Sentences with phrase «believe world of film»

Here, the genre of the landscape is far removed from nature and infiltrated by the make - believe world of film and television.

Not exact matches

This is not reporting worthy of CNN, «A staffer on the film, which has provoked anti-American protests and violence across the Muslim world, said he believed that the filmmaker is a Coptic Christian.»

Every time I said yes, amazing people who believed in me and who've had a bigger vision of what I could do in this world stepped forward — from my mom who went vegan with me after my fourth recurrence of bone cancer, to the yoga teachers who insisted I could become a yoga teacher too, to the talented woman who designed my website, to the director who brought together the crew for this film and made an idea a reality.

The genre is arguably one of the riskier for filmmakers to tackle because the film must not only make the audience believe in a world or setting that is seemingly ambitious, but the filmmaker must also convey a contemporary message of some kind.

And the fact that the film, much like Spotlight, the Arabian Nights Trilogy, and Anomalisa, is very much pitched at an adult level, instead of going aiming for the «teenager» set (and I'm not just talking Jurassic World / Marvel / StarWars, I do believe a lot of Oscar - Bait is pitched at that simple level of easy digestion, Carol is not.

The film fully believes in the reality of the world it creates, without continuously patting itself on the back for being aware of its own devices.

Favreau and his team created a lush, beautiful world for Mowgli and his friends — it's truly the kind of film that you need to see to believe.

The film is about how this duo are able to keep their head bobbing above the poverty line, but it's also about how Halley allows her daughter to exist in a world of make - believe, knowing that the crushing reality of their circumstances might sap away her infectious joie de vivre.

I attended the World Premiere and press conference for Show Dogs a few weeks ago and while I can't recommend the film to anyone over the age of 12, I do believe that children between the ages of four to eleven will have a blast.

Casino Royale is fantasy in a world that's earned its darkness, a mature film that doesn't demand to be taken seriously but doesn't expect you to believe that the world is the same as it was when Sean Connery leered at Ursula Andress walking out of the surf like Venus on the half shell.

I believe the audience of the entire world will be able to see the beauty of Chinese martial art films and the beauty of Chinese people.

While what he said earlier this year led people to believe there was another trilogy in the works, the director spoke only of the follow up to Covenant this time, saying that «I'll probably be filming it within a year,», and revealing that John Logan had already given him a script for a direct sequel Scott plans to shoot after he finishes All the Money In The World and The Cartel.

With all of that being said, I believe that if the world has one job right now it is to make sure Linklater, Hawke, and Delpy live long enough in order for us to get at least three more Before films; if we have two jobs, world peace.

Reflecting on the film's release as the Me Too and Time's Up movements dominate debate in Hollywood and the wider world, she said: «It's a strange thing, the themes this film touch on, the themes that we wanted to focus on and discuss and let an audience discuss during the process of seeing the film have to do with class - ism and abuse towards women and if they are believed when they come forward.

I don't necessarily believe that episode two is better than the film that preceded it, but it retains that unique combination of innocence faced with the emotionally crushing yet still uplifting big scary world out there.

What I hoped I could do is tell a story about creativity, tell a story about having a vision that nobody else believed in and pushing that vision out into the world, but through the upside - down skewed lens of this very strange and unique film, The Room.

«Downsizing» presents a world that's falling apart — even if Leisureland does boast three Cheesecake Factory locations — but Payne and Taylor bring their trademark acidic empathy; this film may share the darkly ironic «no matter where you go, there you are» message of a film like John Frankenheimer's «Seconds,» but Payne and Taylor clearly believe in the power of people looking outside their own little worlds and taking in the big picture.

The film follows Secretary of State John Kerry, UN Ambassador Samantha Power, Deputy National Security Adviser Ben Rhodes, National Security Adviser Susan Rice, and President Obama himself as they travel the world over the course of 2016, attempting to «lock - in» policies that they believe will define their legacy, all while preparing to hand over the keys to the next administration.

Of course, true film lovers believe an epic World War II era drama deserves to be seen on the big screen, and since Mudbound will be shown in select cinemas, I suggest you make the effort to see it there if you can.

The film was then handed over to Peyton Reed who has a varied television career up to this point and who was nearly selected for the slot of director for Thor 2: Dark World, if internet rumors can be believed.

However, for the chosen few who believe that authentic honesty and beautiful tales that do more than just remind us of the good things in the world exist that don't have to feel heavily weighted by coincidental screenwriters this is the film you've all been waiting for.

Working on this film brought Shawn back to his home state of New Hampshire, where he believes all the screenplays in the world ought to be filmed.

Thematically, the novel is preoccupied with relics, the physical reminders of emotion — for Miles, the abandoned possessions of hundreds of evicted tenants; for Bing, the beaten - up antiques he has pledged to save; for Ellen, the dangerously erotic images she is finally able to cultivate from the ephemera of her mind and put onto paper; and for Alice, an obsession with a World War II film which she believes captures the simultaneous hope and despair of a generation.

The Mayans and film director Roland Emmerich would have us believe that the end of the world is nigh.

Each year, MoMA's Department of Film combs through major studio releases and the top film festivals around the world, selecting influential, innovative films made in the last 12 months that they believe will stand the test of time.

The story is usually interpreted to mean that one should not believe everything one is told, as in the first version of the film in 1943 — one of a series produced by Walt Disney at the request of the U.S. government during World War II for the purpose of discrediting totalitarianism in general and Nazism in particular.