Sentences with phrase «beginning of my artistic practice»

CHIMES: In terms of using film stills from the»40s and»50s and film noir, is that something that you grew up with or were interested in the beginning of your artistic practice?
Growing up on a farm in upstate New York, Hartung spent countless days alone in the woods, building forts and living in a world of his imagination — which he considers the beginning of his artistic practice.
Exhibited at the Los Angeles County Museum of Art in 1972, «Body Shells» marked the beginning of an artistic practice that spanned un - til her death in 1993.
This is what I've been trying to say since the beginning of my artistic practice 30 years ago.
At the beginning of my artistic practice, I opted for non-colour, as a way to articulate my voice.
Margolles, who began her career as an artist with the collective SEMEFO (from the Spanish acronym for Forensic Medical Service), has taken the subject of death as her principal subject since the beginning of her artistic practice in the 1980s, which combines visual arts and performance.

Not exact matches

Indeed, it was not coincidental that just days before the festival began that the Sundance Institute announced its first «Art of Nonfiction» Initiative to support inventive artistic practice in documentaries, along with the program's first fellows, Margaret Brown («The Order of Myths»); Robert Greene («Kate Plays Christine»); and Omar Mullick and Bassam Tariq («These Birds Walk»).
Then I came to France where I began art studies at Bourges National Academy of arts, I engaged my artistic practice in feminism.
What begins as an investigation of these interconnected «diamond communities», soon becomes an inquiry into the processes of documentary writing and artistic practice informed by anthropological fieldwork.
Since the very beginning of her work until the present, photography has been an important component of Isa Genzken's artistic practice.
In the 1950s, Katz began experimenting with printmaking, which became a key aspect of his artistic practice.
White's own artistic practice, though she was primarily a painter, began using human hair and wigs to commemorate the dying members of the drag community she loved during this era.
Most recently, Havel has begun engaging other aspects of his personal self into the work by casting books found in his library, choosing those that relate closely to his own artistic practice.
Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated with Surrealism due to her integration of fantastic elements into her prints and sculptures.
This was the beginning of her photo - documentation of radical artistic practice.
Although most of Tuttle's prolific artistic output since the beginning of his career in the 1960s has taken the form of three - dimensional objects, he commonly refers to his work as drawing rather than sculpture, emphasizing the diminutive scale and idea - based nature of his practice.
The notion of jewelry as miniature sculpture is nothing new — in the early 20th century, big names like Pablo Picasso, Salvador Dali, and Max Ernst began creating wearable objects, while Alexander Calder went on to produce one - of - a-kind pieces as a part of his extended artistic practice, crafting almost 2,000 during his lifetime.
Since the beginning of her career, Laval has alternated agency and magazine commissions and publications (Here is New York 2002) with an artistic practice, wherein she combines portraiture of personalities from the cultural world with images of geographical locations (France, Norway, Portugal, Cuba) and visual narratives.
As many commentators have noted, this evolution in Chang's artistic practice began around the time of her 2005 film, Shangri - La, which uses documentary and Surrealistic techniques to recreate the eponymous fictional town.
This stunning exhibition of treasures from South Africa includes a 77,000 - year - old shell bead necklace from the Blombos cave in Western Cape, revealing that artistic practice began thousands of centuries before we ever imagined.
Since the beginning of his career, Chan has combined his artistic practice with political activism and writing.
Beginning with the New York School and subsequently considering Pop, Minimalism, Conceptualism, Process Art, Graffiti, Performance, and Installation, drawing has persevered as a necessary artistic practice and has, through the variety of difference inherent in postmodern aesthetics, developed into a vital, autonomous art form in itself.
The acquisition of Leg Chair and Manarch Pasta represents different aspects of Hamilton's artistic practice and contributes to the beginning of a fruitful relationship between the museum and the artist.
Following the war, Nuvolo moved to Rome where, in Burri's studio, he began to develop his own artistic practice, under the influence of artists who shared his interest in a progressive departure from the use of the paintbrush toward an engagement with unconventional materials and techniques.
Arcangel's artistic practice began in a somewhat unorthodox way, emerging out of his studies as a musician.
After moving to New York in 1978, Tseng began crafting the performative self - portraits that form the backbone of his artistic practice.
Lorna Simpson began her artistic career working as a documentary street photographer, though she soon transitioned to a text - based practice that featured photographs of anonymous women (and occasionally men) paired with extracted phrases that urge the viewer to question that preconceived associations surrounding race and gender.
Tate Modern's presentation begins with an examination of Rauschenberg's early works, which were largely influenced by his formative years at Black Mountain College, North Carolina, a hub of artistic innovation and experimental practice in the 1940's and early 50's.
The process of their artistic practices and research will be showcased and shared with audience during their open studios which begins on Friday, November 11.
It is very difficult for me to define how these latest collection of works fit into my practice as a whole, as my artistic career has just begun to take off, isn't it?
He began to wonder what the value of an artistic practice could be to a community ravaged by poverty and brutality, and whether his participation in an art world oriented toward social elites might mean that he was complicit in the oppression of his own people.
He also began crafting the performative self - portraits - «selfies» avant la lettre - that form the backbone of his artistic practice, exploring the questions of personal and political identity that preoccupied many artists of his generation.
A pivotal moment in his practice came with the «Prop» pieces that he made in the late 1960s and 1970s (which one could conceivably house in an apartment), marking the beginning of the maturation of his artistic ideas.
As the restrictions placed on artistic practice began to wane over the course of the 19th century, women began to «strike out on their own.»
Similar to many artists who later found their true voices in relatively more alternative mediums, New York performance legend Allan Kaprow began his artistic practice as a painter, studying at the famed Hans Hoffman School of Fine Arts under the German Abstract - Expressionist who heavily influenced his work on canvas.
Fallah, who began his artistic practice at the age of 12, has a sheer unquenchable thirst for work.
The reintroduction of these practices, that were described as «feminine crafts» and demoted to the lowest rungs of the artistic hierarchy, began with the women's empowerment movement and Judy Chicago's acclaimed piece.
The project builds on Donald Rodney's artistic practice in his later years, when he increasingly began to delegate key roles in the organisation and production of his artwork.
The reference to mythology as a source of inspiration; using abstract composition as a way to evoke literary and lyrical stories; the control of the design so as to achieve a delicate balance between the freshness of gestural strokes and the clearness of drawing; the reference to the tradition of art history as an endless process of acknowledgment of the meaning of artistic practice; the attention paid to the sign itself as a multi-linguistic mark of the artist's expression; these are all constant features of Twombly's work, and have been since the very beginning of his career in the late 1940s.
Due to the rich tonalities of sounds that happened to emerge from taut wire components, he increasingly gravitated away from metal sculpture — which is how his artistic practice first began — toward electronic tools that allowed for immediate playback, dialogue with created sounds, and the phenomenon of feedback.
«Raising Ground» is focused on the point at which natural / ecological factors begin to influence an artist's practice and the balance of art and ecology becomes weighted towards ecology, therefore beginning to dictate the artistic process and outcome.
She also began writing as a form of artistic practice.
What is astonishing is how focused Corse's artistic vision has been since the beginning of her practice.
By chronologically beginning with the modestly scaled and tenuously constructed collages by German - born artist Kurt Schwitters (1887 — 1948) and ending with the cardboard constructions of Vietnamese - born artist Danh Vo (b. 1975), the exhibition concentrates on a strain of artistic practice that foregrounds the marginalized as always both an artistic concern and social phenomenon.
From 1949 onward, Jacques Villeglé began systematically collecting scraps of posters torn from walls around town, inventing a brand new artistic practice, which in turn gave rise to a new type of work of art.
Abandoning these Western values based in individualism and hierarchy, Gaines further described how his epiphany occurred when he turned away from the Western canon as a young man and began to investigate Muslim and Buddhist traditions of artistic practice, in which individual expression and emotional affect were secondary to systematic, mathematically derived formal investigations.
Siskind began his artistic career as a documentary photographer, but around 1944, he focused on the «practice of photography as art, away from illustration and representation,» as he wrote in an application for a Guggenheim grant in 1956.
His artistic practice prescribes a relationship between virtuality and viractuality — concepts which begin with what digital artist / theorist Joseph Nechvatal calls an understanding that «every new technology disrupts previous rhythms of consciousness.»
The beginning of his artistic career is characterized by the development and practice of urban interventions, using and experiencing the city in support of action, reflection and inspiration for his work.
As Wall engaged further with his own artistic practice throughout the late»70s and early»80s, a photography scene was beginning to emerge around him — a loose group of contemporaries who would come to be called the Vancouver School (including, among others, Rodney Graham and Ian Wallace).
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