Where is
the beginning of nothingness?
Can science explain the entire process of evolution of human being starting from
the beginning of nothingness in the universe?
Not exact matches
Dreamt
of dreams by a dreamer dreaming the physical into being firstly as a state
of randomized forces echoing throughout the
nothingness voids is a plausible
beginning toward materialized existence.
Nothingness is predicted by simple mathematics and the
beginning of the universe came from absolutely nothing, like a proton popping into existence.
That's as simplistic as I can so write CK... For before the Holy Spirit became flesh and bones, Chaos ensued and immeasurable amounts
of Big Bangs
began to multiply within great distances from each other... We are aware
of but one Big Bang and I am in sorrows that our astrophysicists can not rightly fathom the plausible conditionings that permeate the theoretical potential for immeasurable amounts
of Big Bangs leisurely being born / established within the Holy Spirit and / or Spatial
Nothingness...
White represents the possibility
of beginning and birth, black represents the silence
of death, an inner sound
of nothingness (On the Spiritual in Art [Hall, 1912], pp. 148, 183 - 189).
2) If god created this universe in the
beginning, THEN, HE pulled himself out
of nothingness and then started creation!
The text in Emin's bluntly emotional monoprint - and - pen work That's How You Make Me Feel (2012), above,
begins, «That's how you make me feel, like a black mass
of nothingness, an ugly space felled with my own sadness...»
The concept
of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the «modern» avant - garde (at the
beginning of this century) challenged the Romantic idea
of «creation from
nothingness,» with its techniques
of collage, mustachios on the Mona Lisa, art about art, and so on.
I felt as if I had
begun to self - obliterate, to revolve in the infinity
of endless time and the absoluteness
of space, and be reduced to
nothingness.
He summed up his attitude in the 1965 statement «Faith, Hope, and Impossibility,» in which he describes his studio situation in terms that sound like they were taken right out
of Being and
Nothingness: «You
begin to feel as you go on working that unless painting proves its right to exist by being critical and self - judging, it has no reason to exist at all - or is not even possible.»