Sentences with phrase «best characters in film»

All of this, plus the two amazing lead performances themselves, improve the characters even more, and make them as compelling to watch as some of the best characters in film history.

Marty and Dana were the best characters in the film.

His Rey is the closest thing to a good character in the film.

She's feisty, strong, smart, and easily the best character in the film.

And then there's the brother character... Arguably the best character in the film he still talks in a way that feels like Shyamalan is trying to connect to a younger, dumber audience; an audience that uses «words» like yolo and bae with a straight face.

Not exact matches

While this part of the film may seem small and unimportant in the grand scheme of the Marvel Cinematic Universe, getting to know characters better who may be around for multiple films seems just as important as plot advancement.

«Panther» will end up over $ 600 million in foreign grosses and set precedent in destroying the truism that films starring mostly black characters do not perform well internationally, particularly in Asia.

In this obscure indie film, two little read - comic books come together in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worlIn this obscure indie film, two little read - comic books come together in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worlin a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worlin the modern world.

We never learn much about her history, save for a few significant bombshells down the road, yet she feels a good deal more dimensional than about 95 % of characters in film history.

There's a scene in the film where Krasinski's character and Emily Blunt's character (who are husband and wife in the film as well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST LIKE JIM AND PAM DID.

Chef also got to voice a brief line in the film as well... sorry can't recall which character.

In one Star Wars film the good character Obi Wan says «Only the Sith deal in absolutes.&raquIn one Star Wars film the good character Obi Wan says «Only the Sith deal in absolutes.&raquin absolutes.»

Telegraph, 2 October 2006 Rupert - unleashed and unloved «Like the George Downes character he played opposite Julia Roberts in My Best Friend's Wedding, his most successful Hollywood film, Everett really is the ultimate gay best friBest Friend's Wedding, his most successful Hollywood film, Everett really is the ultimate gay best fribest friend.

The Cruise attack, on the other hand, exemplifies «poisoning the well,» another brand of ad hominem attacks in which the character assault is launched before the listener has a chance to form his or her own opinion on a subject — in this case, Cruise's film.

A well directed film by Daren Afronsky, Micky Rourke and Marisa Tomei are more than able to bring their respective characters and all of their flaws to life in a realistic and engaging manner..

In his desire to make a universally well - received film, Walt Disney decided to play safe with this light - hearted and hugely entertaining delight that would hardly not please everyone, with an expressive animation, great catchy songs and many adorable characters.

Johnson writes her character well enough, though the film's general dearth of women characters — there are three, two of them serve mostly as Mother figures (and, in Perabo's case, as a hooker), and the other is a waitress — is something I hope he takes note of.

And while Fiennes is great fun to watch in the role, we realize that Voldemort isn't a terribly interesting character, which is a good analogy for the film.

It's a stunning story, dark and comical in equal turns, and the film relays the events in splendid fashion as well as giving us a star - making turn by Australian actress Margot Robbie as the eponymous character.

Bullet to the Head is a wasted opportunity to make something quite interesting and worth your time, but instead it just takes bits and pieces to create something that in the end is not worth watching because the film lacks a good story, effective action and more importantly good performances and interesting characters.

The actor proved his dedication to the role by staying in character throughout filming, which not only impressed Russell and Eklund, but will most likely surprise viewers as well.

As well as bringing audiences a fun, joyous film full of great laughs and seriously impressive effects, Waititi also appears in the film as CGI character, Korg.

Actors in this film have lent their vocal talents to other characters as well.

Narrated by Paul Robeson, the film employs a cast of familiar if not stellar character actors in a story of how certain enemies within the US have done their best to suppress their fellow citizens» rights to freedom of speech, freedom of religion, freedom of assembly and freedom from want.

Even if is not perfect for his awful villains, some unfunny jokes and the character of Captain Underpants not appering much in the film, is still better than any animated movie like Cars 3 o LEGO Ninjago Movie.

Hopefully the emotions poor out of the book as well as it did through these characters in the film.»

For some reason someone thought the casting of «Xzibit» and «RZA» was a good move for this film, errrr no, they add nothing in their roles and I don't understand why they were even considered when simple more toned down characters would have been better.

In the end, this is again a very good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest of this whole movie is to the idea behind it) and more on the variety of monsters that were created for this film.

At times this can be a very gut and heart wrenching film, and really awkward and uncomfortable, but it is presented in a respectful manner with characters that are very well developed and interesting.

Always good at deeply internalized anguish and barely masked vulnerability, he convincingly navigates his character through some tricky psychological transitions, maintaining sympathy and credibility even in the film's ramped - up (and somewhat trumped - up) thriller finale.

Also, it would have been nice to see characters from the original appear in this film as well.

In the service of the film's narrative tricks, I'm omitting any mention of a few key characters and the good actors that play them.

A film can have the funniest jokes in the world, but it's all for nothing if we hate the characters; likewise it can have great characters and a fascinating story, but if the humour isn't well - crafted, then all is lost.

Maybe that's just my fandom of Tadanobu Asano, who is very good here, but I'm sincere in feeling that his character is the driving force of the film and his *** SPOILERS *** death leaves a huge whole.

Even thought the film is light on character development, and strove to be more of a pure action film (one of the most influential and parodied in fact), it is still entertaining, even though it's really just ok, and not all that good (unbelievable and unrealistic action aside).

When I first saw the trailer for this movie I thought it was good to be another awful horror film, but the twist led by the characters played by Bradley Whitford and Richard Jenkins makes this one of the most inventive horror films I've seen in a while.

On the one hand, we get to better know characters barely seen in the film (if at all).

The best thing that can be said about Bats vs. Supes is that it's rapid collapse at the box office may finally be enough to convince Warner Brothers to remove Snyder from any future DC Comics films and give them to those who've show an ability to deliver movies with coherent character, narrative and emotion in addition to pure spectacle — and preferably all of the above.

Having all just finished college, each is deciding on what path to take in life, and its Jim who has chosen the most shocking path for the group of friends as he has chosen to ask his girlfriend Michelle, the infamous flutist of the first two films (the wonderful Alyson Hannigan, which, ya know, she is so good in it, we did nt need the other girl characters, which is sad to say, but eh, this was always about the guys so who cares?).

While Iron Man bounced back with Iron Man 3 and Captain America flourished with his own trilogy of films, Thor was left behind; a character that, like Hulk, seemed best utilized in team - up movies.

The humor is funny and fits the film well, the characters are all memorable in their own ways, and the art style is very unique and fits the film well.

Hannah was given too little to do in the first film, and she does her very best to make Tarantino's samey, show - off, adolescent dialogue feel as though it could have come from her character's mouth.

While the choreography is generally fairly minimal (at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.

Heather herself is also a likable character and is well acted by Adelaide Clemens, who I expect to see in more films in the near future.

In other words, he's much better at effects - laden set - pieces than character drama, and this film is crying out for more of the latter.

They're all impressive - large, well engineered monstrosities with actors thinking and acting in ways that humans never think or act - and not one of them has the pure humanistic love that this film has for its characters and for people in general.

What this film seriously lacks in a coherent and discernable plot and character development, it more than makes up for it with tons of style, great cinematography, and well - placed tension.

The interacting with Killmonger and the secondary character and the final few scenes that he and T'Challa get to spend together are honestly some of the best moments from any of these films in a very long time.

The same goes for the various villains, who behave as if in a comedy; rather than scripting the film to lighten up on the seriousness, the characters must betray normalcy to better fit insincere resolutions.

There is something of an emotional commitment brought to the storyline by the characters in this film, which really comes across well on screen.