Sentences with phrase «bequest of»

Is the reader supposed to assume that another Royal LePage franchise brokerage offered enhanced commission splits to the REALTOR's of Royal LePage foothills, at the bequest of Phil Soper — as it wouldn't be Phil Soper's call?

Failure of a bequest of property because the property in question is no longer owned by the person making the will or estate plan.

In 2004, in recognition of the care provided to him when he was sick, the testator requested that his accountant change his will to include a bequest of $ 100,000 to Mrs. Rowsell.

As a result, a lawyer drafting a will who is asked to make a bequest of a property should take steps to determine whether the house is a matrimonial home.

«This gift joins other milestone endowment gifts, such as James and Frances McGlothlin's bequest of $ 30 million in addition to their American Art collection, the J. Harwood and Louise B. Cochrane Endowment for American Art, and the A.D and W.C. Williams Endowment.

The Baltimore Museum of Art: Bequest of Dr. W. Lehman Guyton, Cockeysville, Maryland, BMA 2011.363

In 2004 the Museum acquired multiple works by Lewis as part of the Bequest of Irene Wheeler.

Whitney Museum of American Art, New York; bequest of Josephine N. Hopper 70.1175

Williams College Museum of Art, Williamstown, Massachusetts; bequest of Lawrence H. Bloedel, Class of 1923

The Morgan Library & Museum; Bequest of Ethylene Seligman; 1994.4.

Gustave Caillebotte, Portrait of a Man, 1880, oil on canvas, The Cleveland Museum of Art, Bequest of Muriel Butkin.

The Morgan Library & Museum; Bequest of Therese Kuhn Straus in memory of her husband, Herbert N. Straus; 1977.59.

Being a Ghost Story of Christmas (London: Chapman and Hall, 1843), engraving by W. T. Linton after an illustration by John Leech depicting the Ghost of Christmas Present introducing Scrooge to the children Ignorance and Want, PML 132030, bequest of Gordon N. Ray, 1987.

One of the earliest collegiate art collections in the nation, it came into being through the 1811 bequest of James Bowdoin III of seventy European paintings and a portfolio of 140 master drawings.

Charles Dickens (1812 — 1870), The Haunted Man and the Ghost's Bargain (London: Bradbury & Evans, 1848), The Morgan Library & Museum, PML 132119, bequest of Gordon N. Ray, 1987.

Yale University Art Gallery, Bequest of Susan Morse Hilles.

Museum of Fine Arts, Boston; Bequest of Martha C. Karolik for the M. and M. Karolik Collection of American Paintings, 1815 — 1865, 48.461 © Museum of Fine Arts, Boston

2007 - 2010 drawings on paper University of California, Berkeley Art Museum and Pacific Film Archive; Museum purchase: Bequest of Phoebe Apperson Hearst, by exchange 2010.39.0

Amedeo Modigliani Juan Gris 1915 Lent by The Metropolitan Museum of Art, Bequest of Miss Adelaide Milton de Groot (1876 — 1967), 1967 (67.187.85)

long; Hillwood Estate, Museum, & Garden, Bequest of Marjorie Merriweather Post, 1973 (acc.

This will begin with the immediate donation of a portrait of Louise Bourgeois by Annie Leibovitz, and will continue as an annual bequest of works each year, until his entire collection is housed in IMMA.

Gene Davis, Jack - in - the - Box, from the portfolio Series I, 1969, screenprint on canvas mounted on paperboard, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.33.2

, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, Bequest of George A. Gay

Gene Davis, Untitled, 1984, pencil and colored pencil, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2000.43.61

Bequest of the Aubrey Courtney Shives, Jr. (T» 66) Trust; 2011.8.4.

Alma Thomas, Elysian Fields, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.8

Alma Thomas, Red Azaleas Singing and Dancing Rock and Roll Music, 1976, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.2A - C

Gene Davis, U.S. Olympic Editions 1976, 1976, screenprint, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.15

IV, 1930, oil on canvas, National Gallery of Art, Washington, Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe

John McCracken, Untitled, 1981, resin and fiberglass, Smithsonian American Art Museum, Bequest of Edith S. and Arthur J. Levin, 2005.5.45

Gene Davis, Untitled, 1979, color lithograph on paper, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.3

Gene Davis, Dr. Peppercorn, 1967, acrylic on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.5

Gene Davis, Black Popcorn, from the portfolio Series II, 1969, screenprint on canvas mounted on paperboard, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.34.1

Gene Davis, Untitled, 1983, felt - tipped pen, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2000.43.41

Gene Davis, Untitled, 1962, magna on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.27

Gene Davis, Sweet Carburetor, from the portfolio Series II, 1969, screenprint on canvas mounted on paperboard, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.34.4

Gene Davis, Limelight / Sounds of Grass, 1960, magna on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.2

Gene Davis, Untitled, ca. 1984, felt - tipped pen, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2000.43.43

Gene Davis, Night Rider, 1983, screenprint on paper, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.24

Gene Davis, John Barley Corn, from the portfolio Series I, 1969, screenprint on canvas mounted on paperboard, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.33.6

Image: Georgia O'Keeffe, Jack - in - the - Pulpit No. 3, 1930, oil on canvas, Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe, 1987.58.2

(Similarly, the show's only European stop was the Centre Georges Pompidou because it is custodian of Brancusi's bequest of his work to the French nation.)

George Eastman Museum, bequest of the artist.

Gene Davis, Tarzan, from the portfolio Series I, 1969, screenprint on canvas mounted on paperboard, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.33.1

Gene Davis, Black Watch Series 185 -3-2, 1974, screenprint on canvas paper, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2002.26.28

Bequest of Farrah Fawcett, 2010.

Gene Davis, Untitled, 1982, marker on paper, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 2000.43.30

Gene Davis, Peeping Wall, 1960, magna on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.4

RALPH EUGENE MEATYARD, American Romance of Ambrose Bierce # 3, from Portfolio Three: The Work of Ralph Eugene Meatyard, 1964 (printed 1974) Gelatin silver print, 6 11/16 x 7 «Bequest of Robert C. May

The Pierpont Morgan Library, Bequest of Fred Ebb.