It's a movie that feels both purely of the mid -» 00s and timeless, and Scream Factory's release feels like a great step in getting it reappraised as one of
the best horror flicks of its era.
Like
the best horror flicks, Get Out borrows a little from movie history while forging ahead with a unique perspective.
The end result is a shockingly entertaining thriller that's not only one of the most novel «home invasion» movies you'll ever see, but easily one of
the best horror flicks of the year.
The best horror flicks transcend the screen and haunt you for the rest of your days in a very satisfying way.
Regardless of whether the premise was by coincidence or design, Drag Me to Hell is one of
the best horror flicks released in recent years, right up there with two which made this critic's Annual Top Ten List, What Lies Beneath (2000) and Dawn of the Dead (2004).
Benson and Moorhead have created not only one of
the best horror flicks of the year but one of the most unique stories of the bunch.
The Conjuring 2 looks like it aims to deliver scares and chills to anyone who wants
a good horror flick.
Last
good horror flick before this; Devils Rejects.
Their characters survived the first film, and like
all good horror flick survivors, I'm sure they'll offer some kind of cursory explanation of what's happening, that explanation will be ignored until it's too late, and then at least two out of the three survivors will be destroyed.
He starts with «With old - school scares, stellar camerawork and commendable acting, this film — though formulaic — confirms our love of
a good horror flick» but he ends his review with «The Conjuring, unfortunately, doesn't carry with it the overwhelming scares, the character development or the ingenuity.»
The better horror flick on Blu - ray this week is this wonderfully simple Korean undead flick that could have been called «Zombies on a Train.»
If you don't always want to know what you're going to get and like to be surprised occasionally, then check out Donnie Darko today: it is quite simply the best science fiction movie I have seen since 1998's Dark City, and
the best horror flick since The Others...
With old - school scares, stellar camerawork and commendable acting, this film — though formulaic — confirms our love of
a good horror flick; it also leaves us feeling exceedingly frightened of anything identified with the Salem Witch Trials.
Hell, Tucker and Dale vs. Evil was
a better horror flick and it's a goddamn comedy.
We watch movies alone, perhaps enjoying
a good horror flick or munching on popcorn as Fast & Furious 29: The Need For Less Speed plays on the screen.
Not exact matches
Find two that don't work
well together and you have a makings of the classic
horror flick.
In the
Best Picture race, the biggest hits were the World War II
flick «Dunkirk,» which last year grossed around $ 188 million in U.S.ticket sales,
good for 14th place on the box office charts, and Jordan Peele's
horror film «Get Out,» which tucked in just below «Dunkirk» with $ 176 million in domestic sales.
Who would have thought that the
best American
horror flick of the year would be a period piece?
One of the
best slow burn
horror flicks of recent memory — though there's another on this list — The Witch is a stand out genre
flick.
I like
horror, sci fi, action, and on occiansion a
good chick
flick.
I love
horror movies, the creepier the scarier the
better, can not abide chick
flicks.
For a
horror flick, that's not a
good thing at all.
Director James Cameron's 1986 blockbuster follow - up to Ridley Scott's Oscar winning science - fiction /
horror flick that became one of the biggest grossing films of 1979 asks a
good question to a successful hit... How do you make a successful sequel to a film in which much of the suspense comes from learning about the mysterious monster?
Even though the film feels low budget, this still a fairly
well done Sci Fi
horror flick, though lacking in plot, it makes up for it in thrills.
Helming solid
horror flicks like Hush and Ouija: Origin of Evil, I knew that this film was in
good hands, even though I truthfully didn't know much about it when going in.
Well above the average
Horror flicks that are out there!
Entertainment Weekly got their hands on a brand new teaser image for the upcoming
horror flick, so head on down to take a
better look at that.
Drew Goddard's witty
horror flick is a superbly self - aware comedy that is
better the less you know about it.
«Get Out» will get you
good, proving you don't need stars or computer generated tricks to craft a solid
horror flick.
If you want to check out a decent pop corn
horror flick, this remake is a
good way to burn away 90 minutes.
I realy liked the first one, but this can't be
better, so I expect nothing from this one... Watch the canal, a very underrated
horror flick in my eyes.
A few unexpected minor pleasures: the time - travel
flick Predestination, an adaptation of a Robert A. Heinlein short story that's one of those rare sci - fi movies that feels like it was made by people who read sci - fi; the
horror Western Bone Tomahawk, which feels, in the
best way, like someone filmed a first draft script and didn't cut anything, all its little quirks of character kept intact, narrative expediency be damned; and In The Heart Of The Sea, the cornball sea adventure of which I enjoyed every minute.
This edition of Now Stream This brings you a highly underrated and very recent Todd Haynes movie, a new Netflix
horror flick, a gloriously over-the-top action movie, a cynical noir loaded with snappy dialogue, the first Hannibal Lecter film, a romantic
horror movie, a Steven Spielberg adventure, a cringe - inducing social media comedy, and some
good old fashioned body
horror.
OUR TAKE: This
horror flick has three really
good things going for it: Frank Grillo (The Purge: Anarchy) and Maria Bello (Prisoners) as leads, and a story by
horror maestro, James Wan (The Conjuring).
Some
good news for fans of
horror flicks coming out of the Iberoamerican region.
As the Vancouver correspondent for Fangoria, the world's
best - known
horror magazine, I usually have access to the sets of whatever scary
flicks are being filmed around town.
This week's home video releases include a computer - animated kids»
flick, a
horror movie with a fishy twist and an award - winning drama that ranked among the
best theatrical releases of 2010.
Like all the
best horror, it plays on primal fears as
well as primal needs, starting with the fear of the dark, and working up to metaphysical longings for immortality, while never violating its essential popcorn -
flick essence.
«This on - the - cheap indie comedy
bests any current
horror flick in terms of gory gross - out.
Being dull as dishwater is only the first crime of Ulli Lommel's The Boogeyman (1980), a pass by a Fassbinder protégé at American slasher
flicks of the late»70s (Halloween especially, but also The Amityville
Horror, Carrie, and The Omen) that produces predictably pretentious results without the pang of brilliance accompanying many of the films of Lommel's
betters.
Although this is the kind of movie that works
best the less you know, misfortunate souls that saw another British
horror flick this year about an underground dweller, Creep, will probably find the story here quite familiar, especially in the look of the creatures.
(He also directed the Molly Ringwold starring
horror flick Cut, but it's
best we all forget about that.)
Although «The Conjuring 2» isn't without its flaws (the fantastical elements don't work as
well as the stuff grounded in reality, and it's much too long at 135 minutes), Wan has delivered yet another effectively creepy
horror flick that earns its scares thanks to some chilling visuals and inventive set pieces.
It's no wonder Adam Wingard's indie
horror flick You're Next is so damn
good — with fellow indie powerhouse filmmakers...
Well, now that the Sundance Film Festival is in full swing, we are starting to see more and more cool promotional material for a lot of the
horror flicks that are having their premiere at the festival.
With a cast of only five main characters, director Vincenzo Petrarolo is able to develop them
better than in typical low - budget
horror flicks.
I'm glad to know that this one lived up to it's creepy trailer and not only made the list of many
horror fans as one of the year's
best, but proved why indy
horror will always be home to some of the greatest
horror flicks.
It's no wonder Adam Wingard's indie
horror flick You're Next is so damn
good — with fellow indie powerhouse filmmakers like Joe Swanberg, Amy Seimetz, and Ti West walking around the blood - splattered
Well, now that the Sundance Film Festival is in full swing, we are starting to see more and more cool promotional material for a lot of the
horror flicks that are having their premiere at the -LSB-...]
We love a
good slasher
flick here at Dark Universe, and director Johannes Roberts» The Strangers: Prey at Night is one of the latest
horror movies...