Sentences with phrase «best films and performances»

This winter awards season is my first as a member of a recognized critic group (the Online Film Critics Society) and thus the first year I get any sort of (however small) tangible say on the subject of the best films and performances of the year.
The Philadelphia Film Critics Circle nominates and selects annual awards for both the year's best films and performances and the best films from the Philadelphia Film Festival.
The National Board of Review (NBR) has made their selections for the best films and performances of 2017.
It is pretty obvious that the Oscars don't often don't reflect what are the best films and performances, however there are some strong contenders on this list.
It's that most wonderful time of the year in which one group of people (journalists) try to figure out what another group of people (Academy members) think are the best films and performances of the year.
This year's awards are the second held under the banner of the SFCS, honoring the best films and performances of the year.

Not exact matches

But bad timing or not, we're forced to include his stiff and often cartoonish performance, wondering all the while how much better the film could've been if Matt Damon has accepted the part when he was offered it before Affleck.
It is truly the heart of this film, and maybe the best performance he has ever given.
That's just an aside, though, to a film that's otherwise a suspenseful thriller with some of the best performances of the year from Mary Elizabeth Winstead and John Goodman.
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The strange thing for me about recent insipid performances and disastrous results is that I am calm before the Spurs game.This does not mean in the slightest that I am confident but it has now reached the point where it can't get much worse.If we were still in with a realistic chance of winning the league -LCB- not un-reasonable expectations of wins against Blackburn, Sunderland, West Brom and Liverpool would have had us ahead of Man Utd -RCB- I would have at best been hiding behind the settee or at worse avoiding the game totally and watching a crap film until 10 0 / clock.
Well aware of the draw of the «post-baby body,» «post-baby» performances, and generally people who want to gawk at a woman who just had baby, some parlay that «post-baby» capital into film promotions.
The theatre features state - of - the - art film projection as well as a large stage ideal for panel discussions, Q&A's, and live performances.
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A novel study shows the best way to hone your technique is not just to watch films of pro players, but that videos that spotlight key actions improve performance more and faster.
a great music film this is the words which i can say about Justin Timberlake + the Tennessee Kids great work by Jonathan demme and great performance bt Justin Timberlake is this movie a history is counted they show the people the history not just the concert i love how jonathan direct this and i love the edition i love how justin timberlake is humble and lovely funny smart with everybody i'm more in love with him.this deserves an emmy and a grammy for best music film at grammys 2018 everybody should watch this movie is amazing congrats justin timberlake netflix and jonathan demme great music film truly amazing maybe we have this film in dvd soon i will love if its happen i» ll love some extras yes i will.
Bullet to the Head is a wasted opportunity to make something quite interesting and worth your time, but instead it just takes bits and pieces to create something that in the end is not worth watching because the film lacks a good story, effective action and more importantly good performances and interesting characters.
A GREAT FILM jonathan demme chance a concert for a film great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plFILM jonathan demme chance a concert for a film great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plfilm great direction by demme and great performance by Justin Timberlake 10 from 10 grammy 2018 for best music film plfilm please
The latter probably gives the best performance in the film, and the fact that he also starred in the far superior «Bright Young Things» makes you realize how much this movie is lacking.
While star Johnny Depp's singing earned mixed reviews — and the movie dropped or shortened some of Sondheim's songs — the film as a whole received plenty of critical acclaim as well as a Golden Globe for best picture (with Depp himself earning an Oscar nomination for his performance).
Derivative, formulaic and clichéd action film, Bullet to the Head is a bland movie that fails to grab your attention due to a lack of originality, good performances and well executed action scenes.
And as far as I'm concerned, after her dreadful film, Striptease, this is a far better film for Demi Moore, and actually this is her only good performanAnd as far as I'm concerned, after her dreadful film, Striptease, this is a far better film for Demi Moore, and actually this is her only good performanand actually this is her only good performance.
Mike White, who scripted biting, edgy satire of this sort («The Good Girl,»» Chuck and Buck») before making his fortune with «School of Rock,» serves up an unsettling and generally deft comedy of manners with this clash, a film that greatly benefits from subtle, stinging performances by Salma Hayek and as her opposite number, John Lithgow.
Sylvester Stallone has made far better films than this, and here he delivers a painfully dull performance that simply doesn't do anything to keep you interested.
As with most horror films, the cast is lead by two extremely good looking people, Ryan Merriman and Haylie Duff, who both give unexpected performances.
Many film fans assume that Mitchell won his 1939 Best Supporting Oscar for his portrayal of Gerald O'Hara in the blockbuster Gone With the Wind; in fact, he won the prize for his performance as the drunken doctor in Stagecoach — one of five Thomas Mitchell movie appearances in 1939 (his other films that year, classics all, were Only Angels Have Wings, Mr. Smith Goes to Washington, and The Hunchback of Notre Dame).
The excellent performance by Bjork (surprisingly excellent, might I add) and the genius direction of Lars von Trier work perfectly to make one of the best films that have graced the film screen.
Great performance by Josh Hartnett - he was brilliant in this film, he delivered quite possibly his best performance and pretty much carried this film.
Drawing inspiration from such pivotal usage of practical effects in films like E.T., The Empire Strikes Back, and The Thing, the team intends on building a practical robot puppet for the young actor playing Wei to interact with and get better performances from.
A great deal of the impact in The Piano Teacher comes from Isabelle Huppert's performance, which comes as her finest career moment, as well as one of the year's early choices for 2002's Best Actress (personal list, of course: I highly doubt that the conservative Academy of Motion Picture Arts and Sciences will be able to make it through the film).
These minor points aside, Beginners is without doubt one of the best films of 2011, with an outstanding performance from Plummer, great writing, and through being an immensely rewarding viewing experience in general.
He has since contributed supporting performances to films like Blue Steel (1990), A Few Good Men (1992), and Crimson Tide (1995).
Filmed on location in Italy and Spain and shot in brilliant Todd - AO and Color and directed by the great British director Carol Reed, Charlton Heston and Rex Harrison (in their first and only film together) give two of the screen's best performances.
Her performance is arguably the best in the whole film, and it's just a shame that her fate is ultimately handled in a rather cack - handed way.
Wonderful performances and assured and audacious direction make for one of the best films of the year.
Donat was the recipient of a Best Actor Oscar for his portrayal of the title character, and the film features the debut performance of a young Garson.
Kevin Costner has still got what it takes to make the best out of his performance and that's exactly what he does in this film.
In truth, he had more good film performances to his credit than one might think: he was excellent as the tubercular Doc Holliday in John Ford's My Darling Clementine (1948), and also registered well in Kiss of Death (1947), Cry of the City (1948), The Egyptian (1954), Betrayed (1954), and Chief Crazy Horse (1955).
An independent film darling, Ross made her debut in STRANGER INSIDE, winning an IFP Gotham Award for Best Breakthrough and an independent Spirit Award nomination for Best Debut Performance.
Her film work includes THE GREEN MILE, A.I. ARTIFICIAL INTELLIGENCE, and TOMBSTONE, to name a few, but she is perhaps best known for playing Trixie in the critically acclaimed television drama DEADWOOD, and was nominated for a SAG Award ® for Outstanding Performance by an Ensemble in a Drama Series in 2007.
Much like last year and the year before, this year's Movie Studio Report Card evaluates both the box office performance and overall film quality of the six major studios (and many indie distributors) in an attempt to determine the best and worst studios of 2011.
Best of all, besides the performances and the film itself, was the music.
Eddie Redmayne was good, but the film was more like a good BBC Masterpiece Theater show and his performance, not great.
Ultimately, there's little wrong with You Don't Know Jack and the performances alone make it worth seeing, but it's a good film that never quite rises to great.
The film's padded - out vibe is compounded by an assortment of oddly incongruous subplots, with the best and most apt example of this everything revolving around Dylan's Alzheimer's - afflicted father (Richard Jenkins, in an admittedly stirring performance).
Slumdog is a good film and an appealing film with some lovely performances but it's not a great film: it's too sentimental and predictable for that.
The film is entertaining for what it is, and it's one of those 80's films that really stand out due to a good story, wonderful performances and great effects.
The best performances lie with the supporting players (aside from Umbers, who's so dull that you'd think he was one of the many statues you see throughout the film), and the finest one comes from Tom Wilkinson, playing a twice - divorced man who sets his sights on Stella, knowing full well she'd be in it just for the money.
With it being even longer, and lacks some adventure, the film has good performances, thrills and a strong story making it somewhat an improvement and somewhat not.
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