In «Echo», an oasis is barely visible
behind skeins of Spanish moss, yet it also seems to hover as reflection in a pool surrounded by wave - rippled sands.
There are dainty dogs and teensy koalas galore, sometimes peeping out from
behind a skein of sub-Pollock drips in a coy game of hide - and - seek.
Not exact matches
And is it this sneaky undercurrent of innuendo that turns a nearby
skein of fly - repelling metal curtain chain, hung from a horizontal bar (Standard, 2010) into a Scheherazade - style veil
behind which one could easily imagine someone conducting a saucy dance?