The abstract
collages, paintings, and sculptures on view, made of neutral - colored, plain materials (brown and blue carpets painted
in white,
beige scraps of paper, clear tape and light brown masking tape, white foam core, discarded aluminum, plywood) echoed long - established tendencies
in abstraction, such as Robert Rauschenberg's experiments with nontraditional materials and Richard Tuttle's casual approach to art making.