Sentences with phrase «best experiences on film»

Perks such as an in - house photography service allow you to capture the best experiences on film without having to take the pictures yourself.

Not exact matches

Based on the feedback, they chose the highest rated film, which left viewers feeling really good, and used it as a stand - in for an extraordinary experience.

Gold Coast Ingredients welcomed Good Mythical Morning inside our doors to film their episode «Extreme Soda Taste Test» Rhett and Link got to experience what goes on inside our flavor company on a daily basis.

«Change is something that we can always count on,» said Curry, «At Regal, we're excited for the opportunity to continue creating a better movie - going experience through a diversity of film and concession offerings.»

When I'm saying Denzel Ward is a better prospect than Vita Vea, I am just relying on my film study and my experience in grading, of course...

With truely amazing sound and AAA film - like angles on cutscenes and gameplay, it make the experience much better than previous ones.

The 10th film to be released on Blu - ray Disc with a Dolby Atmos - encoded soundtrack, and having won an Academy Award for Best Sound Editing, this film provides a great home theater viewing experience.

It is best to go into this movie as blind as possible because it is better to experience the film rather than read about it later, but the story focuses on biologist Lena (Natalie Portman) and a team of scientists who venture into a strange force - field - like area that mysteriously appears on Earth.

I would like to say that this film would make a good example of how visual effects look on a home television experience for a rental, but I still think the better recommendation for that would be the first film.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

The film, which was inspired by Denis» own experiences in Africa and those of working amongst the stark Southwest landscapes of Paris, Texas, proved to be a very auspicious debut, screening at Cannes that year and earning both a Golden Palm nomination and a César nomination for Best New Director.Denis followed her debut the next year with Man No Run, a documentary about Les Têtes Brulées («the Flaming Heads»), a Cameroon band on their first French tour.

As well as talking about her experiences and thoughts on the film she discusses the memoirs she has written on the period called The Girl in the Green Sweater: A Life in Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert Marshall).

While it would be easy to shoot an entire film like this on a sound stage and use visual effects to complete the scenery, director Baltasar Kormakur (2 Guns, Contraband) wanted the cast to experience the elements firsthand by shooting on location in Nepal on the foothills of Everest, as well as the Italian Alps.

If this were the case then Touchy Feely would have done well to spend more time on tightening this idea rather than giving Abby somewhat confusing additional storylines, for instance the five - ten minutes she experienced the drug «ecstasy» seemed utterly disconnected from the film.

Ultimately, I found the film to be just OK, and as narcissistic and self - congratulatory as this is: the best part about the whole experience, was seeing myself on the big - screen as a panicked / witless civilian.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

If the experience of reading Collins's novel is one of being inside a horrifyingly brutal reality television show, the experience the film adaptation offers is one more akin to watching one, and its success depends on our awareness of this relatively new medium as well as our willingness to critique it.

FX: This is my current and also future point of view on making films, because I want my films to be professional looking; it looks good, so it provides it an entertaining experience while people are actually watching it, but I also want to express my point of view on life through my films.

For me, the best viewing experience for this film would be at the end of a day long music festival, outdoors in a field on a beautiful summers evening just after sunset.

In our dossier on «American Extreme», we are joined by guest co-editor Jack Sargeant: not, in this case, to make «sense» of these films as such, but rather to engage with more sensorially demanding cinematic experiences, often well beyond the scope of what is deemed acceptable.

Based on his childhood experiences, the film follows Bernard and Joan Berkman (Jeff Daniels and Laura Linney) as they come to terms with the fact their marriage is no longer working and well, it never will.

As an overhyped cinema experience, this film relies on its fanbase, who is well - versed in lore and storylines.

It's pretty sad when, out of two actors playing the same person (albeit at different ages), the one with much less experience and no expectations does a better job than the star, who wants his credibility to hinge on this film.

Of course, as with previous years, competition standouts could well emerge from names not mentioned here, though based on previous experience, I feel safe making at least two predictions: that at least half the Italian film quota will be dismal, and that the annual «surprise film» will be among the most grueling surprises of your life.

As well as gaining access to the very best and brightest of contemporary international cinema, part of the joy of the festival experience is discovering forgotten gems, overlooked offerings, and films that have inexplicably sat on the shelf for much too long.

There are also hours of bonus material to enjoy, including a pair of new interviews with actor Martin Sheen and writer John Milius that are loaded with anecdotes about their experiences working on the film, as well as a casting featurexte on the supporting actors that made up the PBR Street Gang.

You've seen more nuanced treatises on illegal immigration, but Jonás Cuarón's thriller, which premiered at Toronto and will serve as the L.A. film festival's closing - night offering, is a harrowingly visceral experience, centered around a cat - and - mouse game between a well - matched Gael Garcia Bernal and Jeffrey Dean Morgan.

The Room improbably went on to become the equivalent of a cult classic (if for all the wrong reasons), a film made in direct contradiction of every rule of «good» filmmaking, but also one of the most purely enjoyable (if only ironically) cinematic experiences made in the last two decades (best seen and heard in a group of like - minded, possibly inebriated friends, acquaintances, and strangers).

With «Walter Mitty» plowing through its theatrical run and into awards season, Martinez took the time to sit down and tell us about working on that project as well as his experience on a number of other film sets.

Still, thirteen theaters is better than one or zero, and after having watched the film, I am deeply disappointed that my first experience wasn't on the sort of giant screen a movie like this deserves.

Now, they are drawing on their combined years of experience in helping complete strangers pick out movies based on only the most vague of criteria — as well as the fact that they make their living writing about film for The A.V. Club — to put together a guide to some of the best and most interesting movies released so far this year.

Award season pundits had predicted that the film, based on the pair's actual experience overcoming a medical emergency, would at least score a Golden Globe nomination for best comedy.

This kind of tone used to depict the interconnectedness between sex and crime set by Cool Hair evokes Harmony Korine's polarizing 2012 feature film Spring Breakers starring Vanessa Hudgens and James Franco, but Mr. Orozco - Cubbon delivers this content much more naturally and with the poise and confidence of an experienced filmmaker who already has a well - defined style, knowingly and purposefully playing with the two intertwining dynamics that keep the audience on its toes.

This film was a very formative experience for me, so I'm thrilled to watch it in the brand spanking newly restored version on the best screen in London.

It follows the director as she travels to Colorado to hold a casting call for a fake film about the case, talking to applicants about their own experiences with abuse, crime, and death, as well as their theories on the case.

But judging the film purely on how well it accomplishes the admittedly little it attempts to do, there are enough amusing moments littered throughout to make for a pleasant viewing experience.

Rosenbaum took the time to praise DVDs for giving modern audiences a first chance as it were to experience a wide variety of films, but Dave Kehr counter-argued in the comments on Kevin's blog, as well as at his own site.

The trailer suggests otherwise, but if directors Phil Lord and Chris Miller (whose only previous experience behind the camera was on the animated film «Cloudy with a Chance of Meatballs») can keep Hill on a tight leash and get the best out of Tatum, then who knows?

But while Next Weekend showcased films that included the Oscar nominee - to - be «Cutie and the Boxer,» the experience left Sundance feeling as if there must be a better way to spotlight its films on the West Coast.

They reminisce humorous tales about Gary Busey, 3D, and their experiences on Feast (an infinitely better film).

More conventional extras begin with «Enchanted Table Read» (13:31), which collects highlights from the cast's ambitious table read / song and dance rehearsal (with some comparisons to the corresponding scene in the final film) as well as reflections on the experience.

So you were talking about this kind of karmic circle where it comes back around — where now «Hoop Dreams,» a film Ebert helped make successful, he was someone that shined a light on these less - well - known films that had weaker marketing budgets or so forth, drew people's attention to Errol Morris, who you saw on screen, really helped launch the careers of some of these people by shining that light on them... and you were saying how from your experience as a critic and all that, you say in your own words, you yourself feel the same desire, that your job is to cast that light.

Starring one of my favorite actors mostly known for Broadway roles finally branching into movies, Jonathan Groff, the film is a sleek but intricately fashioned slice of Oregonian truth following a well - intentioned young man from Yale who goes to work at an apple farm for experience on the other side.

Film scholar Gilberto Perez, in his brilliant work The Material Ghost: Films and their Medium, expresses as well as anyone I've read the physical experience of watching a film on screen: The...

In honor of Skateland's May 13th release, Greene sat down to talk about her experience making the film including working with Fernandez and Freeman and how this production compared to working on The Twilight Saga, which, of course, we talked a bit about as well.

The Program is focused on supporting accomplished composers from a wide range of musical backgrounds, which may include composers with previous experience writing for film as well as accomplished composers working outside of film whose work is suitable for film scoring.

I was equally cheered by Chile's A Fantastic Woman winning for best - foreign - language film, and to see that film's star, Daniela Vega, on stage with her director Sebastián Lelio, who made a sober, compassionate film about a trans woman's experience starring a trans actress.

It's a dark and obviously perilous journey of two friends on a suicide mission, but despite its bleak undertones, the film is well - enough produced that it doesn't become too depressing of an experience.

BEST FOREIGN FILM I've Loved You So Long BEST FEMALE IMAGES IN A MOVIE: The Secret Life Of Bees BEST UNRELEASED MOVIE: How The Garcia Girls Spent Their Summer BEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woBEST FOREIGN FILM I've Loved You So Long BEST FEMALE IMAGES IN A MOVIE: The Secret Life Of Bees BEST UNRELEASED MOVIE: How The Garcia Girls Spent Their Summer BEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woFILM I've Loved You So Long BEST FEMALE IMAGES IN A MOVIE: The Secret Life Of Bees BEST UNRELEASED MOVIE: How The Garcia Girls Spent Their Summer BEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woBEST FEMALE IMAGES IN A MOVIE: The Secret Life Of Bees BEST UNRELEASED MOVIE: How The Garcia Girls Spent Their Summer BEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woBEST UNRELEASED MOVIE: How The Garcia Girls Spent Their Summer BEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woBEST EQUALITY OF THE SEXES: Nothing But The Truth BEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woBEST MUSIC: Cadillac Records BEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woBEST ANIMATED FEMALE: Eve: WALL - E BEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woBEST FAMILY FILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied woFILM WALL - E LIFETIME ACHIEVEMENT AWARD: Meryl Streep ACTING AND ACTIVISM: Natalie Portman ADRIENNE SHELLY AWARD: For a film that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied wofilm that most passionately opposes violence against women: Changeling JOSEPHINE BAKER AWARD: For best expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied wobest expressing the woman of color experience in America: Ballast KAREN MORLEY AWARD: For best exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied wobest exemplifying a woman's place in history or society, and a courageous search for identity: Battle In Seattle COURAGE IN ACTING: Deidra Edwards in DisFigured: For redefining conventional standards of female physical beauty and pride on screen, and promoting positive images of big bodied women.