Sentences with phrase «began curating shows»

Not exact matches

And the other thing I do is I curate the publishing news at the beginning of every show as well.

Thomas J. Lax curated «When the Stars Begin to Fall,» a 2014 show at the Studio Museum in Harlem exploring African American vernacular art in the South, and MoMA promptly hired him.

In 2012, he began curating art shows, trying to bring African art, especially painting, to the Pacific Northwest.

Hyperallergic contributor Brendan Carroll has curated this group show, Out of Step, which begins with the question: «Given the new media of today — Internet art, generative software, digital projection mapping — why do artists continue to paint?

He had begun to read a quote by the French philosopher Simone Weil as a way of introducing «Alice Neel, Uptown,» the show he curated at David Zwirner gallery, when the themes he'd immersed himself in the last six years in preparation for it struck him — suddenly and all at once — as almost too timely in this «weird political climate.»

Strategies of Non-Intention: John Cage & artists he collected / Gering / 14 E 63 (new location) / thru 8/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Distilled: The Small Painting Show / Jacobson / 17 E 71 / thru 7/31 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Helen Frankenthaler and David Smith / Starr / 5 E 73 / thru 8/8 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 8/22 (extended) Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 7/11 (extended) Jeff Koons / Whitney Museum / Madison @ 75 / thru 10/19 Opening 6/27 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27 The Shaped Canvas, Revisited / Luxembourg & Dayan / 64 E 77 / thru 7/3 Ed Rusha thru 7/11; Marcel Duchamp thru 8/8 Opening 6/26 / Gagosian / 980 Madison @ 77th Barbara Crane / Higher Pictures / 980 Madison @ 77 / thru 6/21 Journal / Venus Over Manhattan / 980 Madison @ 77 / thru 7/26 Lynn Chadwick / Blain - DiDonna / 981 Madison @ 77 / thru 7/25 James Lee Byars / Werner / 4 E 77 / thru 8/30 Peter Davies / Roitfeld / 5a E 78 / thru 8/10 Eddie Martinez / Half / 43 East 78 / thru 7/15 Nancy Graves / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 6/27 Jean Dubuffet; Miquel Barcelo / Acquavella / 18 E 79 / thru 9/19 Opening 6/30 Lucien Smith / Skarstedt / 20 E 79 / thru 6/27 Luke Diiorio / Blumenthal / 1045 Madison @ 80 / thru 7/2 Lucas Samaras thru 9/1; Dan Graham with Gunther Vogt thru 11/2; Goya thru 8/3; Etc. / Met Museum / 5th Avenue @ 82nd Italian Futurism thru 9/1, Etc. / Guggenheim / 1071 Fifth Avenue @ 89 The Annual: Redifining Tradition / National Academy / 1083 Fifth Avenue @ 89 / thru 9/14 Sophie Calle / Cooper + Perrotin @ The Episcopal Church of the Heavenly Rest / 2 E 90 / thru 6/25 Mel Bochner thru 9/21; Other Primary Structures thru 8/3; Etc. / Jewish Museum / 1109 5th Avenue @ 92 Museum Starter Kit: Open with Care, Etc. / El Museo del Barrio / 1230 Fifth @ 104 / thru 9/6 Glenn Kaino; When the Stars Begin to Fall; Carrie Mae Weems; Etc. / Studio Museum / 144 W 125 / thru 6/29 If You Build It / No Longer Empty / 115 & St. Nicholas Ave. / thru 8/10 Opening 6/25 (7 - 9 PM) BROOKLYN Parallel Shift / NARS Foundation / 201 46th Street — floor 4, Sunset Park / thru 6/20 Itness: MaDora Frey; Nicola Ginzel; Heide Hatry; Fawn Krieger; Seren Morey / Trestle / 168 7th, Gowanus / thru 7/2 Myles Bennett, Jay Gaskill, Cat Glennon, Enrico Gomez, Eliot Markell, Esther Ruiz and Jeanne Tremel / Ground Floor / 343 5th / thru 6 /?

Woodman hypothesizes that with the rise of second wave feminism in the 1960s, curators began to feel self - conscious about curating all male shows, and rightfully so.

Queens, NY, «Columbia University MFA Thesis Show,» May White Columns Bulletin Board at Bard CCS, Annandale - on - Hudson, NY, «The Dream of Reason / The Sleep of Reason,» January 26 — March 5 2008 Beijing, China, «Blank Show / «空白展 — 2008» Begin with the Beginning,» in collaboration with David Brooks, May The Nash Building at Columbia University, New York, NY, «First Year MFA Exhibition» 2005 CRG Gallery, New York, NY,» Greater Brooklyn,» curated by Alex Dodge and Glen Baldridge, May 19 — July 22 BIBLIOGRAPHY 2011 Gopnick, Blake.

I had just begun working as an exhibitions installer at the Harvard University Art Museums and we were installing Extreme Connoisseurship, a show curated by Linda Norden from, if I recall correctly, the Fogg's collection -LSB-.....]

It won't be until late August that we begin to see the first of Etherington's curated shows in Santa Fe; right now the gallery is honoring prior commitments including to Santa Fe painter Christopher Benson having his first solo show of realist canvases, reminiscent of Fairfield Porter.

He began showing his work regularly in 1984, and began curating exhibitions in 1986.

Do you create your sculptures as individual pieces and then curate them into a coherent show or do you think about the larger body of work as a whole and then begin to develop the individual works?

Cornelia Parker is curating a major show beginning May 27th at The Foundling Museum in London in which 60 artists have been asked to produce a response to the term «found».

But it was in the wake of his 2006 solo exhibition, Gianni Colombo: Il Dispositivo dello Spazio, curated by Marco Scotini (who since 2004 has been director of Archive Gianni Colombo and who curated the Castello di Rivoli show with Documenta 13 director Carolyn Christov - Bakargiev) at the Rotonda di via Besana in Milan, that a new reading of his oeuvre began to emerge.

I had just begun working as an exhibitions installer at the Harvard University Art Museums and we were installing Extreme Connoisseurship, a show curated by Linda Norden from, if I recall correctly, the Fogg's collection of contemporary art.

This year's group exhibition will be curated by BOLT mentor, Christopher Ottinger and CAC's Exhibitions Assistant, Stevie Reynolds.This exhibition presents early iterations of the artists» works, offering viewers a glimpse of solo shows to come, which will begin in March 2014.

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

You can see the beginnings of this new course in the Boston University show curated by Katherine French, The World As Mirror: Paintings by Jon Imber 1978 - 1998.

In 2017, the most anticipated exhibition of an artist from Taiwan will be the solo show by the famed performance artist Tehching Hsieh, curated by Adrian Heathfield, in the national pavilion at the 57th Venice Biennale, which begins in May.

Gober began showing his work regularly in 1984, and began curating exhibitions in 1986.

Curated by Caroline Picard, this exhibition is part of an on - going investigation that began with Field Static (The Co-Prosperity Sphere, 2012), Ghost Nature (Gallery 400 / La Box ENSA, 2014), and congealed last fall in a group show about the material of the human body, The New [New] Corpse (Sector 2337, 2014).

On Saturday night, he estimated that he has curated more than 200 shows during his career, which began in California in the 1950s.

After that, Flannery Silva will have a solo show, and then Alex Ito will be curating a group show at the beginning of the summer.

«There's a pictorial sort of decorum,» says Diana Tuite, who curated the Katz show at Colby, «and he's really beginning to interrogate portraiture.

Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for «Frontier» magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, «African Art in Motion,» Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California.

Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan) Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show: Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact, Field Projects Gallery, New York, NY Peep, A Curious Look Into Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range: Painting at the University of Pennsylvania, University of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art of the State, Pennsylvania Museum of Art, Harrisburg, PA Former AIR, Bemis Center for Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA

Martin Gustavsson — Since curating «Chase of Grace», Martin Gustavsson's recent group show at Maria Stenfors in January 2012, the gallery is delighted to announce that «In No Particular Order», a series which began in 2010, will be exhibiting with FormContent at Eastside Projects, Birmingham, at the end of May 2012.

The show began from the invitation by Vleeshal's director Roos Gortzak to Cally Spooner to curate a group show which would draw from the collections of Vleeshal and M HKA, and be concurrent and connected to the artist's solo show at Vleeshal Markt.

«After the end, before the beginning — PIPA Institute Collection», group show featuring Berna Reale, Cadu, Luciana Magno, Paulo Nimer Pjota, Paulo Nazareth and Rodrigo Braga Curated by Luiz Camillo Osorio On view from March 9th until June 9th, 2018

Curated by Amie Potsic, CEO and Principal Curator of Amie Potsic Art Advisory, LLC, the show begins on June 1 and runs through July 1.

In 1988 she participated in the exhibition Freeze curated by the artist Damien Hirst (born 1965), a show that is widely acknowledged as marking the beginning of the YBA (Young British Artist) movement.

Testing Ground will begin the year with an exhibition by MFA Curating students from London Metropolitan University and Goldsmiths College alongside a specially produced show by Athena Papadopoulos for the Invites programme.

In 2014 she staged solo exhibitions of photographs and sculptures, routinely curated all - female group shows, put out major editorial and commercial projects, made a monograph, and recently began...

Pierogi represents the work of emerging, mid-career, and established artists engaging in conceptually driven, process oriented work in a wide range of media: from the diagrammatic drawings of Mark Lombardi, the large - scale, nuanced still life drawings of Dawn Clements, and the interactive installations of Andrew Ohanesian, to the historically significant work of Kim Jones (who began his career as a performance artist in LA in the early 1970's), as well as curated exhibitions such as the award - winning Dead Tree installation (a recreation of the Robert Smithson work originally shown in Dusseldorf's Kunsthalle, 1969).

Throughout my twenties I published fanzines containing interviews with artists I liked and began curating art shows for other people.

Born in Nigeria, he came to New York City during the 1980s to study political science, after which he performed poetry readings at the Nuyorican Poets Café in the East Village and other places, founded the contemporary African art journal Nka, and began curating a prodigious number of shows relating to photography and, often, the way the African experience was documented both at home and in the West.

, Futura, Praga 2015 Contemporary Art Museum St. Louis Benefit Auction 2015 «Interregnum», Rob Tufnell, Londra 2015 «Under a Thawing Lake», Città del Messico 2015 Paramount Ranch, Los Angeles, CA 2015 Hollywood Hills House, Los Angeles, CA 2014 «Corruption Feeds» curated show by Will Benedict, Bergen Kunsthall, Bergen 2014 «Increasingly Skeptical Bodies Begin to Come Forward», Welcome Screen, Londra 2014 «The Office», curated by Pierre - Alexandre Mateos & Charles Teyssou, ACL Partners, Parigi 2014 «RRBGGGRWW (polysemes)», Grand Century, New York City, NY 2014 «Puppies Puppies ft. Martin Creed», Important Projects, Oakland, 2014 Bed - stuy Love Affair Benefit Auction, Brooklyn, NY 2014 «Lena Youkhana + Puppies Puppies», PeregrineProgram, Chicago, IL 2014 «Are You Thinking About Atlantis?»

The Lexington Art League, a non-profit organization that began as a collective over 50 years ago, manages the Loudon House, a beautiful mansion converted into gallery spaces and artist studios where it hosts annual nationally curated shows and 4th Friday events.

2015 Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?

«Abstraction out of Bounds» begins with a response to two exhibitions from the time of its publication: the 1997 Whitney Biennial, and a show curated by Lilly Wei at the Newhouse Center for Contemporary Art at Snug Harbor, Staten Island, «After the Fall: Aspects of Abstract Painting since 1970.»

In September of this year, many of these artists» works were shown together again in a felicitous exhibition curated by Irving Sandler at Loretta Howard Gallery in Chelsea, which hosted this book's launch, reminding us: where and how does one begin?

«FICTIONS» marked a set of endings: It was the fifth in the Studio Museum's «F - show» series, which began with the landmark 2001 exhibition «Freestyle» (curated by Thelma Golden, the show proposed the contentious, generative term post-black), and was the last to be on view in the museum's current home in Harlem.

But before we begin, we'd be remiss if we didn't mention our own account @styleathome and that of our design editor Anne Marie Favot, whose beautifully curated boards show off her signature style!