Sentences with phrase «best game script»

Dangerous High School Girls in Trouble was my first «hit», picked as an IndieCade finalist, and it won a $ 3000 prize for innovation from the Casual Game Association, and it was nominated for best game script by the Writers Guild of America.

Representing the studio, Christopher was the recipient of South Dublin's «Best Young Entrepreneur» award in 2015, as well as the «Best Game Script» award at the 2017 ZeBBies.

In 2015 «CURTAIN» won AMaze Berlin's Grand Prize and the Writers Guild of Ireland's Best Game Script.

Not exact matches

The company has even looked at picking up the rights to scripted shows that aired during previous seasons on traditional networks, while Facebook also has deals in place for streaming live sports, including MLB games and European soccer, as well as e-sports competitions.

You have a chance to prove that because your first competitive game could be against Chelsea... I think the script couldn't have been written in a better way for the fans because this will be one of the days [that is] very exciting and very strange at the same time.

Post script: If anyone wants to propose at the Vikings - Browns Thursday Color Rush game this year that'd be good, too.

«Playing Virginia in the final game, I couldn't have written a better script,» said the coach of the»80s after the Hoosiers beat UCLA 4 - 1 on Friday in one semifinal.

So maybe this is why Trubisky looks his best in the beginning when things are scripted and at the end of the game when he has to go out and make plays.

Here's some bad news for the people in your life who join the college basketball season during the second week of March, pick the top seeds to win almost every game and somehow walk away with office pool bragging rights: Most of 2017 — 18's best teams have been exceptionally bad at sticking to the script.

If you wanted to write a book about an entertaining football game, you couldn't write a better script if you tried.

Bayern could have hardly scripted a better start to the game as Moroccan defender Benatia was afforded yards of space to power his header past former Borussia Mönchengladbach keeper Marc - Andre Ter Stegen in the sixth minute.

ARLINGTON, Va. — U.S. Rep. John Katko, a hockey - obsessed former college player and youth hockey coach, says he couldn't have come up with a better script for his first charity hockey game as a member of Congress.

Is an episodic history about Elliot Ness, with a noir style, good script, nice graphics, wonderful music, and the most important thing, a game that you can not begin without finish it.

Well scripted, emotive and thoroughly enjoyable game.

A charismatic ensemble cast, a sharp script and a few well - placed twists make Game Night one of the more enjoyable big studio comedies in recent memory.

The story is one of the better parts of this game, a miningfull story, well developed with good characters good script changes, it keeps you all the way to the end on the edge to know what happen next.

Game - play wise the DLC plays straightforward lacking customization and different ways to handle situations playing more like a handheld tutorial for most of the game, treating you as though you were too stupid to learn the basics of combat from the base game or earlier titles, However this could all be related to getting the player to use the new hacking feature in which you can now use situational hazards to stun enemies, however the concept falls shorts as most encounters when you will need to use hacking are scripted and would be more efficient in those that are not if you made use of your already acquired skills from the base game.Overall the DLC like the game is visually impressive and combat still flows well but you cant help but feel as though you have been cheated yet agGame - play wise the DLC plays straightforward lacking customization and different ways to handle situations playing more like a handheld tutorial for most of the game, treating you as though you were too stupid to learn the basics of combat from the base game or earlier titles, However this could all be related to getting the player to use the new hacking feature in which you can now use situational hazards to stun enemies, however the concept falls shorts as most encounters when you will need to use hacking are scripted and would be more efficient in those that are not if you made use of your already acquired skills from the base game.Overall the DLC like the game is visually impressive and combat still flows well but you cant help but feel as though you have been cheated yet aggame, treating you as though you were too stupid to learn the basics of combat from the base game or earlier titles, However this could all be related to getting the player to use the new hacking feature in which you can now use situational hazards to stun enemies, however the concept falls shorts as most encounters when you will need to use hacking are scripted and would be more efficient in those that are not if you made use of your already acquired skills from the base game.Overall the DLC like the game is visually impressive and combat still flows well but you cant help but feel as though you have been cheated yet aggame or earlier titles, However this could all be related to getting the player to use the new hacking feature in which you can now use situational hazards to stun enemies, however the concept falls shorts as most encounters when you will need to use hacking are scripted and would be more efficient in those that are not if you made use of your already acquired skills from the base game.Overall the DLC like the game is visually impressive and combat still flows well but you cant help but feel as though you have been cheated yet aggame.Overall the DLC like the game is visually impressive and combat still flows well but you cant help but feel as though you have been cheated yet aggame is visually impressive and combat still flows well but you cant help but feel as though you have been cheated yet again.

Korekado explained that the script for the game, as well as the boss concepts were already finished.

And much like many of those games, the priority of this movie is making things look good, while things like character development, intelligence or a good script take a back seat.

However, aside from this emotive dynamic the campaign does little to expand on the events of the main game, even though it parallels the original script well.

In 1978, Douglas Adams penned the script for British radio an eccentric SF comedy entitled «The Hitchhiker's Guide to the Galaxy» (or H2G2), and its success led to a run of five best - selling books (the first appearing in 1979), a BBC television series (1981), a computer game (1998), and now, over a quarter of a century after its first radio outing, a big - screen feature film.

That's as much as can be disclosed from the nasty, well - knotted script by James Greer and Jonathan Bernstein (upping their game slightly from the Jackie Chan vehicle «The Spy Next Door»), before proceedings tumble into a writhing snake pit of melodramatic reversals and vintage B - movie jolts — some chilly, some silly, but all held together with defiant, dug - in credibility by Foy.

Perhaps the most frustrating thing about this puerile game is that Favreau knows he makes an art form out of acting like a d - bag — besting frequent collaborator Vaughn in that regard — and yet, at the mercy of his own script, the mere implication of a penis is enough to deflate any potential hilarity he has to offer.

Spielberg's precise pacing takes Lucas's obstacle - around - every - corner script and Harrison Ford's top - of - his - game performance and turns it into a rollicking good time culminating in the iconic mine car race.

That atmosphere is compounded and enhanced by the game's strong voice acting, which benefits from a well - written script.

At least it's well - acted by a game cast which does its best to sell a script riddled with implausible twists and turns.

I'm always happy to see Jason Bateman and Rachel McAdams show up on screen (how these two aren't superstars is still a mystery to me) and, as a couple bonded over their competitive spirit, they bring a real chemistry to both their scripted weekly game nights with friends as well as on screen, for us.

Aaron Sorkin was sitting in a restaurant with producers Amy Pascal and Mark Gordon, ticking off the names of top Hollywood directors who might be a good fit for the script Sorkin had just finished: «Molly's Game,» a drama about the so - called «poker...

Well, don't wait and download LS 19 Scripts mods now so just after several minutes you could own the game you've always dreamt of.

Zak Penn's script does a better job paying homage to video game culture than Cline's book did.

Even with the current script, Ys VIII: Lacrimosa of Dana is an excellent action role - playing game, and one of the best released this year.

But this newest incarnation of the buxom video game babe offers a more simplistic script with stock good and bad guys, and a body count that prevents it from racking up a high score for family viewing.

It's more airtight than a good Jay Roach script (Recount, Game Change), except this one was on the Black List, and has more distance from its subjects.

Of the many thrills that come from interviewing creative people — variously, unknown, ascendant and at the top of their game — there's also the under - discussed flipside: talking with, 1) vapid young «actors» (line - reciters is more like it) who have neither a sense of film history nor an appreciation for their occupational good fortune and, 2) perfectly genial writers and directors who are nonetheless so relentlessly on script — occasionally reciting entire career - checking passages verbatim from press notes no doubt spit - polished into significance by some friendly faction in the dark wings — that you realize they actually have less summary insight or thoughts about several months or years of their own work than you do after 90 to 120 minutes with it.

A more ambitious script, combined with a few memorable levels, would have made for a pretty good game.

Fair Game by Matt Wedge — November 26, 2010 — There are films where a good director can make a so - so script better.

But once brought to life, audiences responded to 2012's «The Best Exotic Marigold Hotel,» which boasted an impressive cast of veteran actors, including Oscar winners Maggie Smith and Judi Dench, as well as Bill Nighy and Tom Wilkinson at the top of their game, Dev Patel («Slumdog Millionaire») as Sonny, the young owner of the hotel, affectionate direction by John Madden («Shakespeare in Love») and a script about lost love, dying love and clashing cultures by Ol Parker.

The script is still pretty stupid, the special effects look good for a computer game in the mid-1990s, and Henriksen plays the entire movie — as his character puts it with a wink and a nudge — like he's «front row at a Dead concert.»

This doubtlessly registers as the director's best work since 1997's The Game, though the improvement seems more the result of a better script — one not marred by preposterous twists, gimmicky thrills, or postmodern waxing — than new heights of skill.

The script's lulls rarely go on for a full minute, a good example being when Hill interrupts a soccer game to tell Michael Cera their plans for the evening (and setting the present action limits for the film) and Hill calls a bothersome soccer player (Cera's in the middle of a game) a bed - wetter, recalling a bladder incident from eight years earlier.

Kickass entertainment, Ridney Scott is back in the game, Matt Damon at his absolute best, a fantastic supporting cast with Jessica Chastain and Jeff Daniels indeed being the standouts and a script full of humour, action and wit.

Yet Molly's Game differs from the recent scripts Sorkin penned in one distinct way: Molly Bloom is a good person.

Driver: San Francisco would take the open - world racing game and give it a crazy plot, with the best script to ever feature in a driving game (that's barely a compliment, so I'll be more explicit — Driver: San Francisco is one of the best - written games I've ever played).

Although Paula Patton and Toby Kebbell (as conflicted orc warrior Durotan) deliver fine performances in their respective roles, the rest of the cast doesn't fare quite as well, unable to rise above the hackneyed script and two - dimensionality of their video game counterparts.

Remedy has put in an extraordinary level of care and effort as seen in their past franchises Alan Wake and Max Payne, and the masterful way they weave all of these elements together to benefit their mystery - driven, well - written time - bending script is what makes Quantum Break so fun to play and experience — even if the third - person shooter sequences are the most average part of the game.

The remake appears well directed and scripted, and Roberts and Ejiofor look to be at the top of their game.

But like many Double Fine games the script was the best thing.

Improvisational theater games are traditionally used as an ice - breaker for theater actors to feel comfortable with other actors as well as the script of the play.

Despite videogames now exceeding the film industry in terms of revenue, entertainment games are not traditionally acclaimed for their well written scripts.

Like a good story, scripts, characters, scenes and plot development are all an essential part of creating an engaging computer game.