Sentences with phrase «began curating exhibitions»

Gober began showing his work regularly in 1984, and began curating exhibitions in 1986.

He began showing his work regularly in 1984, and began curating exhibitions in 1986.

Not exact matches

This is the seventh iteration of «Flaming June,» a series of exhibitions curated by Sarah Gavlak that began in 1997.

Her participation in three of the city's first artist - run Exhibition Momentum salons beginning in the late»40s, including one curated by Alfred Barr Jr. and Sidney Janis, gave her career an early boost.

Recent exhibitions he has curated include Deviance Begins At Home, a queer group exhibit in his own apartment, and World Of Queercraft, an examination of gender identity by textile and craft artists.

Curated by Sylvie Ramond, director of Lyon's Musée du Beaux - Arts, and French Academy director Eric de Chassey, the exhibition contains the experiments on canvas Soulage began working on in 2000, when he returned to painting after years of absence.

A myriad of problematics emerged as I began to curate this exhibition and write about it.

In the winter students begin developing a significant art project of their choosing that they will later curate and install in a group exhibition at the CUE Foundation in the spring.

2007 Expanded Painting, curated by Paco Barragan & Nina Arias, Miami, FL Reverie + Revolt: contemporary collage, ArtCenter / South Florida, Miami Real Time, David Castillo Gallery, Miami, FL All Is Well That Begins Well and Has No End, Eighty WSE Gallery, New York Summer Residency exhibition, Cooper Union, New York, NY All Media Juried Biennial, Art and Culture Center of Hollywood, FL CCA at 100: Alumni Looking Forward, Braunstein / Quay Gallery, San Francisco

Beginning Sunday, May 14, 2017, The Brant Foundation Art Study Center will present a group exhibition curated by Sadie Laska, including works from The Brant Collection and loans from museums, galleries and other private collections.

Curated by LeVine, Urban Alchemists will occupy a 2,200 square - foot space within Goldman Properties» Wynwood Walls — a project that began in 2009 as an open - air art park, which will expand its permanent exhibition this year with the addition of several new murals and museum - quality works of art.

Curated by Sharjah Art Foundation President and Director Hoor Al Qasimi, I Am The Single Work Artist is the culmination of the artist's lifelong role as an advocate and pioneer for the development of contemporary art and thought in the United Arab Emirates and in Sharjah, where he first began staging interventions and exhibitions of contemporary art, and exhibited at the first Sharjah Biennial in 1993.

I believe it is a similar story with you, since you began collecting postcards of famous paintings as a child and, rather precociously, curating them into miniature exhibitions.

Queens, NY, «Columbia University MFA Thesis Show,» May White Columns Bulletin Board at Bard CCS, Annandale - on - Hudson, NY, «The Dream of Reason / The Sleep of Reason,» January 26 — March 5 2008 Beijing, China, «Blank Show / «空白展 — 2008» Begin with the Beginning,» in collaboration with David Brooks, May The Nash Building at Columbia University, New York, NY, «First Year MFA Exhibition» 2005 CRG Gallery, New York, NY,» Greater Brooklyn,» curated by Alex Dodge and Glen Baldridge, May 19 — July 22 BIBLIOGRAPHY 2011 Gopnick, Blake.

How did you begin working with Lucien Terras, who curated the exhibition in the gallery space of your apartment building?

The sequel to the 2014 bestseller (Curating) From A to Z, this book extends the investigation of curatorial practice that the writer, exhibition maker and educator Jens Hoffmann (born 1974) began in the first volume.

The three exhibitions include: «Unrest of Form: Imagining the Political Subject,» part of the Wiener Festwochen in Vienna and curated by Karl Baratta, Stefanie Carp, Matthias Pees, Hedwig Saxenhuber, and Georg Schöllhammer; «Monday Begins on Saturday,» part of the Bergen Assembly and curated by Ekaterina Degot and David Riff; and «Giving Form to the Impatience of Liberty,» at the Wu?rttembergischer Kunstverein Stuttgart and curated by Hans D. Christ and Iris Dressler.

Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).

Previously, he was Assistant Curator at The Studio Museum in Harlem, where he organized When the Stars Begin to Fall: Imagination and the American South (2014); Radical Presence: Black Performance in Contemporary Art (2013), a traveling exhibition curated by Valerie Cassel Oliver; and Fore (2012), co-organized with Lauren Haynes and Naima J. Keith.

This exhibition will be the third installment of the series, which began in 2015 with an exhibition curated by visual artist and composer Mark Mothersbaugh, and continues in early 2017 with an exhibition curated by contemporary artist and filmmaker Julian Schnabel.

MOCA curated the exhibition, which will begin a national tour after a summer stay in Virginia Beach.

I had just begun working as an exhibitions installer at the Harvard University Art Museums and we were installing Extreme Connoisseurship, a show curated by Linda Norden from, if I recall correctly, the Fogg's collection -LSB-.....]

He began working at Foksal Gallery in 1988, curating exhibitions by such artists as Luc Tuymans, Franz West and Douglas Gordon.

Another force was the founding of the Studio Museum in Harlem in 1968 and pioneering exhibitions that began to change the conversation, like one Mr. Gaither organized at the Museum of Fine Arts in 1970, «Afro - American Artists: New York and Boston»; and «Two Centuries of Black American Art,» curated by the scholar David C. Driskell in 1976 for the Los Angeles County Museum.

«The Red Divers of the Everglades: The Battle Begins» is curated by Ben Tollefson, assistant curator of SCAD exhibitions.

Curated by the Menil's Michelle White, the first retrospective exhibition of Bontecou's drawings spans more than five decades of her career, from the late 1950s, when she began her innovative works on paper using a welding torch and soot, to ongoing work from her Pennsylvania studio.

This exhibition marks the Museum's third installment of its Artists Select series, which began in 2015 with an exhibition curated by visual artist and composer Mark Mothersbaugh, and continues in early 2017 with an exhibition curated by contemporary artist and filmmaker Julian Schnabel.

Curated by Thibault Sandret of Glam Trash Pop and hosted by Virginie Sommet «s Studio / Gallery 173 on Canel Street is the exhibition «Don't Call It Street Art,» which will be on open to the public beginning this weekend on Dec 15th.

But it was in the wake of his 2006 solo exhibition, Gianni Colombo: Il Dispositivo dello Spazio, curated by Marco Scotini (who since 2004 has been director of Archive Gianni Colombo and who curated the Castello di Rivoli show with Documenta 13 director Carolyn Christov - Bakargiev) at the Rotonda di via Besana in Milan, that a new reading of his oeuvre began to emerge.

I had just begun working as an exhibitions installer at the Harvard University Art Museums and we were installing Extreme Connoisseurship, a show curated by Linda Norden from, if I recall correctly, the Fogg's collection of contemporary art.

Their professional collaborations began seven years later, when the 24 - year - old Obrist curated his first Richter exhibition; the following year he published a collection of his writings.

A year and a half ago, I began brewing mead as part of two - person exhibition at Chicago Artists Coalition titled «Life, in some form» (curated by Christina Cosío & exhibiting alongside artist Brittany Ransom: http://www.thevisualist.org/2012/12/marissa-lee-benedict-brittany-ransom-life-in-some-form/).

Curated by Simonetta Fraquelli, an independent curator and specialist in early twentieth - century European art, the exhibition explores Pablo Picasso's work between 1912 and 1924, prior to, during, and after the tumultuous years of the First World War, when the artist began exploring both cubist and classical modes in his art.

This year's group exhibition will be curated by BOLT mentor, Christopher Ottinger and CAC's Exhibitions Assistant, Stevie Reynolds.This exhibition presents early iterations of the artists» works, offering viewers a glimpse of solo shows to come, which will begin in March 2014.

Hyde Park Art Center's 75th Anniversary exhibition season begins with a twist featuring a guest - curated exhibition of work by two longtime artists: Richard Loving and Eleanor Spiess - Ferris.

Curated by Salwa Mikdadi with Barjeel curators Mandy Merzaban and Karim Sultan, the exhibition covers a century of artistic production in the Arab region and its diaspora, beginning from the late 19th Century to the late 20th Century.

During 2015, he began as Marlborough Chelsea's archivist, curated several pop - up exhibitions in Huntington, NY, and completed the Copy Shop Residency at Endless Editions in NY.

His work will also be included in a new exhibition curated by William Ewing - Landmark: the Fields of Photography, at the Somerset House, Strand, in London, beginning March 28th.

It's the beginning of another week in the Roaring Fork Valley, and this is Week in the Arts, a curated list of upcoming exhibitions and events.

Next Thursday is the opening of «Latin Explorations» a new exhibition curated by Pablo Aravena that will showcase the work of five artists with artistic backgrounds that began in the

The exhibition curated by Jochen Eisenbrand takes you on a trip into the life and work of the Amercian - French - Italian designer, starting with his early beginnings in architecture; to his bright and bold textiles for Herman Miller; his living interiors and restaurant concepts and of course, his extensive folk art collection.

The exhibition, curated by Brian Wallis, former Chief Curator at the International Center of Photography in New York, will be on view at The Walther Collection in Neu - Ulm, Germany, beginning May 17, 2015, and will be accompanied by a catalogue published by Steidl / The Walther Collection.

Next Thursday is the opening of «Latin Explorations» a new exhibition curated by Pablo Aravena that will showcase the work of five artists with artistic backgrounds that began in the streets and whose current work exhibits experimentation with figuration and syncretism in Spain and Latin America.

In 2017, the most anticipated exhibition of an artist from Taiwan will be the solo show by the famed performance artist Tehching Hsieh, curated by Adrian Heathfield, in the national pavilion at the 57th Venice Biennale, which begins in May.

An earlier version of this article misidentified the organization that invited artist Glenn Ligon to curate an exhibition beginning with a single work, Ellsworth Kelly's «Blue Black.»

The Pulitzer Arts Foundation invited artist Glenn Ligon to curate an exhibition at the St. Louis - based institution beginning with a single work: Ellsworth Kelly's «Blue Black,» a commissioned piece that hangs in a large vertical space in the Tadao Ando - designed minimalist museum space.

2008 Au Courant, Dam Stuhltrager, Brooklyn, NY Art On Paper 2008 Biennial, Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC, curated by Xandra Eden Landmark, Two - person exhibition, Crawl Space Gallery, Seattle, WA Untold stories of begin where you are, Takt kunstprojektraum, Berlin, Germany 21st Annual McNeese National Works on Paper Exhibition, Abercrombie Gallery, McNeese State University, Lake Charles, Louisiana, Juror: Elizabeth Dunbar, Curator, arthouse, Austin, TX SITElines, Two - person exhibition, The Art Gym, Marylhurst University, Marylhurst, OR, curated by Terri Hopkins Faculty Biennial, Archer Gallery, Clark College, Vanexhibition, Crawl Space Gallery, Seattle, WA Untold stories of begin where you are, Takt kunstprojektraum, Berlin, Germany 21st Annual McNeese National Works on Paper Exhibition, Abercrombie Gallery, McNeese State University, Lake Charles, Louisiana, Juror: Elizabeth Dunbar, Curator, arthouse, Austin, TX SITElines, Two - person exhibition, The Art Gym, Marylhurst University, Marylhurst, OR, curated by Terri Hopkins Faculty Biennial, Archer Gallery, Clark College, VanExhibition, Abercrombie Gallery, McNeese State University, Lake Charles, Louisiana, Juror: Elizabeth Dunbar, Curator, arthouse, Austin, TX SITElines, Two - person exhibition, The Art Gym, Marylhurst University, Marylhurst, OR, curated by Terri Hopkins Faculty Biennial, Archer Gallery, Clark College, Vanexhibition, The Art Gym, Marylhurst University, Marylhurst, OR, curated by Terri Hopkins Faculty Biennial, Archer Gallery, Clark College, Vancouver, WA

Santa Maria della Scala, Siena Curated by Max Seidel and Carlotta Castellani With this exhibition, the Neapolitan artist pays tribute to Siena with the presentation of a dozen of unpublished large format works around two distinct cycles: the Fiori d'inferno series, which has taken him five years of observing the flowers that can be found in the American metropolis during the coldest months of the year, while the series that revolves around the great canvas of Albero della Vita summarizes the language of emblems adopted by Clemente since his beginnings.

Curated by Caroline Picard, this exhibition is part of an on - going investigation that began with Field Static (The Co-Prosperity Sphere, 2012), Ghost Nature (Gallery 400 / La Box ENSA, 2014), and congealed last fall in a group show about the material of the human body, The New [New] Corpse (Sector 2337, 2014).

This piece — its documentary mode, its gritty surface, its use of technology — is the perfect beginning for the Museum of Contemporary Photography's Phantoms in the Dirt, a group exhibition curated by Karsten Lund, which currently showcases sixteen artists.