Sentences with phrase «beginnings as a minimalist»

Not exact matches

Years ago we read Mark Bittman's article about gravlax in The New York Times and have almost always used The Minimalist's Gravlax recipe as our base, though over the years it's begun to feel less like a recipe, more like a technique.

The cousin Scots offered Under the Skin, a tantalising film that begins as a dull piece of cinema and gradually becomes an hypnotic act of body dance, minimalist music and abstract backgrounds for the abyss of sexual attraction.

Valparaiso, Indiana About Blog The Minimalist Woman blog began on Blogspot in January 2010 as a way to document her efforts at decluttering and simplifying her lifestyle.

The presentation is so minimalist in its appearance to a point that you could argue if it has any to begin with as you are immediately thrust into the game as there are no menus or options and all of the control schemes are located in the separate manual, while the lack of a pause menu is quite strange and unorthodox to say the least, although the presentation is somewhat redeemed by the use of clear and concise diagrams showing how to perform certain actions when new gameplay elements are introduced and some may say that with exception of the pause menu; the lack of menus perhaps helps the pacing of the game.

There is a very minimalist design that is apparent from the very beginning due to the simple art style, but begins to show more signs as there is no HUD and no instructions provided on how to play the game.

Until now, these works have been either neglected or treated as a prelude to the proto - minimalist black paintings that Stella began at the end of the year.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

Often zigging when the established art world zagged, Wiley began creating large, unctuous paintings inspired by the Abstract Expressionist and Bay Area Figuration movements of the time, only to swiftly move away from them in the late»60s to develop his cartoonish figurative style, which waned in popularity as Minimalist and Conceptual art became fashionable.

While his imagery has changed several times over the years, the artist characterized himself as being «from the beginning, a minimalist abstract artist, a geometric abstractionist, with no recognizable shapes in my work» — other than circles, which have always captivated his imagination as «the perfect shape.»

Art historical precedents including Robert Rauschenberg's monochrome White Paintings from 1951 and Robert Ryman's Minimalist experiments with white paint beginning in the 1960s, provide interesting counterpoints to understanding the range and function of white as a painterly medium.

Abstract, Color Field, and Minimalist painter whose most famous pieces include Beginning (1958) and Bridge (1964), Kenneth Noland has been recognized as one of the most important figures of post-abstract-expressionist painting.

He began his career as a writer, and founded and directed the short - lived John Daniels Gallery in New York in 1964, exhibiting the work of a new generation of conceptual and Minimalist artists — including Donald Judd, Sol LeWitt, and Robert Smithson.

Of course, this is for the most part misremembered bunk: Flavin was no mystic and his work — as this recent exhibition, the first appearance of the late artist at David Zwirner since the gallery began representing his estate, clearly demonstrated — is in practice more correctly aligned with the unadorned, system - based Minimalist programs of Sol LeWitt, Carl Andre, or Donald Judd than with any of the

An innovative colorist, Kenneth Noland began his career as an Abstract Expressionist, became one of the first practitioners of Color Field painting as part of the Washington Color School, and ultimately embraced a Minimalist approach that comprised vivid color and simple geometric shapes.

A painter, writer, curator and a pioneer of Minimalist sculpture in Britain, the Pakistani - born artist began his professional life as a civil engineer in Karachi.

Schwartzman took the Meier house as a «logical beginning point» for the collection, leading Rachofsky to start buying American Minimalists.

He now works as an romantic minimalist, using spray guns and squeegees to create luminous canvases with abstract patterns floating on In 1967 Dan began using spray guns to draw colorful stacks, loops and lines on his paintings, that were among the most original abstract paintings of the decade.

For Lismore, Rashid is making a group of new sculptures employing his minimalist three - dimensional steel black grids, which will house a variety of objects including busts painted to resemble shea butter, and will act as a living greenhouse as plants in the gardens begin to intertwine with the sculpture over the summer months.

That these two great but for decades overlooked artists are finally being honored at home and abroad is directly due to the work of commercial galleries such as Andrée Sfeir - Semler, who, in 2005, opened Beirut's first blue - chip gallery for international contemporary art with a strong minimalist and conceptual bent, and Saleh Barakat, who established the Agial Art Gallery in 1990, and whose affinities lie more firmly with modernism, or the one hundred years before the contemporary began in Beirut.

The exhibition begins with Yves Klein's 1958 exhibition, and from then on envisages how entirely empty exhibitions have defined different kinds of emptiness, sometimes as a means to signal sensibility as for Klein, sometimes as the peak of a conceptualist or minimalist practice as with Robert Barry's «Some places to which we can come, and for a while «be free to think about what we are going to do (Marcuse)» «(1970).

Beginning in the 1970s, a wide range of artists, from Abstract Expressionists and Minimalists to Pop artists and Environmental artists, began experimenting with ways to use paper pulp as a medium for artistic expression.

From his early minimalist clothing sculptures that he began producing in the 1980s, throughout his many exhibitions at a range of international venues that include the Vitra Museum in Weil am Rhein, Germany, Dallas Contemporary, USA, Galerie Thaddaeus Ropac, Paris, France, and the Albertina in Vienna, Austria, through the ephemeral One Minute Sculptures to the grotesquely bloated objects such as Fat Car (2000 / 2001) and Fat House (2003), Wurm has concentrated consistently on expanding the concept of what a sculpture, when it is no longer cast in bronze or chiselled from marble, could be.

Under Guston's guidance, Whitney, who felt drawn to the basic formal qualities of Abstract Expressionism, the pure chroma of the Color Field movement, and the minimalist approach of such artists as Donald Judd, began to experiment with abstraction.

In 1966, the Panzas began to concentrate their attention on Minimalist figures in American art, purchasing works from American sculptors like Dan Flavin, Donald Judd, Robert Morris, and Carl Andre, as well as Minimalist paintings by Brice Marden, Robert Mangold, and Robert Ryman, before moving onto Post-Minimalist works by the sculptor Richard Serra.

Despite their modest income, the Vogels began acquiring work that was undiscovered or unappreciated in the early 1960s, primarily minimalist and conceptual art by such visionaries as Robert and Sylvia Mangold, Donald Judd, Richard Tuttle, Sol LeWitt, Christo, Lynda Benglis and many others.

Begun essentially by the Rothko, Newman, Still wing of Abstract Expressionism (Pollock's drip paintings are crossovers between this and gestural abstraction), it continued on in Colorfield painting, and in later large - scale monochrome and minimalist painting (another important addition to the map, although not with as much breadth as the Gestural.)

As the Cubist - Minimalist tradition fades and artists like Newman, Judd and LeWitt begin to seem less relevant, Martin's work takes on a new appearance, associated not so much with fine art as with batches of regimented homework placed on the corner of a teacher's desAs the Cubist - Minimalist tradition fades and artists like Newman, Judd and LeWitt begin to seem less relevant, Martin's work takes on a new appearance, associated not so much with fine art as with batches of regimented homework placed on the corner of a teacher's desas with batches of regimented homework placed on the corner of a teacher's desk.