSA - commissioned installation for a new Federal Courthouse in Oregon, designed in conversation with Pritzker prize - winning architect Thom Mayne.

At the end of the performance, where I created the makeshift shelter (continuously making and searching for a space - theme of the installation) for myself, I got back into the beginning position.

This was Damien Hirst's winning installation in 1995, titled Mother and Child, Divided, marking the beginning of his creating of art out of animal carcasses.

From the late 90s on, Genzken began to create increasingly complex sculptural installations.

[9] Works of art began to emerge from the walls of the museum and galleries (Daniel Buren, Within and Beyond the Frame, John Weber Gallery, New York, 1973), were created specifically for the museum and galleries (Michael Asher, untitled installation at Claire Copley Gallery, Los Angeles, 1974, Hans Haacke, Condensation Cube, 1963 — 65, Mierle Laderman Ukeles, Hartford Wash: Washing Tracks, Maintenance Outside, Wadsworth Atheneum, Hartford, 1973), thus criticizing the museum as an institution that sets the rules for artists and viewers.

New Beginning marks the artist's first exhibition with the gallery, and Harada has crafted nine new works, including a large - scale installation of cherry blossom branches created from hand - cut pieces of thin, foam sheet and found materials.

Within the context of current museum discourse and its pedagogic role, Murphy creates an installation that begins ostensibly in the early 1900s and runs to the exhibition entitled Berlin!

Ng Ka - chun begins with the concept of a greenhouse and is creating handmade utensils from the wooden handles of hoes, not only to extend the life of farming tools through his craftsman's skills, but also to care about the development of local farming and Morgan Wong expresses his concerns about issue of lifespan through his installation work.

Renée Stout Renée Stout grew up in Pittsburgh and in 1985 moved to Washington, D.C., where she began to create installations and mixed media assemblages that explore the roots of her African - American heritage and the culture and belief systems of African peoples and their descendants throughout the African Diaspora.

Named after a1966 Beach Boys album and originally created for New York City's Madison Square Park, this outdoor installation is comprised of six sculptures that begin as brightly colored railings that unexpectedly morph into formless shapes that evoke insects, sea creatures or — more ominously — industrial effluvia.

Secrets to Tell (8 November 2017 — 5 February 2018) at MAAT is inspired by the video installation The Desire Project — an artwork created for the 32nd São Paulo Biennale (2016) and featured on Goodman Gallery's South South: Let me begin again (2017) exhibition.

After moving to downtown Los Angeles in 1982, Tomaselli began creating performative installations, a direction he continued after moving to Brooklyn in 1985.

Beginning in 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold, fluorescent lamp installed diagonally on a wall, until his death in 1996, Flavin produced a singularly consistent and prodigious body of work that utilized fluorescent light to create installations (or «situations,» as he preferred to call them) of light and color.

More recently, she has begun transforming these backdrops into immersive installations, creating three - dimensional tableaux that humorously riff on the museological tradition of the period room.

He began creating multimedia installations that synthesized large - scale drawings and paintings, often incorporating his own writing, along with sculptures, videos (one was based on the television show «Captain Kangaroo»), and performances, often scatological and sadomasochistic in nature.

He merged his nonsense word with Bauhaus, the name of the Modernist architecture and design school, to come up with Merzbau, the name he gave to a sprawling site - specific installation he began creating in his parents» Hannover home in 1927.

At the beginning of the 1980s, Welch created two film and sculpture installations, Drive - In, shown at MoMA PS1, Long Island City, New York, in 1980 and Drive - In: Second Feature shown at the Whitney Museum of American Art in 1982.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

Already an established artist when he began his iconic photography experiments in 1969, Greek - born Lucas Samaras created drawings, design objects, paintings, photographs, sculpture and installations using a variety of materials.

He began creating sculptural installations with large sheets of glass that were rendered partly mirrored and partly transparent through the vacuum deposition procedure, thereby making the glass surfaces almost disappear and volumes become weightless.

The influence of Conceptual art, French philosophy, and East Asian art and philosophy moved her to begin creating room - size installations in the mid-1970s.

In 1965, Joseph Kosuth moved from Ohio to New York, where he began creating experimental conceptual installations, museum exhibitions, and public commissions that explore the role of language and meaning within art.

Auad's carpet installations begin by the artist's delicate gathering and repositioning of minute strands of fluff, teased patiently from newly laid carpet... Auad sees these works as three - dimensional, site - specific drawings that create a space in which the viewer can enter and engage with the settings.»

• Assisted cable installers in determining cable issues by operating tools and detection equipment • Created and maintained effective liaison with suppliers and vendors to ensure on - time delivery of installation equipment, tools and materials • Cleared worksites and ensured that any old cabling is removed and disposed of • Set up equipment such as ladders, trenchers and borers to assist cable installer in beginning installation or troubleshooting procedures • Assisted in determining problems with old or already installed cables and providing feedback for possible resolutions