Sentences with phrase «best scene of the film»

In fact, the best scene of the film includes one particularly effective torture scene, with the irony being the torture is only heard; yes, the best scene in the film takes place offscreen.

The best scene of the film, by far, involves a tracking long take from a horizontal viewpoint as Marina walks screen left.

Soon enough, Max has moved into an assisted - living facility and the best scenes of the film find him re-discovering life with the likes of Rance Howard, Lee Weaver and Mort Sahl.

The best scene of the film involves Jenkins receiving two letters from Margo Martindale's now deceased character.

J Quinton Johnson also excels as the young Marine charged with accompanying the gentlemen, and the best scene of the film features Cicely Tyson as the mother of a long ago fallen soldier who crossed paths with the three leads.

Not exact matches

The film also provides a good introduction to the Cloak of Levitation who is a scene - stealer once again in «Infinity War.»

Mad Max rode a winning streak in several technical and behind - the - scenes categories to score six Oscar statues last night, though the film ended the night shut out of most of the show's major categories, such as Best Picture and Best Director.

I do think Stillman is aware of most of these downsides, but in any case, his film convinced me that there was more to that scene than we might think, namely, that at its best, it sought and to some extent achieved a more natural form of aristocracy - within - democracy than rock ever has.

Dinish is well at home with the GOP crowd «For there is no faithfulness in their mouth; their inward part is very wickedness; their throat is an open sepulchre» (ps.5: 9), but God is «not a God that hath pleasure in wickedness» (ps.5: 5) and so although Dinish and by extension the GOP don't care who they hurt with their lies and behind the scenes dirty tactics like that silly film, they are cautioned not to include the name of God in their wickedness.

Vancouver is one of the best film taking place and has flourishing arts, theatre and music scenes.

In short, says Brooks, they wanted to make sure they didn't get another Days of Thunder, the much - reviled (at least in racing circles) 1990 Tom Cruise film, which featured, among other cinematic inventions, scenes of Robert Duvall as a good - ol» - boy team owner who assembles stock cars in a barn.

Fast forward to today, and DigiSpecMedia have recreated the film, scene - by - scene (or as good as given limitations) using Assetto Corsa «s new Dream Pack 1 content, which just so happens to include the McLaren P1 and the ribbon of tarmac infamously known as the Green Hell.

While the film makes the point that the children are exposed to advertising, the scenes of these families seem to say that working - class people just can't make good food choices or get exercise.

The script of the film stays the same but the director — the histone mark — can choose to eliminate, slow down or speed up certain scenes or dialogues, altering the film for better — cancer cell death — or worse — cancer cell survival.»

Then, over phone calls, not so average first dates of midnight showings of «The Big Lebowski» (Lord knows I love a good weasel in a bathtub scene), actual theatre screenings of my favorite film «Gone with the Wind» accompanied by my most adored meal out — diner grilled cheese with a milkshake (Yes, really.)

Here's one of the best scenes from the first film, when Mark Darcy and Daniel Cleaver fight it out over Bridget.

Black Panther's fight scenes are better than in other Marvel films, but they're still a disappointment from the maker of Creed.

Days of Heaven, which brought Malick the best director award at Cannes in 1979 and is arguably his finest film, is being reissued in a new print that does justice to Néstor Almendros's magnificent cinematography drawing on the paintings of Winslow Homer, Andrew Wyeth, Edward Hopper and (in one scene of a religious ceremony in wheat fields) Jean - François Millet.

Derivative, formulaic and clichéd action film, Bullet to the Head is a bland movie that fails to grab your attention due to a lack of originality, good performances and well executed action scenes.

It's one of the film's best scenes.

It also has one of the best scenes in all of the Star Trek films when Lily and Picard argue over blowing up the Enterprise and he gives his fantastic we draw the line here speech.

Also unlike Hollywood's current slate of animated films, this one is decidedly less for adults and geared more toward a young audience, as most scenes depict the childish adventures of Ponyo (voiced with high - pitched glee by Miley Cyrus's little sister Noah) and her new best friend.

The film did a good job of tying up the loose ends left in the film series and although some scenes require your complete attention to be understood, even a non-book reader can understand all the things that have led up to this conclusion.

Another factor is that the trailers and other advertisements leading up to the release of the film already show you the climaxes of the best scenes, from the aforementioned traffic jam, the zombie horde working in unison to scale a great wall, as well as jumping onto helicopters that foolishly get too close.

At least, they could have filmed this in somewhere better to view, instead of such a drap scene after scene.

The image is clear and possesses a noticeable layer of film grain in many scenes, and the image detail is better than expected.

Not only do you get more pie with this longer cut of the film but there are also some surprisingly good deleted scenes (touching rather than funny).

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!

The film's two major scenes of military conflict — the battle of Gaugamela, where Alexander's force of 40,000 bested the Persian King Dariussd III's 250,000 - strong army, and a third - act forest routing in India — are given short shrift and photographed in that jittery «you are there» un-StediCam-style that renders the action impenetrable.

Gosling and Dunst's low - key chemistry in these early scenes hint at the film that All Good Things might have been had it bothered to ground itself in the specifics of the Marks» romance.

Of course, there is pleasure in talky scenes à la Tarantino, but this Korean film, directed by Kim Ki - Duk, driven by body language and nuance, does so well without them.

The key scenes might be better staged and photographed, but like the second trilogy of «Star Wars» films, new and improved isn't necessarily better.

The best scene revolves around a conflict with a kinetic structure on an office desk which, like the film, is a lot of seemingly random motion with no apparent purpose other than distraction.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

He can barely hide his anger at Ira & Christine's presence, as well as Ira's apparent wealth (unfortunately this is the beginning and end of the film exploring class tensions between the two couples), making his presence add a slight amount of unease to some scenes.

There are rumors circulating about an extended director's cut, an R - rated cut, all sorts of cuts of this film that will «restore» all the sequences and scenes left on the cutting room floor and make the choppy, helter - skelter nature of the film flow better and make more sense.

One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something

I'm pretty sure it would still be one of the best films of the year if the explicit lesbian sex scenes were censored, but it wouldn't earn a penny in Peoria.

It is a measure of the shortcomings of this genial, well - meaning but ultimately unenchanting film that scene after scene is stolen by the second bananas.

There's a terrific scene where he confronts that battle physically as well as mentally — and it is the heart of the film.

Many of the scenes throughout the film contribute little to the overall narrative, but were obviously kept in for a reason, and a commentary or two could well have been a fascinating supplement to the movie proper.

The film's earliest scenes are its best, the most concrete and precise, including the first scene of Burdon and his wife in their suburban kitchen.

I guess reading the book before watching the film would help better explain some of the scenes in the film.

There are some good scenes and moments, mind you — the film coheres somewhat in the back half, and there's a good 30 - 40 minutes where you can happily lose yourself — but not enough to shake the idea that Jackson has gone back to Middle - earth out of habit.

What we have in the misbegotten mess called Kings is a film of countless good intentions — one that starts going bad in its first scene, gets worse form there and then dissolves into pure chaos.

There is a scene where Gonzalez, the youngest member of the cast, delivers the most emotionally raw moment in the film, and it is gut - wrenching in the best way (think Hiro's «I'm satisfied with my care» moment in «Big Hero 6,» times infinity).

The interacting with Killmonger and the secondary character and the final few scenes that he and T'Challa get to spend together are honestly some of the best moments from any of these films in a very long time.

It changes it up and shows you behind the scenes of every cheesy cliche horror film ever made, and it does it very well.

There are some gruesomely well - orchestrated scenes of body horror (one particular dissection is nightmarishly staged) and Garland's knack for gonzo imagery ensures that many scenes in the film will make a lasting impression.

It is both the source of her frustration — her struggles to speak up and assert herself in the film's earlier scenes — as well as a secret strength: She understands the language of this world, and watching her slowly take command is stirring.