Sentences with phrase «best kind of audience»

The British movie Ghost Stories is based on a popular London play that earned the best kind of audience support: Throughout its long run, its spoilers have been preserved by appreciative patrons.

Not exact matches

With website custom audiences, as well as other audiences, Facebook can create all kinds of additional audiences that are ideally suited for your products and services.

If it has some kind of emotional resonance with your audience, that's a good start.

The show has been good for me in this area because it's kind of forced me to be eccentric, colorful, happy, quirky — all of me — and being vulnerable in front of clients and the audience and crying.

This kind of data means marketers will have the insights to craft better and more personalized content for their audiences.

You could have the best content in the world, the most amazing audience and even traffic coming from all kinds of places like social media and referrals.

In a pattern familiar to all kinds of media, the era of huge mass - market tentpoles has given way to a seemingly limitless number of outlets — some well known, others almost secret - society - like in their nicheness — in which performers can reach audiences directly.

From audience and list building, to the right image sizes to use for each platform, to which kinds of posts convert the best, to leveraging your social media posts to create PR opportunities... there is an endless and ever - changing list of skills, tools and best practices that social media marketers have to stay on top of in order to consistently provide ROI to their clients.

Well, if you don't have a direct uninteruppted pipeline to the Creator yourself, regular audiences and such to discuss things, then it is kind of pointless to say this is or isn't God's will.

«Whenever... preachers, instead of a lesson in religion, put [their congregation] off with a discourse on the Copernican system, on chemical affinities, on the construction of government, or the characters or conduct of those administering it, it is a breach of contract, depriving their audience of the kind of service for which they are salaried, and giving them, instead of it, what they did not want, or, if wanted, would rather seek from better sources in that particular art of science.»

What is more, they can be greatly helped if they see that this is indeed the chief stress in public prayer or church worship, so that such social praying is undertaken by a family of God's children addressing a loving Father (who makes demands upon them, to be sure, but who is no hateful dictator nor absentee ruler nor moral tyrant, but genuinely concerned for their best development as his children), rather than a kind of law - court or imperial audience with a terrifying deity.

It was gratifying to be told by many of those in the audience that day that the summit was the best of its kind they had ever attended.

This kind of Tory slamming coupled with the dream brief at Labour conference of defending NHS services and workers - always an ovation guarantee - played well with the audience, and Burnham seemed genuine.

Warren urged the audience to join her as she works to reclaim Rochester's history as the kind of city where people like her grandparents moved to find better opportunities.

Our four panelists that night included Andrew Morehead and Kathie Sindt, who presented «good» and «bad» faculty interviewing scenarios, and Grant Reed and Cindy Bouchez, both patent attorneys, who revealed to the audience what kinds of questions they can expect to face when interviewing for nonacademic jobs — in patent law in this instance.

We showed in Paris a few times, but the audience for her kind of work is better here, because Londoners are open to things off the track — more experimental and theatrical.»

Well, since I'm not the kind of guy who keeps the audience in suspense until the end of his review, I'll tell you straight - out: This site is excellent!

Starsky & Hutch is a breezy ride that no doubt will appeal to the same audience that loved Old School, but really, this is the kind of movie that's best enjoyed with lowered expectations.

Whether the fact is that politics corrupts the good, or that you need to be a certain kind of person to even consider becoming a politician in the first place is left up to the audience to decide.

No surprise, perhaps, as Denis's film is the sort of thing usually discussed as a «minor,» the appellation usually applied to movies about love and intimacy, topics of almost universal relevance, as opposed to «major» works that indulge in the overblown oversimplification of barely understood historical periods, interminable «sculpting with time,» or the espousal of revolutionary creeds to well - heeled film festival audiences who know in their secret hearts that they will never in their lives participate in a violent uprising of any kind.

This winner of the audience award for best narrative film at the Palm Springs International Film Festival is the kind of whimsically smart - aleck British film that goes down well on this side of the Atlantic.

Once a vibrant, innovative network, it has been unable to develop a good comedy since «Arrested Development» (while NBC and CBS excel there), and as the Fox audience matures, the network has chosen to become a kind of CBS Lite.

Okay, perhaps we're being a bit unfair — Warcraft definitely had its moments, even if it was kind of a mess overall, and The Angry Birds Movie was a bonafide box office hit — but the fact remains that on the whole, audiences have had very good reason to be skeptical about video game movies for a very long time.

Even the casting choice of Tom Hanks, an actor who inspires immediate trust and reverence, is sluggishly realized by ignoring all of Hanks's best assets that create that kind of audience response.

I judged too quickly, thinking him one of those actors who prides himself on making the big bad movies in order to fund the small good ones — a kind of vanity tax upon the audience, whereby the pointless shoot -»em - up is the price we supposedly pay for the chilly little chamber piece about divorce.

Well acted, literate and very, very precious, the movie is perhaps a mash - up of the sort of quirky chattiness and diorama style audiences familiar with Noah Baumbach and Wes Anderson will recognize, but it captures the (kind of necessary) self - absorption and heightened stakes of teenagedom with an engaging aplomb.

Comedies tend to do better later in the summer (see: Bad Moms, We're the Millers, or even Horrible Bosses), but it seems like this year audiences are paying more attention to what kind of reviews a movie is getting.

At the very least, it's good to have a movie like this able to find an audience, because this feels like the kind of comedy that otherwise might not get any interest for a studio.

To be honest, there actually is some merit to Kubrick's assertion that the book is unfilmable, as the story itself doesn't really lend well to the kinds of things film audiences would find easy to digest.

However, the best of them are the ones that intrigue an initial idea and elaborate upon it with the kind of well - developed characters, ingenious plots and emotional resonance that is rarely seen in films aimed at family audiences.

The best and most distinctive of the bunch was the Indonesian filmmaker Kamila Andini's «The Seen and Unseen,» whose title might just as well describe the contrast between the kinds of films that play to maximum buzz in Toronto and those that struggle for press and audience exposure.

This kind of tone used to depict the interconnectedness between sex and crime set by Cool Hair evokes Harmony Korine's polarizing 2012 feature film Spring Breakers starring Vanessa Hudgens and James Franco, but Mr. Orozco - Cubbon delivers this content much more naturally and with the poise and confidence of an experienced filmmaker who already has a well - defined style, knowingly and purposefully playing with the two intertwining dynamics that keep the audience on its toes.

Christopher Nolan's name arouses a special kind of attention, not only among cinephiles but, crucially, for once - a-year film - goers as well, an audience majority whose decision to go see a film relies...

It willprobably do extremely well certainly in Ireland because Irish audiences seem to go for this kind of crap.

This kind of filmmaking is painfully rare in America, and it's something of a minor miracle that McCarthy was able to fool investors into funding this movie; happily it's good enough and, frankly, winning enough that audiences will likely take to it and return the favor.

The subject matter certainly carries the danger of becoming too melodramatic, but between the interesting premise and excellent cast, «Flight» is exactly the kind of riveting character drama that should help remind audiences just how good Zemeckis» movies used to be.

It all plays out rather predictably, but it's the best kind of predictable, the kind that lets audiences play along and become naturally invested in the characters, no matter how loathsome some of them are.

The Avengers movies work on two distinct levels for two very different audiences, and it's that kind of meta - awareness of not only telling a good story but being aware of the industry in which that story is being told that helps Marvel dominate pop culture with such confidence.

Bridesmaids tries to dig a little deeper by showing the kind of female insecurity that would be familiar to movie audiences (not being as pretty as another woman, not finding a good man), but shown as coming from hard - to - control selfishness that's specifically character - based, followed up upon and explored — rather than a default female trait.

In terms of narrative structure, the previous Spielberg film that Lincoln ends up most resembling is Close Encounters of the Third Kind (1977), which while a more consistently entertaining film still provided a dramatic change in pace and style at the end to deliver a long feel - good sequence as a sort of reward to the audience for hanging in for that long.

Whether we are talking early - era Steven Spielberg such as ET or Close Encounters Of The Third Kind, or more recent offerings such as War Horse or The BFG, the best Spielberg films, especially when they're aimed at a younger audience, have one thing in common: oodles and oodles of hearOf The Third Kind, or more recent offerings such as War Horse or The BFG, the best Spielberg films, especially when they're aimed at a younger audience, have one thing in common: oodles and oodles of hearof heart.

Remember that villains have the best lines and ooze the kind of toxic poison that makes audiences want to tear them apart.

Well, cult films are films that have kind of failed and then picked up by critics and loved later after the audience didn't love them.

You could say the same thing about nostalgia, whether it's the kind of»80s name - checking that Spielberg and Cline are doing in «Ready Player One» or the kind that politicians and advertisers do when they encourage their audiences to remember the good ole days - comforting if you don't think too hard and, as corporations and film studios well know, monetizable.

The fact that films like «Get Out,» «Wonder Woman,» and «Call Me by Your Name» struck such powerful chords with audiences and critics alike — and are in the awards mix — speaks to a hunger for the kind of inclusion Hollywood has been sorely lacking for, well, ever.

As good as «The Florida Project» is, I kind of doubt its crossover hit potential - I suspect it's too plotless for a lot of audiences.

Emulating blockbuster productions is a bit of a double - edged sword, as it will attract a sizable audience which likes those kinds of films, but at the same time, they are also so well - known and oft - watched, if you aren't going to bring anything new to the story, you are likely to be greeted by scorn and derision, even among fantasy fans.

In early drafts Rose was «a little bit closer to John Cassavetes's character in Rosemary's Baby: The audience is kind of let in to the fact that [he's] up to no good in subtle ways from the very beginning.»

In the recently completed Sleeping Beauty, her most controversial film to date (which polarized audiences at this year's Cannes Film Festival), her character works in a kind of high - end prostitution that involves no sex but requires her to be fondled by strangers while in a sedated state — until curiosity about what happens to her while she is «sleeping» gets the better of her.

Blogs are a way to learn as well as market your content and invite the right kind of audience to see what you are all about.