Sentences with phrase «best film credits»

Not exact matches

The Big Short, an upcoming film about the housing and credit bubble that led to the financial crisis of 2007 - 08, is lining up one of the better casts in recent...

His IMDB bio credits him for designing and staging football action sequences including the well - known films «Any Given Sunday,» «The Replacements,» «The Program,» «The Waterboy,» «Jerry Maguire» and «The Express,» to name a few.

Steve enlisted the help of his friend Greg Bone, an accomplished musician, whose credits include session work for Tom Jones, Kylie Minogue, Steps, Sting, Simply Red and Girls Aloud as well as music for the film Batman Forever and the latest Coca - Cola advert.

Given the entertainment industry's well - greased political clout in both the Senate and Assembly, legislative approval of the film - credit extender is all but a foregone conclusion.

Astorino has knocked Cuomo's handling of the economy, as well as the administration's use of grants and tax credits for businesses such as the film industry.

Empire State Development Takes Home Emmy Award for Best Corporate Welfare Reclaim New York Initiative offered the following statement in response to Empire State Development's shameless bragging about taxpayer - financed productions winning Emmy awards: «The state's film tax credit job claims are a fiction straight out of the Hollywood productions they're forcing New York taxpayers to finance.

Her film credits include Close Quarters, Get Well Soon, Abundance, and Uncle Kent 2, which won the Viewer's Choice Award at SXSW.

In all those great films — as well as some good ones like A Soldier's Daughter Never Cries and Surviving Picasso — James Ivory directed with Ismail Merchant producing; today, though, Merchant has made an effort to get to direct, leaving his normal collaborator as just a small credit in the «A Merchant - Ivory Production» credit.

Carpenter's additional film credits include HUNGRY RABBIT JUMPS, DOG PROBLEM, LETHAL EVICTION, WHITE CHICKS, D.E.B.S., SOLOS, REVOLUTION, and NICE GUYS SLEEP ALONE, as well as QUEEN B for Twentieth Century Fox Television.

(More than one industry expert has credited Z Channel's showings of Annie Hall as a key factor in the film winning Best Picture.)

But it's the true story that makes the film, delivered well, and crafted to stick with you long after the credits roll.

The good is that the film, while not completely subversive, has more tricks up its sleeves than I even gave them credit for.

Some of Gilchrist's film credits include the title role of Peck in the feature film JUST PECK opposite Marcia Cross as well as THE ROCKER, THE EGG FACTORY, and DEAD SILENCE.

But director Chris Miller and the credited writers (there are four) are determined that if these films are to be a collection of riffs and gags, with a sweet afterthought for a finale, then they ought to be very good.

When films are good, actors and directors get a lot of the credit that should go to the screenwriters.

In truth, he had more good film performances to his credit than one might think: he was excellent as the tubercular Doc Holliday in John Ford's My Darling Clementine (1948), and also registered well in Kiss of Death (1947), Cry of the City (1948), The Egyptian (1954), Betrayed (1954), and Chief Crazy Horse (1955).

Graynor's additional film credits include FOR A GOOD TIME, CALL... (Sundance Film Festival 2012), which she also executive produced; CELESTE AND JESSE FOREVER (Sundance Film Festival 2012); 10 YEARS (Toronto International Film Festival 2011); David Gordon Green's THE SITTER; WHAT»S YOUR NUMBER?

Though Akel and Mass share writing credit, Chalk was actually shot in a loose, improvisational manner in the mode of Christopher Guest's films, and its best set pieces are like devastatingly effective pinpricks puncturing the Hollywood hot - air balloon of inspirational teacher / coach melodramas.

Through an earlier project, Jordenö met Chi Chi Mizrahi and Twiggy Pucci Garçon, luminaries of the kiki (ballroom argot meaning «to have a good time») scene, who, crucially, invited her to film their milieu; Pucci Garçon has a co-writing credit on the film.

What's most telling about this film is that a good two thirds of the most interesting, compelling parts of the story (the subsequent revelations after the trial) are told in brief text flashed up on screen just before the credits.

Numerous supporting characters from the MCU also appear, and it's a credit to writers Christopher Markus and Stephen McFeely, as well as director - brothers Joe and Anthony Russo («Captain America: Civil War»), that the 149 - minute film is balanced and never rushed, with all the characters feeling prominent and necessary.

When the opening credits started, I started thinking «oh dear», this isnt going to be a good film.

Studi's other notable film credits include: THE ONLY GOOD INDIAN, which he also produced, THE NEW WORLD, STREET FIGHTER, SERAPHIM FALLS, THREE PRIESTS and such prestigious television movies as CRAZY HORSE, COMANCHE MOON, STREETS OF LAREDO, BROKEN CHAIN and BURY MY HEART AT WOUNDED KNEE.

Biography: Meryl Streep is considered by many film critics to be the best living actress of all time and her fourteen Academy Award nominations (2 wins), 21 Golden Globe nominations (6 wins) and 3 Primetime Emmy nominations (2 wins) certainly credit this.

Adapted from a well - known short story by Shirley Jackson, The Haunting is also a remake of the modest but genuinely creepy 1963 film directed by workmanlike industry veteran Robert Wise, who counts among his many credits the editing of Orson Welles» Citizen Kane and The Magnificent Ambersons and Oscars for the helming of West Side Story and The Sound of Music.

Other recent film credits include GOOD TIME and the sci - fi thriller ANNIHILATION.

Additional film credits include TALK TO ME; the 2006 Oscar ® winning Best Picture, CRASH, which Cheadle also produced; HOTEL RWANDA, for which his performance garnered Academy Award ®, Golden Globe ®, Broadcast Film Critics Award and Screen Actors Guild ® Award nominations for Best Actor; OCEAN»S ELEVEN, OCEAN»S TWELVE, and OCEAN»S THIRTEEN, directed by Steven Soderbergh; Mike Binder's REIGN OVER ME with Adam Sandler; the Academy Award ® winning film TRAFFIC and OUT OF SIGHT, both also directed by Soderbergh; Paul Thomas Anderson's critically acclaimed BOOGIE NIGHTS; BULWORTH, SWORDFISH, MISSION TO MARS, John Singleton's ROSEWOOD, for which Cheadle earned an NAACP Image Award nomination; FAMILY MAN, directed by Brett Ratner and starring Nicolas Cage; COLORS, HAMBURGER HILL, and the independent features MANIC and THINGS BEHIND THE SUN.

The film itself seems reluctant to tie itself off, giving us one of the great end - credits - as - scene sequences of the last year (Call Me by Your Name and Good Time being other memorable examples).

Despite its «based on a true story» opening credit, this earnest, nostalgic film has a way of seeming too good to be true.

Rashad's film and TV credits include 30 BEATS, opposite Justin Kirk and Lee Pace, SEX AND THE CITY 2, LAW AND ORDER: CRIMINAL INTENT, GEORGETOWN, and THE GOOD WIFE.

Tilly's other feature film credits include Bound, The Getaway, Made inJennifer received an Academy Award ® nomination and an American Comedy Award nomination for Best Supporting Actress for her role as Olive in Bullets Over Broadway.

That doesn't mean the movie escapes the intersectional nature of this universe of movies: There's a cameo from one superhero (kind of a favor, since Thor appeared after the end credits of that hero's solo film), and the Hulk, as well as his scientist counterpart Bruce Banner (Mark Ruffalo), has a supporting role.

The flip - book style opening credits and accompanying heartfelt song were the best parts of the film, by far.

In all seriousness, there are better films from 1990 and I'm guilty of giving «Kindergarten Cop» credit for getting halfway there when I usually take credit away for only making it halfway there, but I can't help it.

The site features the standard promotional bumf, but does a good job of showing off the film's lavish technical credits, particularly Consolata Boyle's costumes and Alexandre Desplat's lovely score, which is actually more delicate than the selected excerpt here suggests.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

Donald Sutherland as Mr. Bennet delivers a fine performance, and is given the film's best line and most poignant moment seconds before the credits roll.

Steven Spielberg serves as producer on this latest film from director J.J. Abrams, and if you hadn't seen the credits or been told beforehand, you might well think he'd done more than produce.

Perhaps the best way to understand the film is not as a romantic comedy but as a romantic tragedy, a sentiment matched by Beattie after learning that studio execs had added a happy ending and renamed the film Head Over Heels: «[It sounded] as if Fred Astaire should be dancing across the credits.»

Stay past the credits for the best performance in the film... and hope the inevitable success of Iron Man 3 finances Black's next three Kiss Kiss Bang Bangs.

Reynolds, who was credited as a producer on the original film, is said to have a bigger influence on a sequel — something backed up by the No Good Deed short he posted online.

Castro, in this film, is designed to be an opportunist who doesn't trust Guevara, but idolizes him; «lifting» his best ideas and taking all the credit.

The twist in Sirk's comedies is that their emphasis is on the situation rather than the resolution, on the problems that divide the characters — all four films are romances of one kind or another — rather than on the contrivances that suggest that all will be well after the final credits have rolled.

Though most of the cast returns, as well as the screenwriters of the first film, Rhett Reese and Paul Wernick, with Ryan Reynolds also snagging a writing credit, Deadpool 2 recruited David Leitch (one half of John Wick's directorial team) to replace Tim Miller, and the change works.

The best part of the film was Cumberbatch as Strange and the end credit scene with a certain character that makes me excited for what is soon to come.

It's hard not to want her to care more about her life, though to give the film due credit, it well reflects the selfish preoccupation teenagers have in prioritizing their lives according to their daily dramas.

The person occupying the rotating director's chair this time around is Christopher McQuarrie, a frequent Cruise collaborator (he directed Jack Reacher) who is best known for his screenwriting (he won an Oscar for penning The Usual Suspects and has writing credits on past Cruise films like Valkyrie and Edge of Tomorrow.)

Franco also directed the film, imbuing his docu - dramedy with an interesting bit of irony by directing himself in a very good movie where he plays the real life director (at least according to the credits) of a famously bad movie.

Well, to the film's credit, there was a Scarface joke.

DAYBREAKERS is a film that has run through 99 % of its good ideas by the time the opening credits have concluded.