Quogue Gallery co-owner Chester Murray explained that the motivation
behind mounting this exhibition was «to review the 14 shows we've had since opening the gallery — principally contemporary and abstract photography, paintings and prints — in order to put them in a more global context.»
Not exact matches
Golden speaks of Ligon's efforts in encouraging a new generation of artists, mentioning the
behind - the - scenes role he played in organizing Freestyle, an
exhibition of emerging talent
mounted by the Studio Museum in 2001.
This interpretive «baggage» is literalized in the object that undergirds an elegantly canted framed abstraction on paper — by far the show's most austere inclusion — on the
exhibition's second floor, which conceals
behind it a wedged - in black suitcase, visible if you sidle up to the wall upon which the piece is
mounted.