In the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG
began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practice.
In 1992, the tandem team of Russian - born American conceptualist artists, Komar & Melamid,
began developing the exhibition known as Monumental Propaganda in partnership with ICI.
Not exact matches
Throughout the crowdfunding campaign and leading up to the
exhibition's opening, visitors following the DMA's social media platforms and subscribers to the Museum's email can follow the process of
developing the
exhibition from
beginning to end, with exclusive insights from DMA staff, spanning nearly every department at the DMA.
In the winter students
begin developing a significant art project of their choosing that they will later curate and install in a group
exhibition at the CUE Foundation in the spring.
In 2006, NMWA presented Booker's work in the FOREFRONT
exhibition series which features an emerging to mid-career artist who has
begun to
develop an international reputation.
Against this backdrop, a new generation of black and Asian artists, writers and curators
began to respond to the political, social and sexual issues of the day, getting together to create
exhibitions and
develop subversive strategies, and to produce art, film and literature that reflected their diverse identities and experiences.
«It has an unparalleled collection of art and a deep history of helping artists
develop their practice and realize ambitious projects... I am excited to
begin working with Jessica and the team to guide Dia's strategic approach to
exhibitions, collections, and public programs and help the institution continue to fulfill its mission.»
The artists in this
exhibition came to The Arts Students league early in their careers and it was a place where they
began to
develop their personal styles in response to Abstract Expressionism — the major movement at the time in the New York art world.
Simmons's career - long exploration of archetypal gender roles, especially women in domestic settings, is the primary subject of this
exhibition and is a topic as poignant today as it was in the late 1970s, when she
began to
develop her mature style by using props and dolls as stand - ins for people and places.
She is also
beginning to plan for the new installations of PEM's American art collections and collaboratively
developing two new co-curated
exhibitions: an
exhibition on Jacob Lawrence's Struggle Series of 1954 - 56 and
She is also
beginning to plan for the new installations of PEM's American art collections and collaboratively
developing two new co-curated
exhibitions: an
exhibition on Jacob Lawrence's Struggle Series of 1954 - 56 and In American Waters, which will reevaluate the importance of the sea to American painters.
Associated with Burri and Fontana at the
beginning of his career, Simeti
developed his own unique research and practice, with
exhibitions at Galerie M Bochum, Germany, the Bettina Gallery, Switzerland and, notably in 1965, Lucio Fontana's Studio alongside the ZERO avant - garde group including Manzoni, Castellani, and Bonalumi.
In 1967 he
began to work outside traditional
exhibition spaces, with the first instances of that «creative collaboration» he
developed over the following decades by bringing together artists from different disciplines and diverse sectors of society.
A 1958
exhibition of Jackson Pollock's work at Whitechapel Gallery had a major impact on the young artist, but it wasn't until the early 1960s that Riley
began to
develop her signature Op Art style consisting of black and white illusionistic patterns.
Kusama exhibited widely in Italy, Germany and the Netherlands in the mid -»60s, participating in
exhibitions with artists associated with Nul, Zero and the New Tendency in Europe, where she
began developing her interest in the optics and interactive elements of mirrors, electric lights, sound and kinetics.
The
exhibition includes, «source material Barney used as he
began work on Drawing Restraint 9, along with storyboards and drawings he made as he
developed the visual idiom of the film.
VWAP is part of a series of new productions that
began earlier this year with the
exhibition M&A at ArtspaceNZ and DPAG in New Zealand, explicitly utilising the infrastructure supporting
exhibitions, such as staff, funding, and administrative supports, to
develop algorithmic trading models.
Surveying the artist's most celebrated body of work, the «Wall of Light» series that Sean Scully
began making in 1984 and continues to
develop through today, the
exhibition will include more than 20 paintings, watercolors and pastels.
Showing alongside these new artists are the some 40 others who have been with Tutor since the
beginning and have grown immensely alongside the
developing exhibition.
There will also be daily
exhibition tours throughout the weekend to help contextualize the festival within Hancock's evolution as an artist,
beginning with his early childhood drawings and the comic strip he
developed for his college newspaper, and followed by a more in - depth investigation of his evolving use of line, color and humor.
The SITE Forum calendar
begins each spring with a special event in Santa Fe that presents an overview of several solo
exhibitions that SITE's curatorial team are researching and
developing.
Motonaga's work was included in an
exhibition of Gutai art that traveled around the U.S. in 1958, and after signing with the Martha Jackson Gallery in 1960, he
began developing closer ties with the country.
At Rupert, Boxer and Kerr will
begin developing a publication adjacent to their
exhibition platform.
The
exhibition investigates the mythology of the American motoring adventure as it
began to
develop in the early 20s with the advent of immense expansions of the highway system, particularly in the West of the country.
Wintemberg has used the skills he
began developing at his alma mater, Pratt Institute, to design and assist in the development of many dozens of
exhibitions spanning the Museum's diverse art and science collections to create unique visitor experiences.
Beginning in 1908, Matisse
developed a large following among American artists as a result of their exposure to his work in public
exhibitions and private collections and as a consequence of his teaching at his Académie Matisse in Paris (1908 — 11).
Yet as I
began to
develop an
exhibition around the interconnections between visual art and fashion, I discovered that there currently exists relatively little scholarship on the subject.