Sentences with phrase «best photography practices»

The conference, sponsored by The Cultural Agents Initiative, the Provost Office at Harvard University, the David Rockefeller Center for Latin American Studies, and the Harvard University Committee on Human Rights Study, attracted 96 artists, educators, and researchers, who identified and exchanged best photography practices to promote children agencies and civic participation.

Not exact matches

Practicing photography comes easier, arguing with Dima stops to make sense, friends surprise with the warmest Birthday wishes, energy is bursting... Basically LIFE is flowing like a river and there's no better feeling than this in the world!

When they're not doing things like attending Comi - Con together, they're having fun with their individual geeky interests — such as CEO Meir Stralhberg watches «Star Trek,» CFO Peder Sahlin practices photography and knows the value of a good Hawaiian shirt, and Director of Marketing Carlos Ealdama collects vintage sneakers.

Need to build a portfolio as well as get practice for nude and or fetish photography For the obligatory stats: Total Dom Top 46yo 6» 6, 350 #, Shaved head, fluctuate between a full beard and goatee which is red / grey, Blue eyes, a few tatts and a couple...

In her time away from the clinic, Dr. Stanclift is fond of sharing a good meal with loved ones, cooking with her husband, swimming, practicing her photography skills, decorating with her travel photos, and spending time on the beach.

This is a great way to continue practicing your photography techniques while exploring and experiencing one of the best diving locations in the world.

Photography is a constant and ubiquitous element in Fallen Fruit's artistic practice — utilized both as documentary process and image production — as well as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.

The Arts Desk reviews all the major exhibitions of art and photography as well as interviewing leading creative figures in depth about their careers and working practices.

Welling's practice, which reflects fundamental changes in photography during recent decades, shuffles the elemental components of the medium to produce distinctly uncompromising work.

While best known for his high - contrast black and white images, color photography has been an integral part of his practice since the 1970s.

First structured around performances, large black charcoal drawings and interventions in the street, her practice grew to include films, music, photography and the medium for which she is perhaps best known: painting.

Deschenes practice is perhaps best described in her own words: «I am interested in photography cultivating a self - reflexive dialogue, while simultaneously reflecting the world at large, and utilizing a vocabulary that integrates concept with form.»

In opening up the medium of photography for experimentation, Welling's practice has influenced an entire generation of artists and photographers.

Welsh graduated from Pratt with a BFA in Photography, which underscores the varied and intersecting nature of her painting practice, as well as her conceptual and technical interests.

Hassan Sharif: I Am The Single Work Artist traces nearly five decades of the artist's multimedia practice, including painting, sculpture, assemblage, drawing, installation, and photography, as well as never - before - seen late works by the artist.

The artistic practice of James Welling unfolds in the liminal zones between photography and painting, film, architecture, sculpture and dance.

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

For over 40 years since he first commenced his photographic practice, Ueda has continued to explore new expressions through his filter of photography; always challenging himself to capture the strong impulses and impressions that he happens upon, as well as the pleasure felt through such encounters.

While the artist investigates the complex relationships between form and substance through different artistic practices such as photography, video, sculpture and installation, he is best known for his beguiling marble carving to which he applies his refined craftsmanship in order to create unexpected and light forms, ordinary and yet highly symbolic.

Kyle Jenkins is a Queensland based artist whose cross-disciplinary practice expands from reductive painting into a variegated discourse including sculpture, drawing and music as well as photography and wall painting.

The intersection of painting and photography predominates throughout the exhibition, reflecting the art practice of Bishop Good, a photographer who frequently works in the interdisciplinary realm between the two mediums, and in multimedia.

The Schoolhouse and the Bus: Mobility, Pedagogy, and Engagement, an exhibition pairing, for the first time, work by two leading artists of the social practice movement, Pablo Helguera and Suzanne Lacy, is comprised of installation, collage, sculpture, ephemera, photography, video, as well as archival documentation.

Artists are encouraged to submit proposals that focus on art theory, as well as multi-disciplinary practices, such as photography, animation, sculpture, painting, silk screening and performance art.

Anna Virnich's artistic practice incorporates a variety of media, such as sculpture, installation, photography, video and textile - based tableaus made of found fabrics as well as new materials, stretched on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.

Included among this year's selections are alumni Stefan Hancherow (MFA, Criticism & Curatorial Practice, 2013), Meryl McMaster (BFA, Photography 2010), Mary MacDonald, (MFA, Criticism & Curatorial Practice, 2012) and Caoimhe Morgan - Feir (MA, Contemporary Art History, 2012) as well as Faculty of Art Instructor Francisco - Fernando Granados.

The subject matter and style of each artist ranges from documentary to conceptual, and explores the fact that these two media, photography and video, often help an artist develop their wider practice and bodies of work, as well as offer a glimpse into the versatility that many artists possess.

First structured around performances, large black charcoal drawings and interventions in the street (for which she was arrested in Basel), her practice grew to include films, music, photography and the medium for which she is perhaps best known — painting.

Bringing together pictures taken across the world of friends and strangers, as well as the natural and built environment, the present exhibition addresses one of the main questions explored in Tillmans's recent practice: as photography becomes increasingly ubiquitous, and as ever higher resolution yields unprecedented views of our surroundings, how do pictures continue to shape our knowledge of the world?

Natilee Harren narrates how Haendel's practice responds to the work of Anne Truitt, Mary Kelly, and Robert Longo, as well as to feminism, contemporary photography, postinternet art, and the 2016 U.S. presidential election.

Victor Ehikhamenor's practice encompasses painting, drawing, photography, sculpture and installation, as well as hand - perforated works on paper.

While developing a career in wall painting and surface finishing, she explores the use of fresco as well as traditional painting techniques in contemporary practices, and works equally with murals, painting, drawing, photography and mixed media.

Bracketed chronologically by Rosler's well - known photo - text work The Bowery in two inadequate descriptive systems (1974/75) and her highly influential essay In, around and afterthoughts (on documentary photography)(1981), this series takes its place alongside Rosler's photographs of airports, roads, shop windows, and public transportation as part of a career - long photographic practice.

Works by fifteen contemporary artists — whose practices encompass sculpture, painting, collage, photography, and video — examine the life of birds, as well as the concept of the nest as metaphor of home, birth, protection, and the human body.

Since the 1960s, Nauman has pioneered durational practices and time - based media, as well as having established a conceptually rigorous approach across sculpture, sound, drawing, photography, film, and video that continues to inspire a younger generation of artists working in these forms today.

Best known for his wry and witty drawings, British artist David Shrigley has built up an artistic practice that, over the past two decades, has expanded well beyond drawing to include photography, sculpture, neon signs, animation, painting, printmaking, publishing and music.

Since the early 1990s, Song's artistic practice has focused on video, installation, performance, photography, and theatre, as well as curating contemporary art exhibitions.

Micah Lexier Micah Lexier (CA, 1960) is a Canadian award winning multimedia artist whose many - tiered practice includes sculpture, installation, photography and text - based work, as well as curation.

Another part of the fair is Photo50, which provides a critical forum for examining some of the most distinctive elements of current photographic practice, Photography Focus Day that takes place at the Fair on Wednesday 21 January, the Art Projects Film Programme, live performances as well as an extensive program of talks, tours and critical debates.

Noted for her ambitious interventions in public space, as well as her objects, films, photography, installations and ephemeral actions, Rajkowska's practice interrogates individual and collective bodies as politicised sites of historical, ideological and psychological conflict.

Darren Almond's diverse practice incorporates film, installation, sculpture, painting and photography, to produce evocative meditations on time and duration as well as the themes of personal and historical memory.

Join artist Darren Almond as he speaks to curator and writer William A. Ewing about his diverse practice which incorporates film, installation, sculpture, painting and photography, to produce evocative meditations on time and duration as well as the themes of personal and historical memory.

First structured around performances, charcoal drawings and interventions in the street, her practice grew to include films, music, photography and the medium for which she is perhaps best known — painting.

Brandenburg's practice reflects her training in set design and the visual arts and is inspired by a wide range of historical elements, many reverting back to the late 19th - centruy, sourced from literature, the visual arts, expressionist theatre, Hollywood films, photography, chess and magic, as well as pre-Freudian psychoanalysis.

PPAC is a resource for both practicing artists as well as individuals interested in learning about all aspects of contemporary photography.

As Reader in Photography at University of Westminster, a practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of photography today, and This Must Be the Place assesses the medium's new role in the international artiPhotography at University of Westminster, a practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of photography today, and This Must Be the Place assesses the medium's new role in the international artiphotography today, and This Must Be the Place assesses the medium's new role in the international artistic forum.

Platform for reflection, discoveries and encounters, Paris Photo presents the best in the market for photography while offering the largest panorama of the diverse practices of the medium», Florence Bourgeois, Paris Photo Director and Christoph Wiesner, Paris Photo Artistic Director.

The artworks demonstrate the very best in contemporary British practice in all medias, from painting and sculpture to printmaking, photography, installation and new media.

Ceramics have played an increasingly significant role in McLean's practice, which has been in an almost constant state of invention and re-invention, and currently includes performance, sculpture, installation, public art, painting, printmaking, drawing, photography and film as well as ceramics.

Experimental Geography presents a panoptic view of this new practice through a wide range of mediums including interactive computer units, sound and video installations, photography, sculpture, and experimental cartography created by 18 artists or artist teams from six countries as well as the United States.

We met up at Hank's studio to discuss some of the intersections in our practice and process, as well as our different articulations of neighboring concepts, such as historical doppelgangers in photography, time as a projection of power, and finding idiosyncratic agency.