Sentences with phrase «beginning of the nineteenth century»

When Pannenberg began his career, the German dominance of Protestant theology, dating back to Friedrich Schleiermacher at the beginning of the nineteenth century, was still firmly established.

The great theologian and preacher Friedrich Schleiermacher (1768 - 1834), who has been called the father of modern Protestant theology, did so at the beginning of the nineteenth century, but was subject to strong criticism in the twentieth century by Karl Barth, whose emphasis on the objective revelation of God in Jesus Christ has dominated much theological thinking in the twentieth century.

, is intended to evoke attention to a great philosopher who lived around the beginning of the nineteenth century and to connect with that philosopher a particular teaching.

The idea of population control» perhaps even the idea of population itself» seems to have come into circulation somewhere around the beginning of the nineteenth century.

Until the beginning of the nineteenth century there seemed little reason to doubt its stories of creation, the Great Flood, its history of humankind, and the story of Israel culminating in the birth, death and resurrection of Jesus Christ.

Both taught at Berlin University in the beginning of the nineteenth century.

By the beginning of the nineteenth century... judges were abandoning the notion that they should adhere rigidly to precedent... [The difference] was less in what the courts did than in their understanding of what they properly could do....

Around the beginning of the nineteenth century, the lands of many tribes were taken away under lease to a mining company.

Those words appear increasingly appropriate when we think further of the progress of the study of the history of pre-Christian and non-Christian religions in the eighteenth and beginning of the nineteenth centuries.

So began the Moghul rule of India, which lasted until the beginning of the nineteenth century.

At the beginning of the nineteenth century, a lot of professionals had the opinion that children who misbehaved came from «bad stock», they also said these children of» bad blood lines» were simply «born criminals» due to «family traits.»

His research interests include issues relating to political conduct and corruption, the re-imaging of democracy at the end of the eighteenth and the beginning of the nineteenth centuries, the Godwin Diaries, political realism and political ethics, and the history of political thought.

But if we recognise the foreignness of the past, and the very different ways in which people in different political settings responded to the pressures of social change and the emergence of more popular forms of politics at the end of the eighteenth and beginning of the nineteenth centuries, we may find ourselves able to ask questions of our present — and of our futures — that would not otherwise be asked.

The former Big An article on St. Philomena, whose relics were discovered at the beginning of the nineteenth century

Bold and lyrical, this brief epic transports readers to the beginning of the nineteenth century to explore themes of reckless determination, existential yearning, wonder, and isolation in a majestic and unforgiving landscape.

Some Spanish breeders support the recent hypothesis that the bullmastiff originated in Spain and was nothing more and nothing less than the bull dog that was used during bullfights at the beginning of the nineteenth century.

Consequently many beautiful villas and grand hotels were constructed at the beginning of the nineteenth century and by the twentieth the now well - established resort was welcoming prestigious guests such as George Bernard Shaw, Ernest Hemingway, Clark Gable, Charlie Chaplin and Princess Margaret.

The train takes its name from the towering rock face of Cóndor Puñuna (Condor Mountain) which presented a seemingly impassable obstacle during the construction of Ecuador's first railway line at the beginning of the nineteenth century.

At the beginning of the nineteenth century, Spanish artist Francisco Goya used aquatint to create his hauntingly beautiful print series Los caprichos and Los desastres de la guerra.

Weaving across expanses of water, land, history, language, and cultures, the film traces the epistolary correspondence of two women at the beginning of the nineteenth century, one in Suesca, Colombia, and the other in Beirut, to engage with the social, political and epistemological possibilities of desire.