Sentences with phrase «best orchestral score»
Not exact matches
Well, that's one way visualize an orchestral score.
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The orchestral scores are easily some of the best in the series.
Add in an epic, bombastic orchestral score by Kevin Riepl (he also worked on Gears of War) and a surprisingly robust and easy - to - use level creation tool and you have one of the better games to be released so far in 2011.
The DD 5.1 configuration of the original four - track stereo mix presents Leonard Rosenman's weak, distracting score to good, orchestral effect, for what it's worth.
The two crowd - pleasers are «The Mission» and «Cleared Iranian Airspace», pieces of warm, fully - orchestral Americana that might come as a bit of a surprise to die - hard fans of the composer but which somehow actually blend in rather well with the rest of the score.
The soundscape, which consists of intense battle ambiance and a beautiful orchestral score composed by long - time video - game composer Jeremy Soule, best known for his work with The Elder Scrolls series.
As the score progresses through its charming, by - the - notes bonding between the two kids as they must make their way home from the untamed wilderness, the Dannas conjure effective, if not quite - savage orchestral suspense and action to give «The Good Dinosaur» dramatic weight.
An actor's performance becomes more impressive as you can hear subtle nuances in their voice, a sweeping orchestral score becomes a force of nature, sweeping over you, while a game suddenly comes to life with tiny audio details, giving rise to a far better appreciate of sound design.
The Mafia 2 Collectors Edition comes packed in a Steel - book case along with a map of Empire Bay, a CD filled with the Orchestral Score for Mafia 2, a 100 - page hardback photo style album as well as some DLC to top it all off!
We packed our epic orchestral score into today's update as well.
The orchestral soundtrack superbly complements every situation with the prowess of a good film score, and the hilarious sound effects are the finishing touches to complete this impeccable presentation.
In terms of sound design, the orchestral score does a good job of giving weight to battles and a sense of triumph to discovery.
The musical score is a sombre orchestral affair that suits the gloomy tone of the Eastern front very well.
The game's score, by Joris de Man and The Flight, mixes traditional orchestral arrangements with electronic elements and vocals to create perhaps the best «cinematic» score of the year.
So far the feedback has been good: fans have reported that the game feels exactly the way they remember, and that the new orchestral score brings goosebumps along with nostalgic memories of playing Age for hours on end.
(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best Original Music» (Assassin's Creed: Syndicate); nominated
(«Underground», Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; nominated — Game Audio Network Guild Awards, «Best Audio for an Indie Game» (The Banner Saga); winner — Game Audio Network Guild Awards, «Best Soundtrack Album» (The Banner Saga); nominated — Game Audio Network Guild Awards, «Best Original Instrumental» («Of Our Bones, The Hills», The Banner Saga); nominated — BSO GoldSpirit Awards, «Best Score for a Video Game» (The Banner Saga); nominated — International Film Music Critics Association, «Best Original Score for a Video Game» (The Banner Saga); nominated — SXSW Gaming Awards, «Excellence in Musical Score» (The Banner Saga); nominated — NAVGTR Game Awards, «Original Dramatic Score, New IP» (The Banner Saga); nominated — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (The Banner Saga); nominated — Annual Game Music Awards, «Artist of the Year: Outstanding Contribution, Western Composer» (The Banner Saga, Soul Fjord); nominated — Annual Game Music Awards, «Outstanding Achievement: Music Production» (The Banner Saga); winner
We wanted to get an electronic element into the score as well as the orchestral sound that he was known for.
It is bland orchestral music that sounds better suited for a film score.
Its abundance of melodious Koji Kondo orchestral pieces easily put it up among the Zelda franchise's best musical scores.
Afrika Original Soundtrack is the quintessential outdoor adventure score, melding captivating themes with a grand orchestral performance, while emulating classic adventure movie scores in the best way.
Its lack of bass is more apparent in atmospheric titles with orchestral scores, and music doesn't perform particularly well either, but for everyday gaming usage, it's hard to find anything better for a mere fifty bucks.
While soundstage got better and dialogue sounded more crisp, the signal processing sounded artificial with boosted highs and lows, altering the timbre of instruments during orchestral scores.