Sentences with phrase «began painting scenes»

After moving to California at the end of 1963, Hockney began painting scenes of the sensual and uninhibited life of athletic young men, depicting swimming pools, palm trees, and perpetual sunshine.

In the 1970s Barnet began painting scenes of a highly personal nature.

Not exact matches

Set backstage at three iconic product launches, beginning with the Mac in 1984, moving through the NeXT in 1997 and ending in 1997 with the unveiling of the iPod, the film aims to take audiences behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter, Steve Jobs (Michael Fassbender).

ARTISTS: From James Madison ALDEN (1834 - 1921) to Theodore WORES (1858 - 1939), artists began painting island scenes as early as the 1850s.

A varied and interesting day tour which features travel east beginning with the small town of Gianyar and Klungkung where you can visit the Kertagosa; an ancient court house with typical kamasan wayang painted on its ceilings depicting scenes of punishments and reward in the after - life.

This scene is depicted with more muted tones, painting a much more dismal picture than the bright colorful island where the game begins.

In the early 1950s, she participated in the vibrant downtown New York art scene; during this time, she began to paint in a style that became known as Abstract Expressionism.

Since the 1990s, Peyton began exhibiting her work — paintings of artists, musicians, historical figures, and friends, which she renders from photographs and from life — and more recently, also in still lifes, landscapes and scenes from the opera.

Argue's large - scale paintings begin with universally recognizable images and scenes of iconic artworks — Picasso's Demoiselles d'Avignon, for instance — but with a veil of abstracted letters superimposed on top.

EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...

The Wall, the painting that began the series, at first appears to present a scene at the Western Wall (also known as the Wailing Wall), an important site of religious pilgrimage located in Jerusalem.

«Duchamp's famous «underground» pronouncement struck a chord with Chimes, whose interest in the writings of Antonin Artaud and Alfred Jarry had encouraged him to explore the margins of mainstream art and literature... As a consequence of this withdrawal from the contemporary art scene, Chimes began to investigate issues such as esotericism and mystification in metal boxes and paintings whose irrational and often willfully obscure imagery reveals his affinities with Surrealism.

Beginning with the popularization of paintings of everyday life, artists have made intimate scenes of room interiors.

It was not until the late «30s that his paintings — cityscapes and genre scenes — began to see the light of day.

Often categorized as a New York Pop artist, Thiebaud does not identify himself as such, having begun his paintings of quotidian American scenes in the mid 1950's well before the explosion of Pop art.

The idea for this exhibition began in 2013, while I was researching the late - 1950s poetry and painting scene in San Diego for my master's thesis.

In the 1950s, Hare's work turned away from the general abstract trajectory of modern American art when he began painting mythological scenes.

Chris «Daze» Ellis shares the beginnings of his career in the infamous 1980s New York City scene and his evolution from painting subway cars to exhibiting in galleries in an exclusive artist talk...

Although the paintings were lushly painted and his depiction of the art scenes are ironic and remarkably apt, holding up a mirror to the art world, I prefer his works about suburban life, starting at the end of the 1970s beginning early 1980s.

His art developed in the London art scene beginning in the 1960s, when a dynamic generation of young artists took painting into a new direction by exploring impulses from both the figurative tradition and popular culture.

«Conrad Marca - Relli graduated from Cooper Union in 1935, and began his artistic career painting cityscapes and carnival scenes in a Surrealist manner.

As curator Margaret Hawkins observes, Walker's paintings mine our collective unconscious, dredging up dreamlike scenes that «show us our own dreaded fantasies and alter egos so that we may begin to understand them.»

The exhibition also presents paintings in which, for the first time, White has begun to choreograph the narrative by pairing two seemingly separate scenes onto the same surface, creating a self - contained dialogue filled with ambiguous tension.

Gathering paint, brushes and canvas, Fox limits his artistic agency to setting the scene and preparing the stage for Volkswagen's performance, creating an environment that requires few conscious decisions to be made once the action begins.

In 2005, reeling from his experience and feelings about the tragedy of Hurricane Katrina in Louisiana, Bates began painting detailed scenes of the destruction caused by the storm.

In the 1930s, when Avery began to exhibit his paintings regularly, the art scene was dominated by two warring factions.

Beginning as a conservative admirer of Signorelli, El Greco, and Tintoretto, Beckmann quickly moved toward painting the tight, hectic scenes of European interwar life for which, in part, he became famous.

Just take a look at the scattered pills in some of the painted scenes, and you'll begin to understand how dark Hori's work really is.

The exhibition begins with large paintings on paper that ushered her into the contemporary art scene in the early 1990s.

Payne began painting in the 1950s, and was associated with the avant - garde scene in Vancouver during the 1960s.

She witnessed first hand painting's resurgence in the 1980s through the vibrant Köln - based art scene, where radical and experimental approaches to painting by artists such as Martin Kippenberger and Albert Oehlen began a dramatic expansion of the field.

The exhibition begins with the small representational painting «March on Washington» from 1964, a scene of protesters carrying placards.

Citing a desire to revisit fifteenth - century Italian painting in which figures are situated within highly detailed architectural spaces, Larsen began to create narrative scenes that upset any sense of the illusory perspectives of traditional representation.

A 1967 graduate of the Royal College of Art, Jacklin began working as an abstract artist, but soon turned his attention to representation and typically painting urban street scenes, emphasising patches of light with loose brushwork, redolent of Impressionism.

Moreover, he hit the scene as a conceptual artist, just before the art world began to turn its attention back to painting.

That's when Dutch artists began making what they called «landschap» paintings, images entirely composed of land - based nature scenes.

In the 1940s, Hofmann began to achieve recognition for his painting and became an integral part of the vanguard American art scene.

Our spring exhibition will begin as we say good bye to winter with Alice Neel's painting, Snow Scene, circa 1938, which comes from the collection of the writer Fanya Foss.

As in all of the paintings, colors begin from what is directly observed and eventually expanded upon in Kimzey's signature style to create a more intense portrayal of the scene.

Although her move to New York in 1994 greatly widened her approach to painting, she still took with her significant impulses from the Rhineland art scene around Martin Kippenberg: «I began as a painter in an environment in which painting was cool and also aggressive, and I never actually lost my belief in the radical potential of painting.»

[8] The collection essentially begins in the Renaissance, initially with works mainly by foreign artists of Scottish royalty, nobility, and mainly printed portraits of clergymen and writers; the most notable paintings were mostly made on the Continent (often during periods of exile from the turbulent Scottish political scene).

Beginning his career in New York at a time when the modern art scene was dominated by the formidable paintings of the Abstract Expressionists, Johns forged a unique artistic path that echoed the painterly qualities of his contemporaries whilst working with materials and themes in a manner that questioned the very nature of art.

In 1956, Hartigan began what became a series of «City Life» paintings, which combine interlocking planes of color with imagery that reflected the street scenes of her neighborhood.

Boudin began to paint tourist scenes in 1862, the same year a new rail line opened between Paris and Trouville - Deauville, making travel to these resorts easier.

Peabody begins a painting with the idea for a scene and builds the composition and the artwork from there.

The great Catalan painter and sculptor began by painting scenes of rural peasant life, and went on to become a wayward surrealist, abstractionist and creator of a freeform symbolic world.

Swiss artist Franz Gertsch (* Morigen 1930) is know for his monumental hyperrealist paintings, that he began in the Seventies, depicting scenes and people in the lifestyle of the time with great im...

[29] He continued to paint scenes set in Italy, as well as England and Wales, and his death in 1782 came just as large numbers of artists began to travel to Wales, and later the Lake District and Scotland in search of mountainous views, both for oil paintings and watercolours which were now starting their long period of popularity in Britain, both with professionals and amateurs.

Through portraiture, landscapes and still lifes, Calderara depicted the people, scenes and objects of his native Italy — all suffused by a delicate, misty light inspired by the atmospheric glow of Lake Orta in Vacciago, where the artist moved in 1934 with his wife Carmela, and where he would work for most of his life.By the mid-1950s, Calderara began to move away from figurative painting to embrace a more geometric approach, radically reducing both the scale and the compositional elements of his paintings through use of simple forms and flat blocks of nebulous and subtle colour.

This canvas began its life as a meticulous recreation of Johannes Itten's color wheel (which she did herself; she outsources none of her painting to assistants), which she then overlaid with an uncharacteristically sweet and wistful portrayal of a believably proportioned naked woman gazing out through the slats of a barn, a bucolic scene with a lovely sense of interiority.