Sentences with phrase «belongs in a better movie»

The final set piece is all kinds of fun and, frankly, belongs in a better movie.

His performance belonged in a better movie.

He belongs in a better movie, but at least he perks this one up.

Not exact matches

It is best known for building robots that look as if they belong in science - fiction movies and are often co-developed or funded by the U.S. military.

This movie has everything that belongs in a good action movie, and nothing that doesn't.

That scene - as well as a few others - belongs in different movie.

Nobody does unhinged quite like Foster, and this is easily Pine's best work in years, but the movie ultimately belongs to Bridges, who's devilishly funny as the veteran Texas Ranger, trading affectionately racist barbs with his Mexican / Native American partner played by Gil Birmingham.

The interior of the house is the best aspect of the movie, belonging in far better material that the script.

At the end of the day, good or bad, it belongs in another movie.

The Help, written and directed by Tate Taylor from the novel by Kathryn Stockett, belongs to the Driving Miss Daisy tradition of feel - good fables about black - white relations in America, movies in which institutional racism takes a backseat to the personal enlightenment of one white character.

... In other possible Civil War - related news, a Twitter account linked to directors Anthony and Joe Russo may have offered up the first glimpse of the new Spider - Man suit set to be worn by Tom Holland for Peter Parker's MCU debut (although Guardians of the Galaxy director James Gunn has stated that it doesn't belong to the Russo brothers), while original Spider - Man trilogy director Sam Raimi has shared his thoughts on Sony's Amazing series, as well as the upcoming reboot: «I saw [both Amazing Spider - Man movies], they're great.

Enjoyable for a good 15 minutes or so, mostly due to the scene - stealing powers of the adorable, much - coveted kitty whose name gives the movie its title, this is otherwise a stale, repetitive effort whose one - joke premise — two suburban buddies forced to pass themselves off as gangsters in a grimy underworld where they clearly don't belong — never achieves comic liftoff, much less the richly subversive dimensions typical of Key and Peele's best work.

The sequence seems to belong to a different movie, and Nichol never provides any context for Williams, best known for the 1968 instrumental hit «Classical Gas,» or for Ruscha, a pivotal figure in pop art.

The design of the interior of the house is the best aspect of the movie, belonging in far better material that the script that serves it here, but as you sit there saying a line an instant before a character does and waiting for LaPaglia or Otto to show up (and show some life) you just can't get past the flaws.

Nobody does unhinged quite like Foster, and this is easily Pine's best work in years, but the movie ultimately belongs to Bridges as the devilishly funny, veteran Texas Ranger who would rather go down in a hail of bullets than be forced into retirement.

All cars belonging to the wrongdoers do it in movies, so now it's time the cars of the good guys do it as well.

Created with oil and acrylic, these paintings depict spaces from Wood's own life — as well as places belonging to those he knows — and scenes from cartoons and movies that have been embedded in his memory.