One sequence, in which Darby takes Cornelia to a hip - hop class, had me howling; Watts» commitment to looking ridiculous on top of nailing her deliveries proves she's a gifted comedian in addition to being one of
our best dramatic actors working today.
Even
the best dramatic actors can't totally nail speech the first time they see it on a page.
The show ran until 1991, earning Hagman multiple Emmy and Golden Globe nominations as
Best Dramatic Actor.
These jerks who are incredibly
good dramatic actors came in and were incredibly funny.
Pacino does a good job, as usual, but Robin Williams (A.I., One Hour Photo) is the one who impresses, with a performance that helps us remember that he is actually a very
good dramatic actor.
Playing a frequent - flyer junkie in «Up in the Air,» Clooney had a nomination for
best dramatic actor, along with Jeff Bridges as a boozy country singer in «Crazy Heart,» Colin Firth as a grieving gay academic in «A Single Man,» Morgan Freeman as Nelson Mandela in «Invictus» and Tobey Maguire as a prisoner of war in «Brothers.»
Gary Oldman was picked
best dramatic actor for his performance as Winston Churchill in «Darkest Hour.»
Not exact matches
The film boasts a shockingly
good ensemble that allows typically
dramatic actors like Chiwetel Ejiofor a chance to be funny and comedians such as Kristen Wiig and Donald Glover a chance to do their thing.
That alone would be reason to get excited, and Coogler makes
good on the landmark project's potential by featuring a predominantly black ensemble, casting some of the
best young
actors around — from Chadwick Boseman (who proved his
dramatic chops playing James Brown, Jackie Robinson, and Thurgood Marshall in recent years) to Michael B. Jordan (even more buff, and twice as charismatic, than he appeared in the director's two previous features, «Fruitvale Station» and «Creed»)-- as
well as such legends as Forest Whitaker and Angela Bassett.
Even though I don't consider Owen Wilson an action nor
dramatic actor I believe this is his
best job as of yet.
That same year, he was nominated for a Gemini Award as
Best Actor in a
Dramatic Series for his role of Theo in the drama YAMASKA, a long - running, one - hour television series starring Anne Marie Cadieux and Elise Guilbaut.
The only time the «Harry Potter» franchise stooped to splitting a book into two (and the book was itself not the longest of the series), while all other credentials are present and correct — David Yates is in his stride as the franchise's most reliable director; the
actors are the
best they'll be; the visuals are as
dramatic as the themes — the installment is let down by ending in mid-air and having a whole inert section where the three kids play house in a forest.
It was
good to see her in Lost In Translation, and hopefully there will be more roles on the way, as I'm convinced that such a great comedic performer has enormous potential as a
dramatic actor.
Crowe, despite his considerable talents as a
dramatic actor, is plainly incapable of presenting Javert's convictions believably, starting with the embarrassingly obvious fact that acting
well while singing is way beyond his reach; his warning to Valjean to heed his words and remember his name is delivered with such flatness and with so little affect that it's difficult to think of anything else.
We are instead given a number of impressive, but token flashy performances by veteran
actors in tough guy bit parts (Pete Postlethwaite and Chris Cooper as irredeemable lifelong criminals) and newcomers in «
dramatic stretches» (The Hurt Locker's Jeremy Renner who is
good (again) but not as great as the star - makers would have you believe, and most notably, Blake Lively, excellent as a drug - addled neighborhood floozy).
With such a farfetched plot already in place, this is the sort of film that could have easily degenerated into a muddled farce with a one - note stand - up comic as the lead, but with a
good comedic and
dramatic actor like Kline at the forefront, he is able to keep the tone of the comedy and drama appropriate to each scene.
After years away from the limelight of the big screen, Smith started out 2015 by reminding us just how
well he can harness his movie star wattage in the underrated Focus, and he ends it here by showing us what a gifted
dramatic actor he is when he's willing to buckle down and get into the heart and soul of his characters.
Combine those elements with a
best - selling novel, three popular
actors and a twist on Titanic and you end up with a very watchable, though slightly mundane
dramatic love story.
Patton Oswalt is a stand - up comedian and
actor best known for his
dramatic turn in «Young Adult» and recurring roles in TV shows like «Agents of SHIELD» and «Veep».
The
actor is movingly effective as he explores more
dramatic territory, and proving an ability to move an audience to tears as
well as laughter.
A lot of the reason the silliness of the premise works is because the
actors are able to balance the ridiculous and the
dramatic very
well.
It's easy to forget that before he became synonymous with shirtlessness, six - pack abs, groovalicious
good times, partying with his bros, and keeping it mellow, Matthew McConaughey was heralded in some corners as the Paul Newman of his time, a strikingly handsome
actor with serious
dramatic chops.
The next few years could very
well see Steve Carell move from comedy titan to respected
dramatic actor, especially if this year sees Foxcatcher become an Oscar player.
I thought Mr. Sunshine had its moments, and we know from his work in Studio 60 and guest spots on shows like The West Wing and The
Good Wife that Perry is an incredibly gifted
dramatic actor, so I'm hoping that Go On has a bit of a dramedy aspect.
Though «People Places Things» is tailored to Clement's strengths as an
actor with
well - placed moments of deadpan humor, it also gives him a chance to flex his
dramatic muscle, or at the very least, showcase a different, more mature side compared to his goofier work in «Flight of the Conchords,» «What We Do in the Shadows» and «Dinner for Schmucks.»
Not only does it begin with an account of how bits of movie dialogue (from «Rio Bravo,» «His Girl Friday») have entered her life, and the lives of her friends and colleagues, but it then segues into a great quotation from Steve Roman on SCTV (playing Juan Cortez, the first Puerto Rican Chief Justice of the US Supreme Court in the
dramatic television series, «There's Justice for Everybody»): «It's got
good actors, and that spells
good acting.»
Under the pockets of embarrassment portion of our programming in what universe is Captain Fantastic a «comedy» (Viggo Mortensen, who gives one of the year's
best dramatic performances is nominated as
best comedy
actor but not as
best actor.
Carell, who began to shed his «gross - out - comedy -
actor» tag in 2014's «Foxcatcher», continues to demonstrate his skill as one of the most exciting
dramatic actors working today while Gosling is on fine, flashy & quick - fire form in his
best role since «Crazy Stupid Love» and a superb supporting cast includes an always excellent Rafe Spall and «New Girl's Max Greenfield who delivers a brilliant turn as a nauseatingly hilarious mortgage broker.
The members of the jury responsible for the U.S.
dramatic winners included
actors Michael Stuhlbarg, Jada Pinkett Smith, and Octavia Spencer, as
well as the newly Academy Award - nominated cinematographer Rachel Morrison and filmmaker Joe Swanberg.
Written by Bob Nelson (the first time Payne wasn't directly involved in writing a film he's directed), the comedic drama stars Bruce Dern (who won
best actor at Cannes and is a shoo - in for his first Oscar nomination in over 35 years) and Will Forte (of «Saturday Night Live» fame, pulling off a largely
dramatic role) as a father and son road tripping it from Montana to Nebraska to claim the alleged prize money the mentally deteriorating father thinks he's won.
«Spellbound» (1945)
Best Scoring of a
Dramatic or Comedy Picture: Miklós Rózsa * Also nominated for
Best Picture,
Best Supporting
Actor (Michael Chekhov),
Best Director (Alfred Hitchcock),
Best Black - and White Cinematography (George Barnes), and
Best Special Effects (Jack Cosgrove).
At least the film has a number of surprisingly inspired comic performances by
actors best known for their
dramatic work.
The
best comedic
actors are often relegated to a very particular box, one that pushes us to act totally dumbfounded when they happen to deliver a great
dramatic performance.
The move surprised a lot of people, considering there was already plenty of buzz about funnyman Steve Carell, who went through a drastic physical transformation to play multimillionaire John du Pont, delivering a career - defining
dramatic performance worthy of a
Best Actor nomination and possibly a win.
And on the television front, Bob Odenkirk won
best actor in a
dramatic series for
Better Call Saul, The People v. O.J. Simpson: American Crime Story won four times, including acting prizes for Sarah Paulson and Courtney B. Vance, and Atlanta «s Donald Glover, showing off the very authentic mustache he'll be wearing in the upcoming Han Solo film, won for
best actor in a comedy series.
KERMIT THE FROG:
Well, you may be surprised to hear this, but I'm actually stretching myself quite a lot as a
dramatic actor in this thing.
Golden Globes, «Argo» won for
best dramatic film and
best director Ben Affleck, while the musical «Les Miserables» took home three Golden Globes — for
best musical or comedy, lead
actor for Hugh Jackman and supporting actress for Anne Hathaway.
«Pawn Sacrifice» certainly whips up a dervish of energy, and as a piece of
dramatic entertainment, it's mostly engaging, and features character
actors doing very
good work.
Director, co-writer and producer Alejandoro González Iñárritu,
well known by cinephiles for his «Birdman,» which features Michael Keaton as a popular
actor trying to deal with the problems of his current life, now puts his skill on creating a
dramatic biopic of fur trapper Hugh Glass (played by DiCaprio) who, in 1823 in an area which became the Dakota Territory, is brutally attacked and mauled by a bear while scouting for an expedition.
Grand Jury Prize (
Dramatic): «Like Crazy» Grand Jury Prize (Documentary): «How To Die In Oregon» World Cinema Jury Prize (
Dramatic): «Happy, Happy» World Cinema Jury Prize (Documentary): «Hell and Back Again» Audience Award (
Dramatic): «Circumstance» Audience Award (Documentary): «Buck» World Cinema Audience Award (
Dramatic): «Kinyarwanda» World Cinema Audience Award (Documentary): «Senna» The
Best of NEXT Audience Award: «to.get.her» Directing Award (
Dramatic): Sean Durkin, «Martha Marcy May Marlene» Directing Award (Documentary): Jon Foy, «Resurrect Dead: The Mystery of the Toynbee Tiles» World Cinema Directing Award (
Dramatic): Paddy Considine, «Tyrannosaur» World Cinema Directing Award (Documentary): James Marsh, «Project Nim» Waldo Salt Screenwriting Award: «Another Happy Day» World Cinema Screenwriting Award: «Restoration» Documentary Editing Award: «If a Tree Falls» World Cinema Documentary Editing Award: «The Black Power Mixtape 1967 - 1975» Cinematography Award (
Dramatic): «Pariah» Cinematography Award (Documentary): «The Redemption of General Butt Naked» World Cinema Cinematography Award (
Dramatic): «All Your Dead Ones» World Cinema Cinematography Award (Documentary): «Hell and Back Again» Special Jury Prize (Acting): Felicity Jones, «Like Crazy» Special Jury Prize (
Dramatic): «Another Earth» Special Jury Prize (Documentary): «Being Elmo» World Cinema Special Jury Prize (Documentary): «Position Among The Stars» World Cinema Special Jury Prize (
Dramatic):
actors Olivia Colman and Peter Mullan, «Tyrannosaur» Alfred P. Sloan Prize: «Another Earth» Sundance / NHK International Filmmakers Award: Cherien Dabis
What is acclaimed
dramatic actor Tony Leung,
better known for starring in arthouse flicks such as In The Mood For Love (2000), doing in a frivolous family fantasy movie such as this?
If you're like most people, you probably know James Franco
best as the goofy comic
actor from «Pineapple Express,» «This Is the End,» «The Interview» and the like, or the intense
dramatic actor who earned an Oscar nomination for «127 Hours,» played «Spider - Man's»
best friend / nemesis in Sam Raimi's movies and headlined an acclaimed James Dean TV biopic after getting his start on «Freaks and Geeks.»
Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the
best summation of the truism that a longwinded presentation of several
actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more
dramatic than any car chase.
In recent years, De Niro has seemed more eager to cash paychecks than anything else, so it's
good to see some
dramatic investment from the legendary
actor.
It's when the film reaches Candie's plantation that it drops off considerably, largely due to less
dramatic tension as
well as an unconvincing performance by Samuel L. Jackson as Candie's trusted house slave (while the other
actors at least make some attempt at period verisimilitude, Jackson sounds as contempo as he did in Jackie Brown and Pulp Fiction).
Snagging a nomination for
best dramatic motion picture as
well as nods for
actors Timothee Chalamet and Armie Hammer, this coming - of - age movie centering around a teenager and an adult graduate student was based on 2007's «Call Me by Your Name,» the debut novel of Andre Aciman.
The film's two
best scenes sublimely meld music to
dramatic context: in one, Porter seduces an
actor by teaching him how to sing «Night and Day» properly; in another, Porter serenades Linda with a final love song.
Best Film — National Board of Review Film of the Year — London Critics Circle
Best Picture — Boston Online Film Critics
Best Picture — Online Film Critics Society
Best Picture — Chicago Film Critics
Best Picture — Utah Film Critics Association
Best Picture — Florida Film Critics Circle
Best Picture — Kansas City Film Critics
Best Picture — Austin Film Critics
Best Picture — San Diego Film Critics
Best Director — Boston Online Film Critics
Best Director — Los Angeles Film Critics
Best Director — Washington D.C. Area Film Critics
Best Director — San Francisco Film Critics Circle
Best Director — Online Film Critics Society
Best Director — Southeastern Film Critics
Best Director — Phoenix Critics Circle
Best Director — Chicago Film Critics
Best Director — Vancouver Film Critics Circle
Best Director — Utah Film Critics Association
Best Director — Florida Film Critics Circle
Best Director — Kansas City Film Critics
Best Director — Austin Film Critics
Best Director — San Diego Film Critics
Best Director — Indiana Film Journalists
Best Director — Oklahoma Film Critics Circle
Best Director — Black Film Critics Circle Director of the Year — London Critics Circle
Best Director — Critics» Choice Award
Best Actress for Charlize Theron — Kansas City Film Critics
Best Cinematography — Boston Online Film Critics
Best Cinematography — New York Film Critics Online
Best Cinematography — Los Angeles Film Critics
Best Cinematography — San Francisco Film Critics Circle
Best Cinematography — Online Film Critics Society
Best Cinematography — Southeastern Film Critics
Best Cinematography — Chicago Film Critics
Best Cinematography — Utah Film Critics Association
Best Cinematography — Florida Film Critics Circle
Best Cinematography — Black Film Critics Circle
Best Edited Feature Film (
Dramatic)-- American Cinema Editors
Best Editing — Boston Online Film Critics
Best Editing — Boston Society of Film Critics
Best Editing — Washington D.C. Area Film Critics
Best Editing — San Francisco Film Critics Circle
Best Editing — Online Film Critics Society
Best Editing — Las Vegas Film Critics
Best Editing — Chicago Film Critics
Best Editing — San Diego Film Critics
Best Editing — Central Ohio Film Critics
Best Editing — Alliance of Women Film Journalists
Best Editing — Critics» Choice Award
Best Editing — BAFTA Awards
Best Original Score — Boston Society of Film Critics
Best Musical Score — Indiana Film Journalists
Best Score — Phoenix Critics Circle
Best Production Design — Los Angeles Film Critics
Best Production Design — Washington D.C. Area Film Critics
Best Production Design — Chicago Film Critics
Best Production Design — Critics» Choice Award
Best Production Design — BAFTA Awards
Best Costume Design — Las Vegas Film Critics
Best Costume Design — Critics» Choice Award
Best Costume Design — BAFTA Awards Excellence in Fantasy Film — Costume Designers Guild Awards
Best Visual Effects — Las Vegas Film Critics
Best Visual Effects — Florida Film Critics Circle
Best Visual Effects — Critics» Choice Award Visually Striking Film of the Year — Gay and Lesbian Entertainment Critics Outstanding Effects Simulations in a Photoreal Feature — Visual Effects Society
Best Hair & Makeup — Critics» Choice Award
Best Hair & Makeup — BAFTA Awards
Best Action Film — Las Vegas Film Critics
Best Fantasy Film — Art Directors Guild
Best Action Movie — Critics» Choice Award
Best Stunt Ensemble — Screen
Actors Guild
Best Sound Design — San Diego Film Critics
Best Equality of the Sexes — Women Film Critics Circle
Best Actor in an Action Movie for Tom Hardy — Critics» Choice Award
Best Actress in an Action Movie for Charlize Theron — Critics» Choice Award
Best Female Action Star for Charlize Theron — Women Film Critics Circle
Best Female Action Star for Charlize Theron — Alliance of Women Film Journalists
Jamie Foxx is the rare comedian who didn't really hit it big in movies until he began appearing in
dramatic roles — like his lead performance in Ray, for which he was awarded the 2004
Best Actor Oscar — and is now better known as a dramatic actor than a comedic
Actor Oscar — and is now
better known as a
dramatic actor than a comedic
actor than a comedic one.
The characters are likeable, and played
well by the
actors, with Aniston in particular showcasing that she can handle
dramatic scenes
well, and shouldn't always be pigeonholed for light romantic comedies in the future.