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Although the inky
black -
and -
white photography recalls Gordon Willis's work in Manhattan, the film is much more in line with the modest tragicomedies of the French New Wave, with Frances figured as a
better educated but just as coarse American cousin to Truffaut's Antoine Doinel, apologizing at one point for not being much of a «real person» just yet.
THE
GOOD: Gene Wilder's masterfully funny performance, Peter Boyle's endearing portrayal of the monster, the lush
black and white photography, a great song
and dance number, Gene Hackman (The French Connection, Bonnie
and Clyde) as the blind man, Mel Brooks» adept direction,
and some genuinely hilarious sight gags
and characters.
There's the gorgeous
black -
and -
white photography from Nebraska to consider, as
well as the wonderfully muted tone of Inside Llewyn Davis, but again, this one comes down to Gravity.
It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the
black -
and -
white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even
better than in Noah Baumbach «s film).
Deakins uses the overtly stylish surroundings to sheer perfection using every possible smoke - filmed frame to recall the
good old days when
black and white photography in Hollywood films was an art in itself.
Location: southeast of Boracay, in the Tabon Strait Access: about 25 minutes by boat from
White Beach Experience: advanced divers Depth: 5 - 20 meters Visibility: up to 30 meters Current: strong Characteristics: 2 dive sites (small Laurel
and big Laurel) with walls, tunnel, reef, many fish species, sponges, sea cucumbers, sea stars, sea snakes, nudibranchs, soft corals, hard corals,
black corals, leathery corals
good for
photography
While
best known for his high - contrast
black and white images, color
photography has been an integral part of his practice since the 1970s.
Kelly's affection for
black and white is
well known, but Mr. Shear spins it afresh across
photography, drawing, sculpture
and especially Kelly's relief - like paintings.
While his teacher is noted for his
black -
and -
white images, Epstein is a master of color
photography, capturing on film the American experience as
well as images from countries throughout the world — he has traveled extensively
and realized series on locales including Vietnam, India, Berlin,
and his hometown of Holyoke, Massachusetts, among others.
The
black and white photography series of Renos Evryviades - Wideson (b. 1920) Buffavento Castle (1950), Harvest Time (1953),
and St. Hilarion Castle - Aerial (1955) as
well as Zenon Sierepeklis» (b. 1947) Latchi (1998/99), Terra (1999),
and Latchi (2002) unfold the transition from documentary
and landscape
photography to a more conceptual rendering of space imbued through the aesthetics of industrialization
and monumentality as a result of human intervention on natural habitats.
This book, first published to mark the first major retrospective of Leiter's work in 2012, features for the first time, in addition to his early
black and white and color images, his fashion
photography, the overpainted nudes, as
well as his paintings
and sketchbooks.
Sassen,
best known for her flamboyant fashion
photography, will exhibit a series of mainly
black and white pictures taken during a trip to a village deep in the rainforest of Suriname.
Her romantic, surreal, often disturbing
black and white photographs reference the history of modernist
photography as
well as presciently gesture towards more recent art about objectification
and the female gaze.
Alex Guofeng Cao is a Chinese photographer,
best known for exploring
black and white photography, but with a more digitalized approach.
At UCLA
Welling changed the
photography curriculum from
black and white to color.
The
black and white photo archive documents her life as
well as her
photography collection.
Through her
photography — stark
black -
and -
white, gelatin silver prints — the artist has made a record of the people who inhabit these post-industrial landscapes: herself, her mother, her grandmother, her mother's boyfriend, her extended social network, people who have survived decades of grueling work, as
well as globalization, de-industrialization
and a drug war.
Booth N28 is reserved for Spanish gallery from Madrid, Maisterravalbuena, which brought a
good selection of
black and white photography by Hiraki Sawa.
A pair of photographs in this auction vividly display his genius with a variety of subjects as
well as his mastery of both color
photography and black &
white.
A controversial giant of late 20th century
photography, Robert Mapplethorpe is
best known for his large - scale
black -
and -
white portraits of everything from flowers to athletic nudes.
When Eve agreed to create a limited series for Creative Capital's 2012 Benefit & Auction
and said she was thinking of combining some version of a stereoscope with
black -
and -
white photography, we were intrigued
and,
well, surprised.
Moreover, his technical mastery of
black -
and -
white and color
photography, as
well as the platinum printing process, earned him accolades in the realms of both commercial
and fine art.
Hopper's watercolor views of clapboard houses, electric lines
and windswept landscapes are displayed alongside
black -
and -
white photographs by Robert Adams, Diane Arbus
and Lee Friedlander, as
well Stephen Shore, a pioneer of color
photography, whose works here eerily echo Hopper's depictions of domestic architecture.
Welling's body of work includes representational
and abstract
photography;
black and white and color; film - based
and digital photos
and camera-less
photography.
His work has also been the subject of important group
and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft
and Design, Museum of Art
and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008);
Black Is,
Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After
White People: Time, Trees,
and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The
Black Factory
and Other
Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness:
Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of
Photography, New York (2004); William Pope.L: the friendliest
Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York,
and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism:
White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal
and Other Current Consumptions, Mobius, Boston (2000);
and Out of Actions: Between Performance
and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).