Sentences with phrase «begin multiple marks»

Not exact matches

The day began with a ceremony marking the official opening of the Kayunga Male Circumcision program, which included a tour of the circumcision wing of Kayunga District Hospital, as well as multiple tree - plantings.

The role marked another important turning point in Murphy's genesis as a comedic actor: It was the first time that he really began to experiment with makeup and prosthetics in the creation of multiple personae on screen.

-- Sony looking to get more people on board with PS Plus — Top tier games will be given for free — Vita exclusive games — DLC and cloud services — Won't have to connect Vita to a PS3 or a PC to back up saves and other content — «The revamp of PlayStation Plus marks the beginning of a wider effort to improve the PlayStation Network across multiple devices over the coming year, and, we've heard, may include a new, redesigned PlayStation Store that also facilitates purchases from a proper PC web store similar to Xbox Marketplace.»

The true genesis of Chaparral, the Mark I was used by Jim Hall and Hap Sharp as something like a proof of concept, which later saw the pair buy the naming rights and begin the long motorsport pedigree that would see multiple endurance, Can - AM, and IndyCar championships.

Even though only one song is used for each work, often times multiple recordings are needed to cover the canvas surface — and those little spots between the dark strands mark the physical and musical beginning, or ending, of each song.

As a matter of fact, Christopher Wool began developing his style during the mid-1970's, when he started creating abstract paintings that included multiple mark makings.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Study subjects asked to «talk» their way through mazes used more verbal fillers when confronted with mazes that could be navigated using multiple routes.33 Conversely, mazes with a single path (and fewer choices) produced fewer fillers.34 But the maze study produced another interesting result: When study subjects were told they could use only four words to talk their way through the maze (left, right, up, down), they began to use more verbal fillers, even when describing simple mazes.35 Researchers posited that the «lexical suppression» created by limiting speakers to four words triggered a stopping and starting of the speech apparatus that prevented speakers from developing a normal speech rhythm.36 Thus, while verbal fillers are a mark of task complexity, they also appear where, «for some other reason, the flow of speech is disrupted.»