Not exact matches
Phil Pearlman at Yahoo Finance Contributors write «Tadas Viskanta
is the preeminent
curator of the financial web and
really invented the smart link-fest that most every financial media outlet attempts to imitate.»
The
curators try and create a rather lofty narrative that the protestors
were «responding to aesthetics», when
really their motives
are basic, political and angry — rather like the suffragettes and anti-papists of history
were, part spurred on by the zeitgeist, part by gut belief.
«This idea of having a museum — and it
was his vision, at that time, that it
be a contemporary - art venue — as part of public education at a higher institution
is really a pretty amazing and significant contribution, and has
been a lasting contribution to this campus, certainly,» said Corinna Ripps Schaming,
curator and interim director.
«She
really wasn't much of a scientist — which
is good,» says Horner,
curator of paleontology at the Museum of the Rockies.
«It
's really cool we found it now,» said Janet Monge,
curator for the museum
's physical anthropology section.
«Their power of observation
was very acute, and they
were really well educated,» says Susan Rossi - Wilcox, former
curator of Harvard University's Blaschka glass flower collection (a later body of work for which the Blaschkas
are now most renowned).
«We took on a lot of debt, more than we could sustain, to do some
really exciting things, but now we
're paying for it,» says Mark Westneat, a Field Museum
curator and chair of zoology.
Libby Thompson,
curator of the exhibit, tells PEOPLE, «Diana, Princess of Wales
is still a
really great draw for our visitors here,» adding that about 80 percent of the people who come want to feel that Diana «
is a presence here.»
«If you
're being a nerd, leopards don't
really have spots,» Craig Saffoe, the
curator of Great Cats at the National Zoo in Washington says.
«It
's not the
curator's job,» Harkins explains with mock gravity, or perhaps actual gravity, since he doesn't
really know how to explicate the cross-stitch.
Valve
is really trying to tackle this problem head on with some interesting experiments like the Steam
Curators and online forums, but it
is pretty evident that they haven't solved it yet.
It
was really critically acclaimed when it opened, and it
's one that faculty and students and artists and colleagues and
curators come to me all the time to make comments on or engage in a discussion about, and it
's one that I
'm particularly proud of.
«It
was really a happy accident,» says Connie Butler,
curator of the Hammer Museum's Opie show.
A comfortable and opening forcefield surrounded his studio, not to mention, Statler and his
curator, Corinne Dove
are incredible kind individuals and
are really good at stealing your attention in the best possible way.
We
're already thinking about this idea of protest and activism in the collection, and wouldn't it
be amazing if we could find a way to
really celebrate this exciting new acquisition and get a lot of these posters up on the wall,» says Jennie Goldstein, an assistant
curator at the Whitney who curated the show with David Breslin and Rujeko Hockley.
Plus, she said, «these sculptures
are just
really fascinating, beautiful, hard — all those things that intrigue me as a
curator.»
It
was the same with Carol Bove — I did a solo booth of her work at Art Basel in 2002, and that
's what
really broke her as an artist, because European
curators and collectors warmed to her work before Americans did.
Michael Rooks, the
Curator of Contemporary Art at the High Museum, has
really reshaped the contemporary vision at the Museum which has traditionally
been so conservative.
ArtsATL: Michael Rooks, the
Curator of Contemporary Art at the High Museum, has
really reshaped the contemporary vision at the Museum which has traditionally
been so conservative.
But the thing that
really astonished me
is that if you
're a museum director and, increasingly, a museum
curator, the majority of your time
is spent fundraising.
«The
curators started to get
really worried,» said Mr. Ward, whose studio
was stacked nearly floor to ceiling with the baby carriers by the end of his residency.
«The purpose
really is to show how dolls empowered African Americans throughout history as a way to see yourself, to empower yourself,» said Jennifer Evans, the assistant
curator at the Wright Museum.
And I realized pretty quickly that in my new role as a director - slash - fundraiser - slash - janitor of Participant, when curating solo exhibitions, most people don't even
really see the
curator, if you
're doing a good job.
If MoMA's
curators want this show to function like a real biennial, though — and signs
are that they do — then they need to
really go for it, to relax not just their material definition of the photograph but also some of the curatorial conceits that have governed photography at MoMA since Szarkowski's tenure.
The
really big news, of course,
is that the widely respected Paul Schimmel — chief
curator at MOCA until he
was unceremoniously ousted by Deitch and Broad in 2012 — will himself
be partnering with Zürich - based gallery Hauser & Wirth in 2015.
With a title as broad as «I
Really Miss You Until You
're Here» from White Conduit Projects» latest exhibition, it
is easy to
be intrigued about what might
be included in the show, and what themes the artists, and indeed
curator, might
be addressing.
«It
was during this period that Diebenkorn
really became Diebenkorn,» says Timothy Anglin Burgard, the Ednah Root
curator - in - charge of American art.
The
curator wrote that this work
is one of her «favorite paintings... soft and muted and
really capturing the feel of the fog settled in over the fields.»
«It
's the sort of moment that you
really dream of as a
curator, where something that you thought no longer existed suddenly pops up.»
But we
're probably in a situation where
curators and gallerists
are looking for work that «goes together» whilst still «exploring a range of possibilities», and that you can make broader non committal statements about that don't
really mean all that much.
«Simon Denny
is relatively young, but he has
been really booming over the past couple of years,» says Serpentine
curator Amira Gad.
Rashid Johnson: It
was really born from the relationship that I prior had with the chief
curator Kate Fowle.
If you wanted to see older movies you had to go to 42nd Street, or to the MOMA, which
was particularly strong in the mid -»70s — they had
really good
curators then.
Artist,
curator and writer, Matthew Deleget has described Hill as
being «on the leading edge of a group of contemporary artists who
are working with new abstraction, issues of painting, and pushing those in
really compelling and interesting new directions, particularly through the filter and through the lens of photography and digital media.»
Another answer, though,
is lack of imagination and just plain pandering — and can we stop blaming the
curators for their bad taste, when they
are really, and sadly, just pandering to economics?
And the 80s
was a time when I
really came of age as a
curator, so I
was doing historical things, but also some contemporary things.
VILLAIN: A diabolical genius, Bruce Nauman has persuaded naïve
curators and critics around the world that his habit of torturing clowns, tormenting viewers with claustrophobic tunnels, and filming strange nocturnal surveillance videos
is a force for good — when
really his endgame
is infinitely more disturbing, resolving itself only at his viewer's point of death.
For the audio work «Down the River» — which
was organized by the Whitney's chief
curator, Scott Rothkopf, and the assistant
curator Laura Phipps — Ms. Fraser daringly left the space empty but filled it — loaded it
really — with often frightening sounds that could suggest some form of hell: loud male voices, clanking metal, rolling carts.
When I wrote a story about Jay De Feo for Art & Auction magazine, published March 2007, Whitney Museum of Art associate
curator Dana Miller — who has a DeFeo retrospective in the future of the Whitney, date as yet unannounced — told me that the only 20th century artists to whom to potentially compare De Feo would
be sculptors Lee Bontecou and Eva Hesse — «and they arent
really close at all,» said Miller.
«One of the main reasons we decided to act upon this extraordinary opportunity
is because printmaking
is really the foundation of Kiki's work and
is something that informs her entire oeuvre,» High modern and contemporary art
curator Michael Rooks added in an email to the AJC.
Jonathan T. D. Neil on why he
's leaving New York for Los Angeles; Jonathan Grossmalerman finds out how the artworld works; Maria Lind,
curator and director of Gwangju Biennale 2016, on Nazgol Ansarina and life in contemporary Teheran; Sam Jacob argues that the idea of home should
really be a generator of social change; Dan Udy looks at the history and legacy of what has
been called «AIDS art» for artists today; and J.J. Charlesworth on Wolfgang Tillmans
's anti-Brexit campaign.
«You think you know as a
curator how it
's going to look at the end, but until that last label
is put up, that last light
is focused, you don't
really know until then,» Price said.
«He
's really good at picking out the various oddities and uncanny moments of the everyday,» says the exhibition
's curator, Cliff Lauson.
«I thought it
was a
really interesting engagement with a lot of issues around nature, the environment, landscape traditions, Romanticism, melancholia — some of Pierre's big subjects,» says Lynne Cooke, who organized a 2002 show of Huyghe's work at the Dia Art Foundation in New York and
is now senior
curator for special projects in modern art at the National Gallery of Art in Washington, D.C.
I wasn't
really expecting that I guess,» said Philip Larratt - Smith, a New York - based
curator, scanning the surprisingly familiar scene.
«It
was that experience of coming to the museum by myself in high school when I
really understood that there
were curators in charge of putting these things together,» she says.
For the
curators, who
are pulling together many works never or rarely exhibited, «it
's the kind of show where you feel like you
're really adding something to the telling of art history,» says Berry.
As
curator Ingrid Schaffner points out, each one of these works
was once a museum show in its own right, «So this idea that Jason had of all the work
being one work
is really being put into motion here,» she says.
, Irish Times, October 23 Louise Jury, «Now they
're REALLY taking the p ***: urinating model
is shortlisted for Turner Prize», London Evening Standard, October 22 Aidan Dunne, «Derry courts controvery as Turner Prize opens offshore for first time», Irish Times, October 22 «Turner Prize exhibition due to open in Londonderrry», BBC news, October 22 «Turner Prize Exhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids
are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and
Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who
is Lynette Yiadom - Boakye?»
«The exhibition, it has a focus, an emphasis, which
is on the way throughout his mature career Hockney has
really interrogated what it
is to make pictures, why make pictures, how do you capture the real world of time and movement in something flat and static,» said Chris Stephens,
curator of the exhibition.