One of the main reasons Smith was attracted to «Collateral Beauty» was the payoff, the actor calling it «one of
the best endings of any film I've ever been a part of.»
Not exact matches
To paraphrase Bozzo,
good films will
end up being seen and their creators will benefit one way or another, which means some TIFF aficionados will have to think
of new justifications for subjecting themselves to its many inconveniences.
Mad Max rode a winning streak in several technical and behind - the - scenes categories to score six Oscar statues last night, though the
film ended the night shut out
of most
of the show's major categories, such as
Best Picture and
Best Director.
It was he, along with Ismail Merchant, who
filmed Howards
End and so many other literary adaptations some years ago, many
of them quite
good.
But the
film stoops to its lowest level by
ending with a disingenuous attack on Benedict XVI: «Months after associating Islam with «things only evil and inhuman,» Benedict XVI reversed reforms
of Vatican II to authorize a
Good Friday Mass that includes a previous disavowed prayer ¯ for the conversion
of Jews.»
Visit Ossid in Booth #B5421 at IPPE to see this enhanced tray overwrapper, as
well as other solutions for every style
of fresh packaging, including flexible, stretch
film,
end seal, tray lid and vacuum skin pack.
Besides seeing all the nominated
films, talking about Oscar politics with one
of my
best friends, and making statistically - based predictions, I have a traditional Oscar Night meal that always
ends with Red Velvet Cake...... or at least it used to.
generates a «sour» review they could (in theory) change the
end of that very show as soon as they read it... the Story NXT tells is set on
film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a
better idea for the correction and can make it look more organic
After a tough
film session that night, head coach Gary Lewis said the team responded
well and were «excellent» two days later against New York City FC for an hour and created a couple
of good chances but had little to show for it in the
end with a 3 - 0 loss.
But it's
good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme
ends of «wellness» in his new short
film Connected, starring Pam Anderson as Jackie, a lonely spinning instructor who wants to feel more,
well, connected — so she joins a wellness cult and gets wifi shot into her brain so that Jane Fonda (no, really, she does a voiceover cameo) can tell her how «limitless» she is all the time.
But it's
good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme
ends of «wellness» in his new short
film
That has to be the
BEST, and my favorite
ending,
of any
film EVER.
Mystique's character arc begins with her looking human for a
good portion
of the movie and then, over the course
of the
film, learning to accept herself as a mutant and decides to stay blue until the
end.
Firmly in the «so bad it's
good» category, this very bizarre
film which was completed posthumously after Stanley Kubrick died and nearly killed off the careers
of both Nicole Kidman and Tom Cruise, as
well as spelling the
end of their real life marriage.
At first glance I thought Mira Sorvino (Wisegirls) was not entirely
well cast as Princess Leonide because
of her clumsy image but by the
end of the
film she had grown on me in this regal part.
The
ending is a bit...
well, it's ok., but the rest
of the fiml is near perfect If you are a horror
film fan, buy it.
The first couple
of times we saw My Darling Clementine on the late show we watched the beginning, fell asleep in the middle, woke up at the
end, and thought we had sat through one
of the
best films we had ever seen.
«This time, its war, «was the tagline and Aliens went on to become one
of the biggest blockbuster
films of 1986 and not to mention
ending up being nominated for Seven Oscars including a
Best Actress nomination for Sigourney Weaver and winning two Oscars for Sound Effects Editing and Special Visual Effects.
It's Spielberg's
best and truest action film since Jaws, relentlessly paced, pitch - perfectly acted (the young Fanning is almost certain to get a Best Supporting Actress nod come Oscar time), and rife with moments of such horrifically poetic imagery that it's all you can do not to stop thinking about them long after the film has en
best and truest action
film since Jaws, relentlessly paced, pitch - perfectly acted (the young Fanning is almost certain to get a
Best Supporting Actress nod come Oscar time), and rife with moments of such horrifically poetic imagery that it's all you can do not to stop thinking about them long after the film has en
Best Supporting Actress nod come Oscar time), and rife with moments
of such horrifically poetic imagery that it's all you can do not to stop thinking about them long after the
film has
ended.
While «Persepolis» is in the
end a celebration
of family bonds and individual resilience, the
film has little in common with the candy colored feel -
good fare that's come to dominate animation.
Still, this was
better than the last ten minutes
of the
film, which I spent cursing the filmmakers for shoving a stupid cotton candy, puppy dogs and Christmas happy
ending down my throat which was so unconvincing that it was almost offensive.
Stir
of Echoes is a
good psychological horror
film that keeps you guessing till the every
end.
This could easily have turned out to be one
of those formula feel
good films with their predictable story book
endings but, In the capable hands
of director Mara Nair («Amelia»), she brings warmth, emotion and an understanding
of the Ugandan culture into this lovely and heart warming
film.
In the
end, this is again a very
good horror comedy which needs to focus less on the main characters (lets face it, they are cliches and the interest
of this whole movie is to the idea behind it) and more on the variety
of monsters that were created for this
film.
The
film did a
good job
of tying up the loose
ends left in the
film series and although some scenes require your complete attention to be understood, even a non-book reader can understand all the things that have led up to this conclusion.
The fifth in the apparently never -
ending series
of horror
films actually has the highest Metascore
of any
film in the franchise, which doesn't make it
good, per se; just not bad.
He can barely hide his anger at Ira & Christine's presence, as
well as Ira's apparent wealth (unfortunately this is the beginning and
end of the
film exploring class tensions between the two couples), making his presence add a slight amount
of unease to some scenes.
Heavy - handed in its anti-authority message, the
film does
well when it shows us what happened, but by the
end of it, I still can't understand why it happened.
Well, they are right in that regard, which seems to be the real point
of the
film in the
end, as these are people who live from day to day without much to look forward to except to go to work and drink all night, then do it all again the next day.
The conclusion that Somerset comes to at the
end of the
film is succinctly phrased in an Ernest Hemingway quote about the world not being a
good place but worth fighting for nevertheless (Somerset clarifies that he only agrees with the second part), but it comes with the acknowledgement that it has come all too late.
Yet, despite some conventional passages and a soft
ending, Forster and Brad Pitt, who is a producer
of the
film as
well as its star, pulled the picture together.
Their
best known
films — Room with a View, Howards
End, The Remains
of the Day — tend to have that slow, melancholy reflexivity that Izzard ridicules.
The subsequent
film, Like Water for Chocolate (1993),
ended up as one
of the most profitable foreign movies ever exhibited in America and won a number
of international awards as
well as multiple Silver Ariels, Mexico's equivalent
of the Oscar.
Blessed with
good acting, the cliche
of the storyline and the constant jargon are the main pitfalls
of the
film and the reasons it falters in the
end.
While much
of it is quite funny, the
film ends up feeling like a
good comedy sketch stretched out unnecessarily to a feature - length.
From beginning to
end, this
film is legit in its portrayal
of the artist as
best friend.
You can't deny that this
film is incredibly
well made and I can understand why this
film garnered such critical acclaim but at the
end of the day, I was left somewhat disappointed by this movie.
Ok, another
film based on a Nicholas Sparks novel, Safe Haven isn't perfect, have some
good ideas, wich are not fully exploited, but in the development some
of these ideas has a great
end, the performances are not perfect.
For the fourth time» Alvin and the Chipmunks» trashed childhood, since the beginning, was
good, but the rest
of the
film has failed, or keep up with the proposal, much less beat «Star Wars: The Force Awakens «and the
end is very ruined, did not find the meaning
of descenlace
of» the
Having never read the book I'm rating it as just a
film and it's really a
film that starts
well then gets predictable then got silly and confusing, The story was not new but it had a different take on it, It wasn't acted very
well but it had some
good intense scenes that were done
well, With a
good cast the story should
of been told more deeper and we never really know how it all started which was quite annoying, I did like the
ending but the scenes before that completely ruined the
film as they didn't make sense or were done that
well, It's not a bad
film it's just poor for what was on offer.
For the fourth time» Alvin and the Chipmunks» trashed childhood, since the beginning, was
good, but the rest
of the
film has failed, or keep up with the proposal, much less beat «Star Wars: The Force Awakens «and the
end is very ruined, did not find the meaning
of descenlace
of» the Road Chip».
If your top five movies
of all time are all part
of the Marvel Cinematic Universe, then this
film isn't gonna be to your liking, even if it
ended up being
good.
The
film isn't completely void
of predictability (there's a fundraiser in the
end), but darn if it doesn't do
well in giving it the old «college try» at something new.
The only reason my rating is so high is the fact that I never expected it to be as
good as it was, It come as quite a surprise how funny it was, Ice Cube basically plays the same character that made his role in the Jump Street
films so
good, It's nothing new but it's full
of cheap laughs from start to finish and the fight at the
end was pretty entertaining, Yes it's predictable but it's allot
of fun.
I like my movies with beautiful cinematography,
well composed sets.....real - like engaging stories... and an all together a seamless work
of art... but all
of Almodovar
films are too complicated and never
ending... too much... I wonder if
The
ending however, is a bit
of a let - down, to be honest, but most
of the time the
film is
good and keeps the audience's attention.
However, I just wish that this message had been distilled into a much more pointed, witty, and honed
film than what Blair
ends up delivering, as it feel like
good ideas still in search
of a
good story by the
end.
If you take the view that a
film is only as
good as its
ending, On Chesil Beach, which puts on a brave face most
of the way, is headed for late and suicidal calamity.
However, the
film lacks a solid and straight - to - the - point conclusion, and instead gets glued to a vague
ending that would make the writers look like they ran out
of good - enough ideas.
The character is not used
well in the
film, particularly towards the
end, and I «m sure fans
of Deadpool «s will be quite upset at the way he «s wasted.