is perhaps
the best line in the film.
Such is the profusion of lately added characters that plenty of them haven't met yet, and these introductions are reliably good value:
the best line in the film, just about, is simply Captain America saying his own name.
Some of
the best lines in the film were from the two most underated characters of the film, which were the hunters (please can someone tell me there character names?)
Indeed, he has
the best line in the film: «Look, Easy — if you ain't want him dead, why you leave him with me?»
Timid and mousy in the office, she gets to let loose with a fantasy version of the character, a ferocious, seductive femme fatale with some of
the best lines in the film (to whit: «It's not cheating if you despise each other»).
The dependable Seth Green provides many good moments, but it's Dax Shepard (who was unknown to me before seeing Without A Paddle) steals the show and has at least two of
the best lines in the film.
One of
the best lines in the film goes to Lorenzo when he tells Julieta that he may be «turning into one of Patricia Highsmith's obsessive characters» only the real mystery here is why Almodóvar's latest lacks the timbre and matronly mettle it promises.
The injection of Shazam, if we are indeed calling him that now, does offer some lightheartedness to help damp down the dust clouds, and he gets both
the best line in the film and a metatextual homage to Mean Joe Greene's Coke commercial.
On the contrary, Zhang Ziyi had some of
the best lines in the film.
Happily the screenplay gives
him the best line in the film» We have about two weeks to avoid an all out civil war here.»
Finally, I would be very remiss if I didn't highlight LilRel Howery («Get a Job») as Rod, Chris» TSA agent friend who is gifted with all of
the best lines in the film.
When asked by the CIA representative how they can be sure he's not building a WMD, Farmer gives
the best line in the film: «If I was building a weapon of mass destruction, you wouldn't be able to find it.»
It also helps that LaGravenese gives Thompson some of
the best lines in the film, which she of course handles with aplomb.
Not exact matches
The Big Short, an upcoming
film about the housing and credit bubble that led to the financial crisis of 2007 - 08, is
lining up one of the
better casts
in recent...
Chef also got to voice a brief
line in the
film as
well... sorry can't recall which character.
Place the crust mixture
in an 20cm / 8
in spring - form pan (or a pie plate
lined with cling
film), press firmly, making sure that the edges are
well packed and that the base is even.
SEE ALSO: One Direction star
lined up for lead role
in Jamie Vardy
film, but these five actors would be MUCH
better!
One Direction star
lined up for lead role
in Jamie Vardy
film, but these five actors would be MUCH
better!
SEE MORE: One Direction star
lined up for lead role
in Jamie Vardy
film, but these five actors would be MUCH
better!
You're holding onto the past, but jazz is about the future,» Legend says,
in what is arguably the
best line of the
film.
After a slow decline over the last several
films, Part 6 being the most offensive, New
Line gets its ass
in gear and the series moves into a
better place!
It also has one of the
best scenes
in all of the Star Trek
films when Lily and Picard argue over blowing up the Enterprise and he gives his fantastic we draw the
line here speech.
It's
in this greyed - out, apocalyptic scenario that Bryan Singer's
film lays out its basic plot
line: with their backs against the wall
in the present tense, the X-Men (or what's left of them following a series of Sentinel raids) opt to send Wolverine (Hugh Jackman)-- or at least his consciousness — back
in time 50 years so that his younger self can try to alter this chronology — a scheme that nods to H.G. Wells and Harlan Ellison (as
well as the X-Men comics series).
He is aided
in this effort by Gordon's former mistress Myrna Loy, who has all of the
film's
best lines (When her protecter Baxter falls asleep on a couch, Loy complains «A few more nights like this and I'll be out of condition.»)
It's a
good role model
film, a role that the movie itself consciously tries to play, as
in the last
line «We need heroes, don't we?»
In the case of Silver
Linings Playbook, which is one of the
best films of the year, there is a popcorn bowl of glory to go around.
Russell pokes fun of his weight, makes ludicrous power plays to establish his dominance
in prison, and invites a number of deeply uncomfortable jokes about his inevitable sexual abuse
in prison — a
line of comedy that feels even more unwelcome given that the
film's cast includes an accused sexual assailant
in T.J. Miller, who needlessly returns as Deadpool's
best friend, Weasel,
in a few throwaway scenes.
In the decades to come, Paymer would remain an ever - present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wif
In the decades to come, Paymer would remain an ever - present force on screen, appearing
in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wif
in films like
In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wif
In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as
well as TV shows like
Line of Fire and The
Good Wife.
And yet, however considerable the
film's charms (it's first - rate children's entertainment, to be sure), there's something just the slightest bit disappointing
in how pro-forma it all feels: Ghibli geniuses Isao Takahata and Hayao Miyazaki never clung to a house style, making
films with wildly different looks and tones over the course of their careers, whereas Yonebayashi's first post-Ghibli effort colors
well within the
lines of stock Japanese animation.
(
In one of the
film's few laugh
lines, Louis tells Phil, who hasn't seen the ship, «I've got some
good news... and some bad news.»)
Koteas is one of Canada's most prominent and
well - respected actors, and during the late»90s, he began to amass international critical attention for his work
in a number of high profile
films, including David Cronenberg's Crash (1996) and Terrence Malick's The Thin Red
Line (1998).
And so we're tweaking our «
Best of the 21st Century» formula (check out our Horror
Films, Animated and Music Documentary features) to look instead at the top - grossing
films of the century to date, and seeing how,
in this season of bottom
lines and billions and box office bombs, the 25 reigning champions of the century stack up against each other
in terms of quality.
So far Silver
Linings has placed Lawrence and Cooper
in privileged positions for Academy Award nominations and not unlikely is the possibility of the
film getting recognition
in the
Best Picture,
Best Adapted Screenplay, and of course
Best Director categories.
This leaves their next -
in -
line in the cast listing, actors Katherine Bailess and Greg Siff (River's End), to carry the
film in the eye - candy and comic momentum department, as
well as being
better dancers.
A cheeky
line from the
film «the comic is so much
better than the
film», puts
in a pre-emptive strike against viewers who will feel the
film doesn't live up to its graphic novel origins.
I'm not incredibly familiar with Warner Bros.»
line of DC animated
films, but they seem to do
well and, at the very least, keep things interesting by introducing twists on the superheroes as
in Gods and Monsters.
It's also true that both of these
well - made
films tend to be strongest
in the below - the -
line categories where the level of craft skills on display is truly remarkable and leads to those hard - earned double - digit nomination totals.
The latter delivers the
best line of the
film: «If your beard controls you, then you're
in trouble.»
Cage tries to give his
lines energy with hammy mannerisms, while Jolie (The Bone Collector) has barely a dozen
lines and is cast solely for her looks rather than acting ability (and she doesn't look particularly
good in this
film).
Though she doesn't have too many scenes, Jacki Weaver does fine work
in Silver
Linings Playbook as De Niro's wife, and that
film's frontrunner status may nab her a nomination
in this category as
well.
Sam's sudden reappearance
in their lives is further complicated by the onset of the soldier's post-traumatic stress, but gone are the heavy - handed
lines about the nature of
good, evil, and death from Bier's
film.
Eddie Redmayne has reportedly signed on the dotted
line to play the mail lead of Newt Scamander
in the Warner Bros
film which will be directed by David Yates who helmed the last four, and arguably the
best, Harry Potter
films.
If that was all she had done, looked at the fault
lines in the family, described its disintegration and then its strange re-integration after the missing son returns, Olivier Olivier would have been a
good and serious
film.
Granted, James Bond
films are all about formula, but it's hard to get worked up over by - the - numbers ski stunts when, contrary to the famous
line, somebody has done it
better — Bond himself,
in fact,
in the
film from which that song came, The Spy Who Loved Me.
Not that her long shots serve her
well, either:
in one, a chorus
line of guys waddle like ducks to «Lay All Your Love on Me,» the
film's most unintentionally hilarious bit of choreography; a later shot of Streep running up a hillside to «The Winner Takes It All,» her pink shawl flowing behind her, has all the pathos of a perfume ad.
Similar to Ken Loach's I, Daniel Blake
in its militantly one - sided,
good - vs - evil approach to storytelling, the
film lines up a rouge's gallery of awful, boorish, bigoted bastards and has them do awful things to the eponymous heroine.
Nothing
in Footloose comes close,
in this respect, to the
best moments of Brewer's previous, vibrant if uneven
films Hustle & Flow and Black Snake Moan, but this heartfelt retread of a notably thin popcorn property does come alive during an illicit dance - off at a drive -
in or when a
line dance devolves into sweaty gyrations — basically, when the teenagers are fulfilling the grown - ups» worst fears.
The
best Soderbergh
film since sex, lies, and videotape and similar to it
in its use of secondary media and discussions of relationships and personal identity, what haunts the most
in the weeks following a viewing is something as simple as a
line and a photograph on a refrigerator.
Best motion picture of the year «Amour» «Argo» «Beasts of the Southern Wild» «Django Unchained» «Les Misérables» «Life of Pi» «Lincoln» «Silver
Linings Playbook» «Zero Dark Thirty» Performance by an actor
in a leading role Bradley Cooper
in «Silver
Linings Playbook» Daniel Day - Lewis
in «Lincoln» Hugh Jackman
in «Les Misérables» Joaquin Phoenix
in «The Master» Denzel Washington
in «Flight» Performance by an actress
in a leading role Jessica Chastain
in «Zero Dark Thirty» Jennifer Lawrence
in «Silver
Linings Playbook» Emmanuelle Riva
in «Amour» Quvenzhané Wallis
in «Beasts of the Southern Wild» Naomi Watts
in «The Impossible» Performance by an actor
in a supporting role Alan Arkin
in «Argo» Robert De Niro
in «Silver
Linings Playbook» Philip Seymour Hoffman
in «The Master» Tommy Lee Jones
in «Lincoln» Christoph Waltz
in «Django Unchained» Performance by an actress
in a supporting role Amy Adams
in «The Master» Sally Field
in «Lincoln» Anne Hathaway
in «Les Misérables» Helen Hunt
in «The Sessions» Jacki Weaver
in «Silver
Linings Playbook» Achievement
in directing «Amour,» Michael Haneke «Beasts of the Southern Wild,» Benh Zeitlin «Life of Pi,» Ang Lee «Lincoln,» Steven Spielberg «Silver
Linings Playbook,» David O. Russell
Best foreign language
film of the year «Amour,» Austria «Kon - Tiki,» Norway «No,» Chile «A Royal Affair,» Denmark «War Witch,» Canada
Best animated feature
film of the year «Brave,» Mark Andrews and Brenda Chapman «Frankenweenie,» Tim Burton «ParaNorman,» Sam Fell and Chris Butler «The Pirates!
Madonna plays Amber Leighton, the rich - bitch wife of an entrepreneur (Bruce Greenwood,
in an understated turn frankly
better than anything he's done
in American pictures up'til now) whose business is chemicals, a profession intended to draw his conservatism
in neon lights: Not only does he prove to be a capitalistic pig, but his profit comes from a dangerous - sounding
line of products that would be the MacGuffin
in any other
film, too.