There's enough of promise here to want to see
her behind the camera again soon.
As for Goddard, he's come close to directing other movies since The Cabin in the Woods, like The Martian and The Sinister Six, but it looks like Bad Times at the El Royale is the one that's finally going to get
him behind the camera again, although he did recently direct the wonderful pilot for NBC's The Good Place.
Yet, we'd be surprised if he got
behind the camera again any time soon if only because the critical sting of «Virginia» probably hasn't quite gone away yet.
Though he's come close multiple times, Drew Goddard hasn't directed a movie since 2012's subversive The Cabin in the Woods, so any movie that finally gets him back
behind the camera again is going to pique our attention.
Here's hoping Pohlad's busy production slate doesn't stop him getting back
behind the camera again soon.
It's been a couple of years now since Steven Spielberg directed Indiana Jones and the Kingdom of the Crystal Skull, and now that the memory had faded a bit, I think we're all getting eager to see him back
behind the camera again.
Three years later, he was back
behind the camera again with another Boston - set crime thriller, «The Town,» in which he also gives one of his best performances.
I wish Samantha Morton would step
behind the camera again one day.
Actor / director John Krasinski, who made his feature directorial debut in 2016 with the family dramedy The Hollars, steps
behind the camera again with this new horror thriller, and it looks like he might have found his niche, at least judging from the trailer.
Angelina Jolie goes
behind the camera again, this time to direct the biopic of Olympian and POW Louis Zamperini.
You'd take her presence
behind the camera again over her returning cameo next to John Michael Higgins as a vulture - ish commentator.
On the other hand, John Cameron Mitchell has only made two films in the last ten years, so I'm very curious to check out what got
him behind the camera again.
Not exact matches
We've had this debate before, it's easy for people who don't go to say give up the season ticket but I have a very good seat with five mates literally
behind the television
camera and if I give it up there is no way I can ever get it back
again.
When it disappeared into the hob, I grabbed my
camera, quickly put a flash on the shelf
behind the cooker, and when the mouse popped up
again, shot a single frame.
Then
again, with Tarantino
behind the
camera, a by - the - numbers ending would be decried as a disappointment and I suppose you can't please everyone.
And when the producers decided they didn't want to work once
again with Bourne Identity director Doug Liman — a man notorious for causing chaos
behind the
camera rather than in front of it — screenwriter Tony Gilroy recommended Greengrass, and he got the job.
And speaking of Norman... Highmore is stepping
behind the
camera yet
again to write another episode for the show.
Just months after releasing his last film, The Master, Paul Thomas Anderson is set to get
behind the
camera once
again.
All buttoned up on geek cred
behind the
camera, they just needed a star who could make Daredevil cool
again.
The Dark Knight Rises Christopher Nolan is
behind the
camera once
again for Christian Bale «s last appearance as the Caped Crusader.
John Turturro once
again stayed
behind the
camera, in a beanie and sunglasses, for the duration of the filming.
Again, while I was mostly curious to see Green's turn
behind the
camera for something in the realm of horror, getting an Italian director for the remake is exciting nonetheless.
Wicki enjoyed great success with The Bridge that he never really experienced
again as a director, despite working on and off
behind the
camera for the rest of his life.
Dark Universe learned today that the Jurassic World: Fallen Kingdom director Colin Trevorrow will once
again step
behind the
camera for the upcoming sequel Jurassic World 3, reveals executive producer Steven Spielberg.
Hopping
behind the
camera for the fifth time with Van Sant at the helm, Savides brought his distinctive sense of composition to the director's signature creativity yet
again.
Hot off of his screen adaptation of CORIOLANUS, Ralph Fiennes has stepped
behind the
camera once
again for THE INVISIBLE WOMAN, based on a...
While there's little chance that Bruce Willis will ever
again get to work with the kind of material and
behind - the -
camera talent that helped make him a wiseass action star in the 1980s and»90s, he tries the fourth or fifth next best thing with Once Upon A Time In Venice, a tiresome imitation of smart - alecky Shane Black whodunits like Kiss Kiss Bang Bang and The Last Boy Scout.
Again, however, it was the pedigree of the material — along with the presence of the Oscar - winning French Connection auteur
behind the
camera and celebrated Ingmar Bergman cohort Max von Sydow in front of it — that helped give The Exorcist a patina of quality.
Writer / director Paul Haggis puts himself
behind the
camera once
again for Third Person, an unraveling ball of yarn that tells of a writer (Liam Neeson) who becomes involved with his protege (Olivia Wilde) in Paris, a New York artist (James Franco) and the mother of his son (Mila Kunis), and an American (Adrien Brody) who becomes involved in the plight of an -LSB-...]
, Prisoners) once
again proves why he is considered one of the all - time greats
behind the
camera.
But
again, «Blade Runner 2049» isn't about what happens; it's about what this terrifying and beautiful world — how could it not be, with Roger Deakins
behind the
camera — tells us about life and perception and reality.
«Sequel» implies that we'd likely see Brandon Routh
again... and maybe even Bryan Singer
behind the
camera.
And for his latest turn
behind (and in front of) the
camera, he shifts gears
again with «Fading Gigolo.»
Reitman doesn't do anything noteworthy or distinguishable
behind the
camera here, but it's nice to see him at work
again (complete with an uncredited cameo and a nod to his Meatballs), even if the Facebook - referencing material seems more suited for a filmmaker his son Jason's age (about whose acclaimed Up in the Air, the opposite could be said).
As such, the writer and actress will be returning to the big screen yet
again this year, but this time
behind the
camera for her directorial debut, titled Lady Bird.
UPDATE: Since this story was published, The Wrap revealed that director Jake Kasdan is also in talks to get
behind the
camera for the sequel
again.
With a hefty anticipation, O Russell was
behind the
camera once
again when Joy came along.
In In the Mood for Love, the
camera is pinned down, obliged to repeat the same povs
again and
again on repeated activities and behaviors, like musical refrains — Leung and Cheung knocking on each other's doors and talking to each other's offscreen spouses, Leung's wife barely glimpsed
behind the partition at the hotel where she works, Cheung walking down the steps of the noodle - shop and wiping the sweat from her brow with the back of her hand.
Clydeside Colossus — Giant Glasgow industrial conglomerate William Beardmore and Co made ships railway engines aeroplanes airships motor cycles taxicabs... and as Bill Monro relates cars / Fort Dunlop Under Siege — Douglas Blain takes a close look at a manufacturing operation which is key to the survival of our hobby / Buying a Car For Restoration — Workshop / Sunbeam Tiger — Buyer's Guide / Goodwood Does It
Again — David Venables reports on another successful Goodwood Festival of Speed / Austin Seven Ulster Rebuild / Loyd - Lord — Michael Worthington - Williams recounts how a conventional car from Chiswick strayed from the straight and narrow / Dollar Derby — The Editor enjoys a 3 1/2 litre Bentley that cost # 1460 new but once changed hands for a dollar / Racing Under The Bonnet — The
camera of Alan Smith captures the action that matters
behind the scenes in the early days of postwar British motor racing / MG Buyer's Guide — Part two of our special MG supplement / MG Buyers Guide — Part Two
With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced
behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a
camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque
again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]
Creatures When dropping Toki in a nest, birds now have a «cooldown», so they won't instantly pick you up
again when walking out of the nest Birds don't stop anymore when they sense vibration, making them less annoying when accidentically stomping near them No more random sorting of creatures: they all appear on their assigned depth value, preventing smaller creatures from sometimes getting lost
behind bigger creatures Fixed the «spawning multiple
camera birds» bug Slug corpses can't kill anymore, so no more accidentally walking into them and dying Bugs When stomped, berrybugs and copybugs now always hop the same distance (3 tiles), making their behavior more predictible Berrybugs now briefly stop if they detect an edge above their heads while walking on the floor, making it easier to stomp them onto a wall Copybugs and berrybugs get stunned when they're in the trajectory of a to be spawned bubble, so they can't hop / roll away before bubble is spawned Glowy berrybugs now use the same turn animation as normal berrybugs, so no more faster glow bugs Frogs and bubbles Bubbles now prioritize Toki Tori over other entities, so no more accidental berrybug ballooning Added a small delay before catching an entity in a bubble to allow for catching Toki Tori, even if he's a little further away than an entity Added possibility to queue a «turn by whistle» while the frog is running towards a berrybug, so you don't have to wait before being able to let the frog face the desired direction Fixed a problem where a fat frog won't belch anymore Achievements In - menu achievements system, including progress achievements Added a number of new achievements Tokidex completion is now a progress achievement (you can see how far along you are) Fixed the Fried Chicken achievement, so it's less hard to get All electrocuted entities now count for the X-Ray Enthusiast achievement Menu Completely new, streamlined and fast to access menu system Ability to set language from menu New font Graphics Improved presentation of telepathic Ancient Frog messages, fixed a problem where sometimes they'd spawn multiple times Fixed black flickering when buttonbashing during fades and level transitions Screenfades are now 100 % black Added button prompts to the first time you need to use whistle and stomp Areas and puzzles Added l - ife area for Ife < 3 Added an extra landing stone in the wasteland area Added more snow globes: — RRB - Water mountain approach: berrybug in the «pro» puzzle can no longer be lost Water mountain top: frog for Ancient Frog puzzle now starts bloated, added light to make «pro» puzzle easier to execute Shaft top: Small tweak to make sure berrybug isn't killed by the slugs midway through the level Water cave: made the light shaft where you need to whistle the hermit crab a bit wider, created hole for frogs at end of level to prevent them from falling down, made some «pro» puzzles a bit more forgiving Dark forest: lowered warp when entering dark area, so it's easier to travel up with a bubble Lava cave: improved bat puzzle Meadow: made some pro puzzles less difficult Hideout: removed alternative solution for Ancient Frog puzzle Descent: made it easier to pick up fat frog at beginning
Once
again Gordon was
behind a film that genuinely fascinated the public (even if it does appear to be an «update» of the 1970 Hellmuth Costard film which used eight
cameras to follow George Best).
Unfortunately, HTC's
camera performance once
again lags
behind the pack, its secondary display is all but useless and there's no headphone jack or waterproofing — all in a phone that's charging a premium price of $ 749.
Once
again, Honor has gone with a dual rear
camera setup, with a 12 - megapixel color sensor and 20 - megapixel monochrome sensor,
behind f / 2.2 lenses.
Again, knowing that I can put my weight
behind the N1 makes it a truly standout
camera phone.
We brought our video
camera along with us while we shopped yesterday and hopefully we'll get a chance to use it
again today, while we work on the room, so that we can post some
behind - the - scenes footage here on our blog.