This is because surveys have failed to reveal such objects, even though they would be many times brighter than the Kuiper -
belt objects seen to date.
Not exact matches
When we discovered the Kuiper
belt object called Santa in December of» 04, we went crazy — this was the brightest thing we'd ever
seen.
These two drifts across the solar system meant Jupiter crashed through the asteroid
belt twice, mixing asteroids that had formed either side of its original orbit and leaving behind the well - mixed
objects we
see today.
According to astronomers working with the Spitzer Space Telescope, a thick
belt of dust (that is probably being generated by collisions between Edgeworth - Kuiper -
Belt - type, icy
objects) lies some 96 to 195 AUs out from the star (Bryden et al, 2009; Tanner et al, 2009,
see HD 115617; and Vogt et al, 2009 — more below).
Then it's Lakitus and Spiny Shells, Fire Flowers, Stars, One - Ups, and moving platforms; then Bullet Bills, Bloopers, and Cheep - Cheeps; HammerBros., Thwomps, fireballs, skull platforms; Monty Moles, Bob - Ombs, POW blocks, Bowser; Boos, Magikoopas, doors, vines, switches, hidden coin boxes; Wigglers, Yoshi, Clown Cars, arrows; conveyor
belts,
saws, paths for
objects / enemies / moving platforms to follow; the list goes on.
Alongside these works are her geometric abstractions, which are typically monochromatic and are sometimes enhanced through the incorporation of
objects such as wheels and
belt drives, as
seen in The Perpetual Painting.
The works, which began emerging from the artist's New York studio around 1959, were made of canvas and other fabrics, stretched over steel frames and stitched with wire, sometimes incorporating airplane parts, war - surplus materials, laundry — conveyor
belts, industrial -
saw teeth, and other incongruous
objects.
With several years of practice under her
belt since then, however, Ross - Ho's simple enlargements have seemed to evolve quite considerably, perhaps best exemplified by My Pen is Huge, Ross - Ho's new exhibition at Mitchell - Innes & Nash, which
sees her adding to own work's discourse by including life size
objects alongside her oversized sculptures.