Sentences with phrase «began staging exhibitions»

storic preservation, began staging exhibitions out of their SoHo loft in the late 1960s, with a special interest in homoerotic works by queer, mostly male artists.

The couple, life partners who shared a passion for collecting and historic preservation, began staging exhibitions out of their SoHo loft in the late 1960s, with a special interest in homoerotic works by queer, mostly male artists.

Alongside the presentation of solo exhibitions by, among many others, Johanna Billing, Goldin + Senneby, Dora García, Deimantas Narkevicius, Harun Farocki, and Claire Fontaine, Index began staging exhibitions that reassessed historical work in relation to today's contemporary art.

Wang Guangle (b. 1976, Songxi, Fujian province) trained at the Central Academy of Fine Arts, Beijing, where he graduated in 2000 and was awarded first prize in the annual academy contest for his thesis piece, 3 to 5 p.m. Regarded as a leader among China's younger generation of painters, he is a member of N12, a group of twelve graduates of the Central Academy of Fine Arts who began staging exhibitions together in 2003.

Not exact matches

ARoS and Tate, London will begin a collaboration to stage an exhibition showing works by a number of seminal artists often referred to as partaking to the School of London, including: Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, Michael Andrews, and Paula Rego.

The exhibition includes a selection of Wiley's World Stage paintings, begun in 2006, in which he takes his street casting process to other countries, widening the scope of his collaboration.

The exhibition traces all the stages of Pape's career, beginning with her square paintings, reliefs, and blocks, all done between 1954 and 1956, when Pape was a member of Grupo Frente from Rio de Janeiro, which also included Clark and Oiticica, and which initially followed the tenets of concrete art as outlined by van Doesburg.

Curated by Sharjah Art Foundation President and Director Hoor Al Qasimi, I Am The Single Work Artist is the culmination of the artist's lifelong role as an advocate and pioneer for the development of contemporary art and thought in the United Arab Emirates and in Sharjah, where he first began staging interventions and exhibitions of contemporary art, and exhibited at the first Sharjah Biennial in 1993.

Brooklyn artist Lori Sikorski recently staged an interactive exhibition that looks at our current military involvement in the Middle East, initially begun as a response to the destruction of the World Trade Center, a local event, but which passed quickly into long - term, distant hostilities.

In 2008, she had her first solo exhibition in New York at Mitchell Algus Gallery, Martha Wilson: Photo / Text Works, 1971 - 74; in 2009, Martha Wilson: Staging the Self began international travel under the auspices of ICI (Independent Curators International); and in 2011, ICI published the Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces.

Structured chronologically, the exhibition consists of works on paper from various stages of the artist's career, beginning with summary pencil scrawls of the early 1950s, when Twombly was a student at Black Mountain College in North Carolina, and ending with three works from 2008 filled almost to bursting with blood - red spirals of acrylic paint.

The exhibition's path begins with Tacchi's early works from the late 50s, which reveal, in their stylistic variety, a stage of experimentation and a search of his artistic identity.

At her exhibition «Riptide» at the Korean Cultural Centre, internationally renowned conceptual artist Koo Jeong - A told me that, as far as she is concerned, her country is just beginning to have a role on the global stage.

These detailed images of photographic equipment — cross-sections of cameras, lenses and photographic colour charts — allow the camera to take centre stage at the very beginning of the exhibition.

The exhibition begins upon entry into a windowed room, where visitors are presented with a stage - like overlook.

In 2009, Martha Wilson: Staging the Self, an exhibition of her early photo / text work and one project from each of Franklin Furnace's first 30 years, began international travel under the auspices of Independent Curators International (ICI); this exhibition concluded in New York in Spring 2015 with her personal artwork shown at the Fales Library and Special Collections of New York University and original art and documentation of Franklin Furnace artists at Pratt Manhattan Gallery.

Curated by Norman Rosenthal, who worked with Joseph Beuys on many exhibitions from 1970 onwards, the exhibition brings together pivotal works from various stages of his life, revealing the extent to which Joseph Beuys» ideas were clearly defined from the very beginning of his artistic career.

Musee d'Art Classique de Mougins is pleased to announce Sean Scully: Doric, the fourth stage in this monumental travelling exhibition which began last year in Benaki Museum, Athens.

Beginning in the 5th floor galleries, Auther will provide a brief overview of the exhibition before introducing the first of four short conversations with featured contemporary artists staged throughout the galleries.

In 2014 she staged solo exhibitions of photographs and sculptures, routinely curated all - female group shows, put out major editorial and commercial projects, made a monograph, and recently began...

The exhibition is the fifth exhibition staged by The Black and White Project, which began as a curatorial post on the Look & Listen blog.

Taking Jacques Lacan's concept of the «mirror stage» — a psychoanalytic stage of human development in which the infant first encounters an image of itself (often via a mirror) and begins to perceive the notion of selfhood — as its starting point, this exhibition explores how we as human beings now reencounter and reimagine the self via the myriad of screens we encounter in our digital lives.

Vik Muniz, Kiki Smith, Adam Pendleton and Loris Gréaud are featured in the Collection Lambert's ambitious project begun late May 2014 entitled The Disappearance of the Fireflies, an exhibition staged at the emblematic heritage site of Avignon, in the South of France, the Sainte - Anne Prison.