Sentences with phrase «best description of the film»

A scene exploring his abnormal bathroom habits exhibits del Toro's ability to rustle together playful and discomforting tones, probably the best description of the film's overall feel.

A good description of the film is available at http://www.imdb.com

Not exact matches

The film tells the story of speed dating addict James Van Der Bexton as Description: A hot busty brunette goes to a speed dating place to see if she can catch a good - looking guy that can give her the attention she deserves.

That's a pretty good description of the first third of «Deathly Hallows: Part 2,» and it may be no coincidence that it's the film's strongest section.

Exactly which of these descriptions best fits the man who materializes at his practice room's door — Terence Fletcher — will remain unclear for the rest of the film.

Flawless may take its title from a drag queen beauty pageant that figures not - at - all - prominently in the plot, but it best serves as a description of the terrific performances featured in the film.

The Good Time star plays a wealthy pioneer who sets out across the American frontier to marry the love of his life (Mia Wasikowska), but that logline hardly does the film justice, and since the film kind of defies description, just go in expecting a clever deconstruction of traditional gender roles.

The score features terrific use of drums and percussion, and the film provides the best yet description of marriage: tolerate until it hurts.

When Variety reviewed Not Quite Hollywood they concluded that the film was «Energetic almost to the brink of excess» (2), which could also serve as an apt description of the «Ozploitation» films it chronicles, the era in which those films were produced, as well as this memorable segment with Tarantino, which shows his uninhibited passion for — and witty observations of — those unforgettable moments of exploitation cinema.

One reviewer wrote that he creates a separate space apart from the outside in which one is allowed to meditate, which is probably the best description I've ever read of his films.

That's a good description of the final film — one in which you can see glimmers of the Shane Black script underneath (hardboiled characters, snappy dialogue, bursts of shocking violence, a Christmas setting) but surrounded by a lot of unnecessary bullshit to the point where you can almost feel the egos of the movie superheating the frame and melting away what was once originally there.

For Farber, Rivette's film was «a new organism, the atomization of a character, an event, a space, as though all of its small spaces had been de-solidified to allow air to move amongst the tiny spaces» — a description that applies just as well to Farber's porous, slippery sentences.

Thanks to the Cannes presentation we have a few new comments from John Lasseter about each film, and tantalizing descriptions of environments in The Good Dinosaur as among the most realistic Pixar has ever created.

After showing off the first official look at Apocalypse, Storm, and Psylocke in X-Men: Apocalypse earlier today, Entertainment Weekly is doubling down and giving us our first shots of more of the new mutants debuting in the film, as well as some brief descriptions.

While the film and the memoir have been given the unfair label of being ONLY ABOUT «slavery is bad» (as if that fact alone would not be worthy) many of the more subtle points have been ignored, but is best summed up this way, «It is notable not only for its lucid description of plantation life, with detailed passages on the methods by which cotton and sugarcane were harvested and processed, and how slaves were fed, housed and punished, but also for the author's evenhanded treatment of his subject: although he denounces slavery as an institution, Northup expresses his gratitude to the masters who treated him with gentleness and generosity, and shows a surprising ability to forgive even the most unimaginable cruelties.»

The best description I ever heard of Tommy was that he looks like one of the anonymous, Uzi - lugging goons who appeared for two seconds in a Jean - Claude Van Damme film before getting kicked off a catwalk.

EPISODE: Saoirse Ronan / U2 (12/2/17) TYPE: Filmed Segment DESCRIPTION: The first of two Good Neighbor style videos on this year's list.

Speaking of editing, the initial description that I read regarding this film implied that Sasha was angry about Paige's engagement because the latter had made a vow that she wouldn't get married until her best friend was legally allowed to marry another woman.

The description makes it sound like Geostorm is trying to be a sci - fi disaster film, a space adventure, and a conspiracy thriller all at once, when the more advisable route would be to concentrate on making just one of those elements as good as it can be.

Stevens relates his initial enthusiastic response to the script, as well as his favored description of the film as being like «Captain America gone very, very wrong.»

That description may sound like a glib dismissal, but it's actually an appreciation of the film's wit: it is actually quite smart and mature as well as clever and entertaining.

For example, evaluate historical characters popularized in literature or media, such as Pocahontas in the Disney films compared with a portrait of Pocahontas created during her life as well as written descriptions of her appearance and actions.

If you've seen the documentary film, Hot Coffee, you may recall the great soundbite from our very good buddy Victor Schwartz, General Counsel for the American Tort Reform Association, who talks about how false descriptions of lawsuits — or even completely made up ones — are pushed out there by his other buddies.