Surely you know him through
the best of action films and his cool undercut is all we really look up to for some best hair fashion.
Not exact matches
The studio has two more big Marvel releases (Guardians
of the Galaxy 2 and Thor: Ragnarok) as
well as a live -
action version
of Beauty and the Beast, two new movies from Pixar Animation Studios (including Cars 3), and a fifth installment in the Pirates
of the Caribbean franchise (two
of the first PotC
films grossed more than $ 1 billion apiece).
There's enough
action, intrigue and drama to convince adults that it's «a serious movie
well worth your time» but in reality, it's a
film for the whole family, and for many, watching it together has become something
of a rite
of passage.
Genuine actors operate within a framework established by the imitative nature
of film ¯ hence a
good person can portray a bad one, or act out bad
actions, without it being a reflection
of his or her character.
The
action was
filmed with 18 3D motion capture cameras and 11 high - definition game day cameras to capture impacts from dozens
of angles around the field with the goal to
better understand the forces and motions that occur when a player receives an impact.
Whether you're planning to
film yourself in
action, or you want proof
of all
of your kid's
best goals to look back on in the future, you're on the hunt for the
best camcorders for sports.
A novel study shows the
best way to hone your technique is not just to watch
films of pro players, but that videos that spotlight key
actions improve performance more and faster.
It's the first live -
action comic - book
film to be nominated for
best picture at the Golden Globes (airing this Sunday); and Reynolds is up for the
best actor award for his masterful portrayal
of the anti-hero.
WATCH: Some
of the
best romantic movies are set in London (think Notting Hill, Love Actually, and About Time), but popular feature
films such as Skyfall or Sherlock Holmes offer
action - packed alternatives.
Visit to get the The new
film sees
good old Captain Jack back in swashbuckling
action and on the hunt for another bit
of mythical gubbins, the legendary Trident
of Poseidon
After his
action - comedy vehicle Double Take was a January 2001 washout, Jones was poised to team with Ivan Reitman for the latter's summer 2001 sci - fi comedy Evolution.Still, Jones retired as 7 - Up's pitch man in early 2002, and would spend the 2000's nurturing his
film and TV career, appearing in Runaway Jury and Drumline, as
well as TV shows, like The Adventures
of Chico and Guapo and Rules
of Engagement.
It's Spielberg's
best and truest action film since Jaws, relentlessly paced, pitch - perfectly acted (the young Fanning is almost certain to get a Best Supporting Actress nod come Oscar time), and rife with moments of such horrifically poetic imagery that it's all you can do not to stop thinking about them long after the film has en
best and truest
action film since Jaws, relentlessly paced, pitch - perfectly acted (the young Fanning is almost certain to get a
Best Supporting Actress nod come Oscar time), and rife with moments of such horrifically poetic imagery that it's all you can do not to stop thinking about them long after the film has en
Best Supporting Actress nod come Oscar time), and rife with moments
of such horrifically poetic imagery that it's all you can do not to stop thinking about them long after the
film has ended.
As schematic as a popular entertainment needs to be yet refreshingly devoid
of significant lulls in the
action — for exposition, weapon reloading, lovemaking and the like — the
film is fast, smart and single - minded, providing not only a satisfying bang for the ever - beleaguered moviegoing buck but memorable debuts for first - time feature director Mimi Leder and fledgling
film studio DreamWorks SKG (Steven Spielberg, Jeffrey Katzenberg and David Geffen)-- as
well as ringing confirmation that George Clooney is indeed a movie star.
Derivative, formulaic and clichéd
action film, Bullet to the Head is a bland movie that fails to grab your attention due to a lack
of originality,
good performances and
well executed
action scenes.
As for this
film I can't quite understand why it has received such negative reviews, it has excellent
action, stealth, espionage
of sorts and has the 80's recreated very
well.
I have a lot
of problems with watching movies in 3D, especially
action movies, and this was one
of the few
films in a while that actually held up
well during the
action packed sequences.
Lara Croft: Tomb Raider, one
of the most dumbed down
action films of 2001 gets the sequel treatment (that everything is getting this year), turns out to be one
of the few that actually works
better than the original, if only slightly.
Sure to delight X-fans everywhere and thrill
action - lovers all around, this movie is most likely the
best comic - to -
film adaptation produced yet, despite a few changes made for the sake
of creating an original story.
This is the
BEST James Bond
film ever made as it is full
of style, amazing
action pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor,
action, style, brutality), Xenia Onatopp is the greatest creation
of a villain and Bond girl (because her weapon is
For someone with my background, the
film is effectively paced with a
good balance
of exposition, character development, and special effects - enhanced
action.
Salkow was
best known as a very capable if not necessarily stylish, maker
of action films and westerns, although his wartime
films included City Without Men, a prison melodrama that was an early starring vehicle for Linda Darnell.
The
film's two major scenes
of military conflict — the battle
of Gaugamela, where Alexander's force
of 40,000
bested the Persian King Dariussd III's 250,000 - strong army, and a third - act forest routing in India — are given short shrift and photographed in that jittery «you are there» un-StediCam-style that renders the
action impenetrable.
Easily the
best Herbie flick and one
of the
best live
action Disney
films.
Even thought the
film is light on character development, and strove to be more
of a pure
action film (one
of the most influential and parodied in fact), it is still entertaining, even though it's really just ok, and not all that
good (unbelievable and unrealistic
action aside).
Though I've never read the book on which the
film is based, I am familiar with its unique format (a compilation
of individual accounts comprised a decade after the war), and while it may not please fans
of the source material, the decision to streamline all the
action through Gerry makes the story flow
better.
Setting aside for a moment the question
of when exactly it was finished, the answers seem obvious: there were already too many
action films jostling for position this summer (including the ill - fated Batman & Robin), and the
film is just too smart and
well - crafted to have risked getting lost in that shuffle, a fate which the equally worthy Face / Off narrowly escaped.
The opening sequences are among the
best ever
filmed treating the sheer terror and adrenaline rush
of an out - and - out chase, and are nearly silent the whole time, such is the high
action quotient.
Even though its regarded as a poor remake
of the original french
film, this is still a
good action film.
Featuring a screenplay by no less than five writers, Flushed Away has clearly been geared to appeal primarily to small children - as evidenced by the
film's emphasis on
action - oriented set pieces and distinctly broad bits
of comedy (there's even a fart joke thrown in for
good measure).
One
of the
better films made about submarine and anti-submarine warfare, The Enemy Below takes a unique dual view
of the
action.
As a
film, The Spirit is visually similar to both Sin City and 300 (no surprise, Frank Miller was behind them all) but it just doesn't have the original wow factor,
good story telling or pulsating
action sequences
of its predecessors.
This is the
BEST James Bond
film ever made as it is full
of style, amazing
action pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor,
action, style, brutality), Xenia Onatopp is the greatest creation
of a villain and Bond girl (because her weapon is Bond» worst nightmare), the villain is truly threatening and played very
well by Sean Bean, the title song is awesome and classic Bond, the script for this
film is VERY
well written and witty, etc..
As a James Bond
action film, it's certainly one
of the
best.
What we get is a collection
of moderately violent
action set - pieces untroubled by humour or broader coherence... Forster, who directed the Bond
film Quantum
of Solace, has done his
best to piece together a story from these incompatible parts, but the final product has an elaborate uselessness about it, like a broken teapot glued back together with the missing pieces replaced by parts
of a vacuum cleaner.
Good sci - fi has all these things,
of course, but «bigger» isn't
better, and most
of the «big» idea movies use «the future» as a setting for
action and adventure, whereas true sci - fi
films (and books) use that setting to tell human stories in new ways; human relationships (with others, with self, with the environment, etc...) are are the core
of the
best sci - fi movies we've seen.
What surprised me is that I had some affection for an
action adventure
film the way I would have in the days
of the Ray Harryhausen's
best films.
It doesn't have the same hold over me it maintained a decade ago, but I continue to be very fond
of it, and I think it's one
of the
best action films ever made.
In terms
of action, adventure
films, this one is forgettable, and there are
better ones out there.
The production design is fantastic and the
action sequences extremely
well done, particularly the brilliantly handled climactic battle and the
film has a great deal
of momentum that meant I enjoyed it more and more as it went on.
It such a shame to say so as
well, it was promoted as an
action film that could be entertaining whilst maintaining some level
of intelligence.
Of course, «The Peacemaker's» real selling point is action, and Leder proves herself a crackerjack action director, with some seriously intense set - pieces — a train wreck that opens the film, a horrifying nuclear blast, a car chase in a crowded plaza, a foot chase through the streets of New York and, best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopter
Of course, «The Peacemaker's» real selling point is
action, and Leder proves herself a crackerjack
action director, with some seriously intense set - pieces — a train wreck that opens the
film, a horrifying nuclear blast, a car chase in a crowded plaza, a foot chase through the streets
of New York and, best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopter
of New York and,
best of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopter
of all, a nail - biting standoff on a bridge between a truck armed with nuclear weapons and military helicopters.
One
of the
best action - packed Rogers
films.
If «The Breadwinner» were a live -
action film, it would be virtually unbearable to watch, but as animation, it's not only possible, but somehow inspiring to immerse oneself in this pared - down adaptation
of Deborah Ellis»
well - regarded young - adult novel, about an 11 - year - old girl who must step up and care for her family after the Taliban raids her home and arrests her father (hence the title).
It also has some
of the
best sniper
action of any war
films in a while (since there really aren't many
films with sniper
action really, but it is decently done.)
Director Brad Peyton competently stages most
of the
action, from George breaking out
of his sanctuary, to a canister retrieval in Wyoming, led by scarred mercenary Burke (a briefly used Joe Manganiello), that turns awry, to the
film culminating in mass destruction
of Chicago as the three animals,
well, rampage to get to the sonar signal at the top
of the Wydens» skyscraper headquarters and Davis safely crashes a helicopter.
Throw in Myrna Loy and you have a very fun movie with 3 actors at the top
of their game.The
film is about a test pilot (Gable) and his trusty mechanic (Tracy) who meet a girl (Loy) and how the strain
of a test pilot's life affects them all.The
film is a little long, but the
action is
well done.The acting is the main reason to watch this
film, and if your are a fan
of the big three, then you will have a
good time.
While Gens can splatter gore with the
best of them — early in the
film, a human body packed with C4 goes off in graphic detail — he fails to stage so much as a single rousing
action scene, even when he has four double - fisted swordsmen facing off inside an abandoned subway car.
At its heart, Black Panther has a fairly standard comic book sort
of story: baddie Ulysses Klaue (a rare live -
action Andy Serkis: Star Wars: The Last Jedi, War for the Planet
of the Apes), one
of the few outsiders who knows the secrets
of Wakanda, and who had stolen a small quantity
of vibranium decades ago, is up to no
good again, with a scary dude nicknamed Killmonger (Michael B. Jordan: Fantastic Four, and both
of Coogler's previous
films) at his side; they must be stopped by T'Challa, Nakia, and the absolute force
of nature General Okoye (Danai Gurira), with an assist from CIA agent Everett K. Ross (Martin Freeman: The Hobbit: The Battle
of the Five Armies, Sherlock).
I've seen hundreds
of martial arts
action films and I have no problem saying that Unleashed is easily one
of the
best English
And yet, amid all that overdue and
well - deserved scorn, the lone aspect
of Deadpool 2 that is treated with gravid, wet - eyed sincerity — the thing the
film wants us to care most deeply about, that acts as the plot's triggering
action — is itself the biggest, oldest, dumbest and most useless superhero - genre cliche
of them all.