The performances and the script are good, especially Gooding who has some of
the best scenes in the film.
There are a number of inoffensive, but nonetheless stereotypical, scenes, particularly one in which Dominic West, as a flamboyant gay, shows off his disco dancing skills to the miners (it's also one of
the best scenes in the film).
The Under Pressure music video might be
the best scene in the film.
One of
the best scenes in the film is when that world is revealed, how it looms so large around us.
The only shining light was the clip of Atomic Blonde that was shown which also happens to be
the best scene in the film.
In fact, the best scene of the film includes one particularly effective torture scene, with the irony being the torture is only heard; yes,
the best scene in the film takes place offscreen.
The best scene in the film sees Day - Lewis bringing a wiry, nervous energy, as he finally tells off his dad for constantly getting on his back, bobbing around, gesticulating wildly, expelling all of the pent - up frustration he's kept from his father.
She has
the best scenes in the film including action scenes (the highway scene, and Hit Girl on adrenaline spring to mind).
He gets
the best scene in the film: his little speech near the end.
The best scene in the film is the one where Ralph Fiennes directs the cowboy (Alden Ehrenreich)- but don't bother going to see the film for that as you can see the full scene in the trailer.
calypso dance at Mitchum here is easily
the best scene in the film), but she's never appealed to me as much as say, Gene Tierney or any number of other, similar stars of the 40s, and at 39 in this film, she's a bit past her (overrated) prime.
And this poster, Child's Play 2 by Matt Ryan Tobin, captures one of
the best scenes in the film — the climactic chase through the Good Guy warehouse.
The Crossing Guard features a scene where Nicholson wakes up from a nightmare and calls ex-wife Huston on the phone to tell her the dream and it's one of
the best scenes in the film.
The best scene in the film involves Gunn's character berating a male underling for giving her a cookie with only three chocolate chips while his cookie is oozing with chocolate chips.
Her interactions with the underrated 50 - Cent (quality as a Don King like promoter) are some of
the best scenes in the film.
Not exact matches
The
film also provides a
good introduction to the Cloak of Levitation who is a
scene - stealer once again
in «Infinity War.»
Mad Max rode a winning streak
in several technical and behind - the -
scenes categories to score six Oscar statues last night, though the
film ended the night shut out of most of the show's major categories, such as
Best Picture and
Best Director.
I do think Stillman is aware of most of these downsides, but
in any case, his
film convinced me that there was more to that
scene than we might think, namely, that at its
best, it sought and to some extent achieved a more natural form of aristocracy - within - democracy than rock ever has.
Dinish is
well at home with the GOP crowd «For there is no faithfulness
in their mouth; their inward part is very wickedness; their throat is an open sepulchre» (ps.5: 9), but God is «not a God that hath pleasure
in wickedness» (ps.5: 5) and so although Dinish and by extension the GOP don't care who they hurt with their lies and behind the
scenes dirty tactics like that silly
film, they are cautioned not to include the name of God
in their wickedness.
There's a
scene in the
film where Krasinski's character and Emily Blunt's character (who are husband and wife
in the
film as
well as real life), share a romantic moment together as they both wear one earbud, and listen to a song — JUST LIKE JIM AND PAM DID.
In short, says Brooks, they wanted to make sure they didn't get another Days of Thunder, the much - reviled (at least in racing circles) 1990 Tom Cruise film, which featured, among other cinematic inventions, scenes of Robert Duvall as a good - ol» - boy team owner who assembles stock cars in a bar
In short, says Brooks, they wanted to make sure they didn't get another Days of Thunder, the much - reviled (at least
in racing circles) 1990 Tom Cruise film, which featured, among other cinematic inventions, scenes of Robert Duvall as a good - ol» - boy team owner who assembles stock cars in a bar
in racing circles) 1990 Tom Cruise
film, which featured, among other cinematic inventions,
scenes of Robert Duvall as a
good - ol» - boy team owner who assembles stock cars
in a bar
in a barn.
Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a
good weasel
in a bathtub
scene), actual theatre screenings of my favorite
film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)
Black Panther's fight
scenes are
better than
in other Marvel
films, but they're still a disappointment from the maker of Creed.
The
film's soul, however, belongs to Patinkin, a great actor who even
in his most stubborn
scenes never fails to instill Saul with the
best intentions; a dad just looking to do right by his kids with the only handbook available to him.
Days of Heaven, which brought Malick the
best director award at Cannes
in 1979 and is arguably his finest
film, is being reissued
in a new print that does justice to Néstor Almendros's magnificent cinematography drawing on the paintings of Winslow Homer, Andrew Wyeth, Edward Hopper and (
in one
scene of a religious ceremony
in wheat fields) Jean - François Millet.
Already revered for his obnoxious turns on The Daily Show and Anchorman, among others, Carell proves himself a genuine leading man, somehow maintaining Andy's
good - hearted dignity under extreme circumstances (
in the
film's most emphatic gross - out
scene, a drunken pickup vomits on him after a death - defying drive, then says she'll still have sex with him if he wants, which... he doesn't).
It also has one of the
best scenes in all of the Star Trek
films when Lily and Picard argue over blowing up the Enterprise and he gives his fantastic we draw the line here speech.
Quote honestly, this is a
film that has gotten much
better with age
in my opinion, due to the fact that you can see how far we've come as a society since these events and how differently the drug
scene has altered through the years.
The
film did a
good job of tying up the loose ends left
in the
film series and although some
scenes require your complete attention to be understood, even a non-book reader can understand all the things that have led up to this conclusion.
Another factor is that the trailers and other advertisements leading up to the release of the
film already show you the climaxes of the
best scenes, from the aforementioned traffic jam, the zombie horde working
in unison to scale a great wall, as
well as jumping onto helicopters that foolishly get too close.
At least, they could have
filmed this
in somewhere
better to view, instead of such a drap
scene after
scene.
The image is clear and possesses a noticeable layer of
film grain
in many
scenes, and the image detail is
better than expected.
The
film's two major
scenes of military conflict — the battle of Gaugamela, where Alexander's force of 40,000
bested the Persian King Dariussd III's 250,000 - strong army, and a third - act forest routing
in India — are given short shrift and photographed
in that jittery «you are there» un-StediCam-style that renders the action impenetrable.
Gosling and Dunst's low - key chemistry
in these early
scenes hint at the
film that All
Good Things might have been had it bothered to ground itself
in the specifics of the Marks» romance.
Of course, there is pleasure
in talky
scenes à la Tarantino, but this Korean
film, directed by Kim Ki - Duk, driven by body language and nuance, does so
well without them.
Well the
film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked
better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human
scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus
in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the
film changed gears, I just thought it would have been
better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay
in the doco style, it could have worked, no?
But the
film's
best scenes — including a haunting moment on the beach and a weirdly poignant encounter with a disfigured potential victim — also suggest a dawning moral awareness
in the femme fatale.
I don't know what the
best action
scene is
in the
film.
I'm pretty sure it would still be one of the
best films of the year if the explicit lesbian sex
scenes were censored, but it wouldn't earn a penny
in Peoria.
He's so
good at engendering your sympathy that one might yearn for a bit more mustache
in his performance, but that would fundamentally alter the
film's affecting final
scenes back
in Oakland.
Many of the
scenes throughout the
film contribute little to the overall narrative, but were obviously kept
in for a reason, and a commentary or two could
well have been a fascinating supplement to the movie proper.
The
film's earliest
scenes are its
best, the most concrete and precise, including the first
scene of Burdon and his wife
in their suburban kitchen.
I guess reading the book before watching the
film would help
better explain some of the
scenes in the
film.
His fateful encounter with Voldemort and his snake, witnessed from behind a frosted glass door, is perhaps the
best scene in the whole
film.
There are some
good scenes and moments, mind you — the
film coheres somewhat
in the back half, and there's a
good 30 - 40 minutes where you can happily lose yourself — but not enough to shake the idea that Jackson has gone back to Middle - earth out of habit.
What we have
in the misbegotten mess called Kings is a
film of countless
good intentions — one that starts going bad
in its first
scene, gets worse form there and then dissolves into pure chaos.
There is a
scene where Gonzalez, the youngest member of the cast, delivers the most emotionally raw moment
in the
film, and it is gut - wrenching
in the
best way (think Hiro's «I'm satisfied with my care» moment
in «Big Hero 6,» times infinity).
The interacting with Killmonger and the secondary character and the final few
scenes that he and T'Challa get to spend together are honestly some of the
best moments from any of these
films in a very long time.
There are some gruesomely
well - orchestrated
scenes of body horror (one particular dissection is nightmarishly staged) and Garland's knack for gonzo imagery ensures that many
scenes in the
film will make a lasting impression.
It is both the source of her frustration — her struggles to speak up and assert herself
in the
film's earlier
scenes — as
well as a secret strength: She understands the language of this world, and watching her slowly take command is stirring.