He went on to elaborate that, «This partnership will greatly
benefit writers and publishers who've been sitting on their back catalogs simply because the idea of digitizing the books themselves by hand was overwhelming,» says Felsen.
And, finally, he suggests that platforms like Kindle and Kobo wield a fascinating opportunity related to the type of in depth reading data that Sinead was talking about that can significantly
benefit writers and publishers.
«This partnership will greatly
benefit writers and publishers who've been sitting on their back catalogs simply because the idea of digitizing the books themselves by hand was overwhelming,» says Felsen.
«This partnership will greatly
benefit writers and publishers who've been sitting on their back catalogs simply because the idea of digitizing the books themselves by hand was overwhelming,»
Not exact matches
Michael Pietsch, the CEO of the book
publisher Hachette, called it «great news for
writers,»
and said that the new deal «will
benefit Hachette authors for years to come.»
(Besides fewer dollars per sale, a traditional book has a literal shelf life; once your
publisher wants to give that shelf space to their next
writer, most of your book's trad - published
benefits are * dead * unless you get famous enough to re-impress them,
and / or you understand how to get your rights back.
But of course, since traditional
publishers only pay attention to their big blockbuster
writers and leave newbies to do their own marketing, one might as well go ahead on one's own
and reap the (70 % royalty)
benefits instead of the standard 8 % on nothing once «costs» have been paid...
Emerging
Writer Membership includes additional
benefits, such as low - cost web services, while Full Membership — available once you have a contract offer from an established
publisher or agent, or earn significant writing income — allows
writers to take advantage of contract reviews
and other legal services.
I'm a member of the Science Fiction
and Fantasy
Writers of America (SFWA), a professional organization for SF / F writers that offers numerous benefits, including a members - only lounge at WorldCon, nomination / voting in the Nebula awards, private discussion forums, and a committee to handle grievances between authors and publishers (Gri
Writers of America (SFWA), a professional organization for SF / F
writers that offers numerous benefits, including a members - only lounge at WorldCon, nomination / voting in the Nebula awards, private discussion forums, and a committee to handle grievances between authors and publishers (Gri
writers that offers numerous
benefits, including a members - only lounge at WorldCon, nomination / voting in the Nebula awards, private discussion forums,
and a committee to handle grievances between authors
and publishers (GriefCom).
A final major
benefit of traditional publishing,
and what I believe to be the most important, is the fact that, with a
publisher, a
writer has a team of experts in every aspect of book production — i.e., editing, copy editing, legal review, when necessary, cover design, formatting, marketing,
and publicity — who work together with a common, vested interest in making a book the best representation of the author
and the publishing house that it can be.
Their objective was to republish the content as eBooks to help broaden their brand as a
publisher and provide a
benefit for their
writers.
«Today, we launch the Kindle Worlds Store
and the platform that will enable any
writer to
benefit from writing in one of the Worlds we've licensed,» said Philip Patrick, Director, Business Development
and Publisher of Kindle Worlds.
This information helps guide a
writer to effectively position their manuscript within Inkubate for the
benefit of
publishers and agents.
It's a bad idea (my opinion again) couched in misleading language,
and will unfairly
benefit from its association with a major
publisher, which will doubtless entice many inexperienced
writers to spend money on the probably fruitless hope of being «discovered» by Harlequin.
That's why I laugh at the notion of comics needing the Big Two because if folks would've been more alert to the game being played sooner than people have finally started to, they'd have enjoyed the
benefits of a healthy
publisher / creator relationship like
writers do
and should
and Marvel / DC would've started the slide into their current malaise / drek a lot sooner than the last few years.
It makes sense to me that for the first print run
publishers stick largely with the current model but use POD on the backlist; that could have tremendous
benefits to author
and pub house both if done correctly (not to mention readers, who'd be able to order older books by a favourite
writer and not face the flipping frustrating «out of print» or «no stock available» options.
From new
and self - published
writers to established best seller authors without distribution from traditional
publishers, as well as small press company authors, e-book authors
and independent
publisher - authors — all can
benefit from our book distributor consultation
and contacts.
The house also runs its own sales platform, which it makes available to other
publishers,
writers and artists — another example of how the generosity that has
benefited them
and other Mexican
publishers is now an attribute they are proud to offer others.
«
And as agents usually work intensively with their clients on their material in advance of submitting to publishers, this should support and benefit the overall quality of publishing, along with helping find new writers and adding a new professional level to the industry.&raq
And as agents usually work intensively with their clients on their material in advance of submitting to
publishers, this should support
and benefit the overall quality of publishing, along with helping find new writers and adding a new professional level to the industry.&raq
and benefit the overall quality of publishing, along with helping find new
writers and adding a new professional level to the industry.&raq
and adding a new professional level to the industry.»