Not exact matches
Set mostly in the
fictional African nation of Wakanda, the
film boasts a director and primary star who are both African - American men (director Ryan Coogler and actor Chadwick Boseman), while the cast also features numerous other notable black stars, such as Oscar winners Lupita Nyong» o and Forest Whitaker as
well as Angela Bassett and Michael B. Jordan.
If you read the book on which the
film is based, you can see that the facts damn Irish clericalism
well enough without the added polemics displayed in a made - up speech by a basically
fictional bitterly anti-erotic nun.
(1) The Intouchables, an $ 11.5 million dramedy, based on a true story, that was co-written and co-directed by Olivier Nakache and Eric Toledano and has become the second highest - grossing French
film of all - time in France and grossed more than $ 355 million internationally (more than any other French
film and, for that matter, any non-English-language
film, save for The Passion of the Christ); and (2) Rust and Bone, a
fictional drama that was co-written and directed by Jacques Audiard, a
best foreign language
film Oscar nominee three years ago for France's Un Prophet, and features tour - de-force performances from Marion Cotillard, the
best actress Oscar winner five years ago, and Matthias Schonaerts, the star of last year's Belgian nominee Bullhead.
It perhaps explains why Epstein and Friedman resort to a
fictional telling of an important story, but the complexity of the debates that Deep Throat and Lovelace's story provoke is lost in their simplistic
film that's made enjoyable by
good performances and incidental pleasures.
She uses that to her advantage; creating a
film that breathes with the complexity of the
best «
fictional» works.
It happened this weekend: The BOSTON SOCIETY OF
FILM CRITICS (of which I am a veteran member) met for the 37th time and voted Paul Thomas Anderson's PHANTOM THREAD (which a significant number of critics have not yet seen) starring Daniel Day - Lewis in his ostensible farewell performance as a
fictional couturier, the
BEST FILM of the year.
Set on a
fictional,
well - to - do east coast island during the fall of 1965, the
film follows Sam, Suzy, and the frantic search party that organizes to look for the pair after their joint escape.
The
best Iranian
film in years, invisible in its own country save for a series of screenings at the latest Fajr
Film Festival, a sum of Banietemad's work (both
fictional and documentary): characters from some of her earlier
films meet and have complex, intimate interactions over the landscape of contemporary Tehran.
In the
film, 19 - year - old Andrew Neyman (Miles Teller, «The Spectacular Now»), an ambitious drumming student enrolled at the prestigious Shaffer Conservatory of Music (
fictional) in midtown Manhattan, comes under the tutelage of Terence Fletcher (J.K. Simmons, «Contraband»), a high - ranking instructor who is
well - known for pushing his students to the limits of their endurance and beyond.
The reason they're fighting is a
good one: Citing the mass destruction of New York City, Washington D.C., Sokovia (the
fictional city ruined in the end of «Avengers: Age of Ultron»), and at the start of this
film, Lagos, Nigeria, Secretary of State Thaddeus Ross (William Hurt) informs the Avengers that the governments of the world want supervision over the superheroes.
A24 has unveiled the first trailer for the
film The Disaster Artist, a
fictional account of the making of the «
best worst movie ever made» - The Room, as directed by Tommy Wiseau.
Well, that long - held fantasy looks set to become reality courtesy of adidas, who have recreated the previously -
fictional, retro - styled shoe as it appears in the iconic
film.
It's pretty
well known that filmmaker Richard Linklater and his four central actors — Patricia Arquette and Ethan Hawke as the parents, Lorelei Linklater (the director's daughter) as the older sister, and Ellar Coltrane as Mason — shot the
film over the course of 12 years to watch not just Mason but everyone in the
fictional family grow up and evolve over time.
Set in the
fictional town of Ebbing, Missouri, Francis McDormand («Burn After Reading»), who carries the
film in one of her
best...
The director makes a
good but not perfect transition to
fictional films here.
But unlike that
film's hideous, child - napping Han River dweller, Okja couldn't be cuter or friendlier: She is one of a new breed of genetically modified «super-pigs,» with which the
fictional Mirando Corporation hopes to rejuvenate and dominate the global pork market — though not if a young South Korean girl named Mija (the terrific Ahn Seo - hyun), Okja's caretaker and
best friend, has anything to say about it.
Taking place on the last day of Mishima's life, when he famously committed public seppuku, the
film is punctuated by extended flashbacks to the writer's past as
well as gloriously stylized evocations of his
fictional works.
SPECTRE (SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion) is a
fictional global terrorist organisation featured in the James Bond novels by Ian Fleming, as
well as the
films and video games based on those novels.The group is led by evil genius and supervillain Ernst Stavro Blofeld.
In the tradition of the
best sci - fi, the
film is much
better at recreating an onscreen
fictional universe than it is at creating a palpable sense of dread to make it work as a successful creature feature.
Jeremy Saulnier's Green Room, a
well - reviewed survival / horror
film that pits a punk - rock band against a group of violent racists, is entirely
fictional.
Peter Sarsgaard does
good things withChuck Lane, the unpopular editor who discovers Glass's transgressions.But the real Lane reportedly served as a consultant on the
film, whichprobably explains why the
fictional Lane comes out as a hero.Screenwriter Billy Ray (Color of Night, Hart's War) makes hisdirectorial debut, and though the
film is both seductive and maddening, you can't quite write it off.
It's Marvel's first
film centered around a hero of color, and Black Panther is one of the oldest and
best: the ruler of a
fictional African nation called Wakanda and one of the first black superheroes in comics when Marvel introduced him in 1966.
Denzel Washington is one of the
film world's most prominent leading men, known
best for his galvanizing portrayals of both real - life figures (Malcolm X, The Hurricane, American Gangster) and
fictional characters (Philadelphia, Devil in a Blue Dress, Flight).
Stitching together story elements from «A Star is Born,» «Sunset Boulevard,» and others, as
well as characters inspired by real - life silent
film stars John Gilbert and Charles Chaplin (and others), and recycling music wholesale from later
films (most notably, Bernard Hermann's score for «Vertigo»), «The Artist» bears an unmistakable resemblance to Woody Allen's «Zelig,» another nostalgic movie that wove together real - life incidents with
fictional recreations.
It's filled with very special human drama that transcends the education
film genre and is
better than any
fictional film that I've ever seen about schools.
The equivalent in theatre is perhaps audience participation, in
film the «werewolf break» in The Beast Must Die (1974) or the message «Based on a true story» occupy a similar meta -
fictional space, as does a
good ol' fashioned cliffhanger of the kind associated with classic serial
films such as Flash Gordon (1936) and almost exhausted of its possibilities in classic Doctor Who (1963 - 1989).
By September, UTA Fine Arts had revealed two
film projects, both of them documentaries: Maura Axelrod's study of the prankster - sculptor Maurizio Cattelan, and an absurdist quest for a quite possibly
fictional sculpture by Ed Ruscha, made by Pierre Bismuth, a French conceptual artist
best known for co-writing the Oscar - winning screenplay for Eternal Sunshine of the Spotless Mind.
The movie —
well, OK it was a
good, old school, action
film that I selected not because of the cast or plot, but because very little green / blue screen CGI was used — was shot outside in the
fictional country of Azmenistan (pronounced Arse - meany - stan) in a
fictional deserted, derelict, high - rise hotel / casino.