Sentences with phrase «best line in the film»

is perhaps the best line in the film.
Such is the profusion of lately added characters that plenty of them haven't met yet, and these introductions are reliably good value: the best line in the film, just about, is simply Captain America saying his own name.
Some of the best lines in the film were from the two most underated characters of the film, which were the hunters (please can someone tell me there character names?)
Indeed, he has the best line in the film: «Look, Easy — if you ain't want him dead, why you leave him with me?»
Timid and mousy in the office, she gets to let loose with a fantasy version of the character, a ferocious, seductive femme fatale with some of the best lines in the film (to whit: «It's not cheating if you despise each other»).
The dependable Seth Green provides many good moments, but it's Dax Shepard (who was unknown to me before seeing Without A Paddle) steals the show and has at least two of the best lines in the film.
One of the best lines in the film goes to Lorenzo when he tells Julieta that he may be «turning into one of Patricia Highsmith's obsessive characters» only the real mystery here is why Almodóvar's latest lacks the timbre and matronly mettle it promises.
The injection of Shazam, if we are indeed calling him that now, does offer some lightheartedness to help damp down the dust clouds, and he gets both the best line in the film and a metatextual homage to Mean Joe Greene's Coke commercial.
On the contrary, Zhang Ziyi had some of the best lines in the film.
Happily the screenplay gives him the best line in the film» We have about two weeks to avoid an all out civil war here.»
Finally, I would be very remiss if I didn't highlight LilRel Howery («Get a Job») as Rod, Chris» TSA agent friend who is gifted with all of the best lines in the film.
When asked by the CIA representative how they can be sure he's not building a WMD, Farmer gives the best line in the film: «If I was building a weapon of mass destruction, you wouldn't be able to find it.»
It also helps that LaGravenese gives Thompson some of the best lines in the film, which she of course handles with aplomb.

Not exact matches

The Big Short, an upcoming film about the housing and credit bubble that led to the financial crisis of 2007 - 08, is lining up one of the better casts in recent...
Chef also got to voice a brief line in the film as well... sorry can't recall which character.
Place the crust mixture in an 20cm / 8in spring - form pan (or a pie plate lined with cling film), press firmly, making sure that the edges are well packed and that the base is even.
SEE ALSO: One Direction star lined up for lead role in Jamie Vardy film, but these five actors would be MUCH better!
One Direction star lined up for lead role in Jamie Vardy film, but these five actors would be MUCH better!
SEE MORE: One Direction star lined up for lead role in Jamie Vardy film, but these five actors would be MUCH better!
You're holding onto the past, but jazz is about the future,» Legend says, in what is arguably the best line of the film.
After a slow decline over the last several films, Part 6 being the most offensive, New Line gets its ass in gear and the series moves into a better place!
It also has one of the best scenes in all of the Star Trek films when Lily and Picard argue over blowing up the Enterprise and he gives his fantastic we draw the line here speech.
It's in this greyed - out, apocalyptic scenario that Bryan Singer's film lays out its basic plot line: with their backs against the wall in the present tense, the X-Men (or what's left of them following a series of Sentinel raids) opt to send Wolverine (Hugh Jackman)-- or at least his consciousness — back in time 50 years so that his younger self can try to alter this chronology — a scheme that nods to H.G. Wells and Harlan Ellison (as well as the X-Men comics series).
He is aided in this effort by Gordon's former mistress Myrna Loy, who has all of the film's best lines (When her protecter Baxter falls asleep on a couch, Loy complains «A few more nights like this and I'll be out of condition.»)
It's a good role model film, a role that the movie itself consciously tries to play, as in the last line «We need heroes, don't we?»
In the case of Silver Linings Playbook, which is one of the best films of the year, there is a popcorn bowl of glory to go around.
Russell pokes fun of his weight, makes ludicrous power plays to establish his dominance in prison, and invites a number of deeply uncomfortable jokes about his inevitable sexual abuse in prison — a line of comedy that feels even more unwelcome given that the film's cast includes an accused sexual assailant in T.J. Miller, who needlessly returns as Deadpool's best friend, Weasel, in a few throwaway scenes.
In the decades to come, Paymer would remain an ever - present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good WifIn the decades to come, Paymer would remain an ever - present force on screen, appearing in films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wifin films like In Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good WifIn Good Company, Drag Me to Hell, Bad Teacher, and Redbelt, as well as TV shows like Line of Fire and The Good Wife.
And yet, however considerable the film's charms (it's first - rate children's entertainment, to be sure), there's something just the slightest bit disappointing in how pro-forma it all feels: Ghibli geniuses Isao Takahata and Hayao Miyazaki never clung to a house style, making films with wildly different looks and tones over the course of their careers, whereas Yonebayashi's first post-Ghibli effort colors well within the lines of stock Japanese animation.
(In one of the film's few laugh lines, Louis tells Phil, who hasn't seen the ship, «I've got some good news... and some bad news.»)
Koteas is one of Canada's most prominent and well - respected actors, and during the late»90s, he began to amass international critical attention for his work in a number of high profile films, including David Cronenberg's Crash (1996) and Terrence Malick's The Thin Red Line (1998).
And so we're tweaking our «Best of the 21st Century» formula (check out our Horror Films, Animated and Music Documentary features) to look instead at the top - grossing films of the century to date, and seeing how, in this season of bottom lines and billions and box office bombs, the 25 reigning champions of the century stack up against each other in terms of quality.
So far Silver Linings has placed Lawrence and Cooper in privileged positions for Academy Award nominations and not unlikely is the possibility of the film getting recognition in the Best Picture, Best Adapted Screenplay, and of course Best Director categories.
This leaves their next - in - line in the cast listing, actors Katherine Bailess and Greg Siff (River's End), to carry the film in the eye - candy and comic momentum department, as well as being better dancers.
A cheeky line from the film «the comic is so much better than the film», puts in a pre-emptive strike against viewers who will feel the film doesn't live up to its graphic novel origins.
I'm not incredibly familiar with Warner Bros.» line of DC animated films, but they seem to do well and, at the very least, keep things interesting by introducing twists on the superheroes as in Gods and Monsters.
It's also true that both of these well - made films tend to be strongest in the below - the - line categories where the level of craft skills on display is truly remarkable and leads to those hard - earned double - digit nomination totals.
The latter delivers the best line of the film: «If your beard controls you, then you're in trouble.»
Cage tries to give his lines energy with hammy mannerisms, while Jolie (The Bone Collector) has barely a dozen lines and is cast solely for her looks rather than acting ability (and she doesn't look particularly good in this film).
Though she doesn't have too many scenes, Jacki Weaver does fine work in Silver Linings Playbook as De Niro's wife, and that film's frontrunner status may nab her a nomination in this category as well.
Sam's sudden reappearance in their lives is further complicated by the onset of the soldier's post-traumatic stress, but gone are the heavy - handed lines about the nature of good, evil, and death from Bier's film.
Eddie Redmayne has reportedly signed on the dotted line to play the mail lead of Newt Scamander in the Warner Bros film which will be directed by David Yates who helmed the last four, and arguably the best, Harry Potter films.
If that was all she had done, looked at the fault lines in the family, described its disintegration and then its strange re-integration after the missing son returns, Olivier Olivier would have been a good and serious film.
Granted, James Bond films are all about formula, but it's hard to get worked up over by - the - numbers ski stunts when, contrary to the famous line, somebody has done it better — Bond himself, in fact, in the film from which that song came, The Spy Who Loved Me.
Not that her long shots serve her well, either: in one, a chorus line of guys waddle like ducks to «Lay All Your Love on Me,» the film's most unintentionally hilarious bit of choreography; a later shot of Streep running up a hillside to «The Winner Takes It All,» her pink shawl flowing behind her, has all the pathos of a perfume ad.
Similar to Ken Loach's I, Daniel Blake in its militantly one - sided, good - vs - evil approach to storytelling, the film lines up a rouge's gallery of awful, boorish, bigoted bastards and has them do awful things to the eponymous heroine.
Nothing in Footloose comes close, in this respect, to the best moments of Brewer's previous, vibrant if uneven films Hustle & Flow and Black Snake Moan, but this heartfelt retread of a notably thin popcorn property does come alive during an illicit dance - off at a drive - in or when a line dance devolves into sweaty gyrations — basically, when the teenagers are fulfilling the grown - ups» worst fears.
The best Soderbergh film since sex, lies, and videotape and similar to it in its use of secondary media and discussions of relationships and personal identity, what haunts the most in the weeks following a viewing is something as simple as a line and a photograph on a refrigerator.
Best motion picture of the year «Amour» «Argo» «Beasts of the Southern Wild» «Django Unchained» «Les Misérables» «Life of Pi» «Lincoln» «Silver Linings Playbook» «Zero Dark Thirty» Performance by an actor in a leading role Bradley Cooper in «Silver Linings Playbook» Daniel Day - Lewis in «Lincoln» Hugh Jackman in «Les Misérables» Joaquin Phoenix in «The Master» Denzel Washington in «Flight» Performance by an actress in a leading role Jessica Chastain in «Zero Dark Thirty» Jennifer Lawrence in «Silver Linings Playbook» Emmanuelle Riva in «Amour» Quvenzhané Wallis in «Beasts of the Southern Wild» Naomi Watts in «The Impossible» Performance by an actor in a supporting role Alan Arkin in «Argo» Robert De Niro in «Silver Linings Playbook» Philip Seymour Hoffman in «The Master» Tommy Lee Jones in «Lincoln» Christoph Waltz in «Django Unchained» Performance by an actress in a supporting role Amy Adams in «The Master» Sally Field in «Lincoln» Anne Hathaway in «Les Misérables» Helen Hunt in «The Sessions» Jacki Weaver in «Silver Linings Playbook» Achievement in directing «Amour,» Michael Haneke «Beasts of the Southern Wild,» Benh Zeitlin «Life of Pi,» Ang Lee «Lincoln,» Steven Spielberg «Silver Linings Playbook,» David O. Russell Best foreign language film of the year «Amour,» Austria «Kon - Tiki,» Norway «No,» Chile «A Royal Affair,» Denmark «War Witch,» Canada Best animated feature film of the year «Brave,» Mark Andrews and Brenda Chapman «Frankenweenie,» Tim Burton «ParaNorman,» Sam Fell and Chris Butler «The Pirates!
Madonna plays Amber Leighton, the rich - bitch wife of an entrepreneur (Bruce Greenwood, in an understated turn frankly better than anything he's done in American pictures up'til now) whose business is chemicals, a profession intended to draw his conservatism in neon lights: Not only does he prove to be a capitalistic pig, but his profit comes from a dangerous - sounding line of products that would be the MacGuffin in any other film, too.
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