Sentences with phrase «best scenes from the movies»

PS: We added the best scenes from the movies when we could to save you time!

Not exact matches

He saw that some people were doing well by reconstructing scenes from the Transformers movie with actual toys.

Leon, Lilly and little Orson Mackey are using all the boxes in their house to recreate scenes from classic movies, and it's just the best...

The way many of us view the death of Jesus on the cross is like some poorly scripted «Good Cop, Bad Cop» scene from a crime thriller movie, except now it is «Good God, Bad God.»

It seemed to me that some of the best scenes in the movie were those that were deleted from it, particularly a candidly outspoken scene in which Elastigirl, or Mrs. Incredible, defends her role as a «homemaker» against the crassly reasoned criticisms of an obnoxious feminist career woman.

Universal Studios Hollywood Theme Park Where else can you go behind the scenes of a real working movie studio and sets from famous flicks; experience some of Hollywood's best blockbuster movies with incredible immersive thrill rides and shows; and sidle up to a few super-cool movie characters like Shrek and Beetle Juice?

Still, it's way better than that one kinda similar scene from the movie Driven...

You can judge for yourself in the tabloid's online photo gallery of Ashley from the movie (they're pretty tame, nothing like the «very good shower scene that alone is worth the money» Francis describes).

well my name is lee new to the area from newyork I'm a opeanminded guy looking for a opeanminded women I'm a sales manger at a publishing company I love to have fun on my off time I shoot pool bowling sports movies bar scene just love to leave life to the fullist if you trying to meet email me

Deanna quickly becomes accepted by both her daughter and her sorority friends, a well - chosen squad (the great Allison Jones cast the movie) that includes Gillian Jacobs («Love,» «Community»), who's so good and offbeat here that she actually steals scenes from McCarthy.

From the opening scene where Anthony, played by Luke Wilson is escaping from a mental hospital with the aid of his best friend Dignan, played by his brother and co-writer Owen Wilson, we know this movie is out thFrom the opening scene where Anthony, played by Luke Wilson is escaping from a mental hospital with the aid of his best friend Dignan, played by his brother and co-writer Owen Wilson, we know this movie is out thfrom a mental hospital with the aid of his best friend Dignan, played by his brother and co-writer Owen Wilson, we know this movie is out there.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchGood: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchgood movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

I like Lawrence's performance best when she actually gets to do some spy stuff, like in a centerpiece scene that feels flown in from a different movie, in which Dominika cultivates a boozy senatorial staffer played by Mary - Louise Parker (making the absolute most of a little).

(Or maybe it wasn't so skewed — as we see from some of their vintage home movies, their apartment gave a good view of the World Trade Center circa 2000, scene of the century's most cinematic catastrophe.)

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

Because of his well - developed eye for composition and fixation on spaces - within - spaces, Anderson occasionally produces images charged with a kind of pulpy, B - movie poetry, like Soldier's scenes of Kurt Russell skulking around a trash - strewn wasteland or the endless, grid - like forest from Mortal Kombat.

He does well to capture the dynamic between Vince and Reese's characters in the movie, from the first scene we understand completely as to who these two are.

The defense mechanisms used by Oliver to keep himself emotionally disengaged from Jordana (most keenly revealed in one of the movieâ $ ™ s best scenes, where Oliver compulsively finds excuses not to accompany her to the hospital to visit her dying mother), are echoed in the distancing tactics used by Ayoade in the movie itself.

That's our convoluted way of saying that The A.V. Club looked both high and low for the best scenes of 2015, culling from a whole spectrum of films — some likely to appear on this week's best - movies - of - the - year list, others unlikely to appear on any such list, and at least one certain to get called out in our public shaming of the year's worst movies.

Scenes jump from one to another without any rhyme or reason and a good portion of the scenes could be completely left out of the movie being that that add absolutely nothing to the character or plot development nor are they Scenes jump from one to another without any rhyme or reason and a good portion of the scenes could be completely left out of the movie being that that add absolutely nothing to the character or plot development nor are they scenes could be completely left out of the movie being that that add absolutely nothing to the character or plot development nor are they funny.

It still does the things big superhero movies are meant to do - right down to the post-credit scenes suggesting the good doctor has an appointment with the forthcoming Thor: Ragnarok directed by whatshisname from down the road - but it's spectacular, refreshing and enjoyable in its own way.

Despite the life - or - death stakes, this is a funky feel - good movie studded with physical comedy from a surprisingly cute creature, and genuinely exhilarating car chase scenes that employ the eponymous monster trucks with whimsy and verve.

The action parts of the movie were as good as previous parts of the series, and a step up from Mockingjay part 1, but I did feel as though there were lots of filler scenes where the characters moped around a bit and lamented over who Katniss would pick from their odd little love triangle.

It's surprising to find a movie as major as this with neither audio commentary nor deleted scenes, especially given Sonnenfeld's tracks on the first two movies and the undoubtedly well - supplied cutting room floor that must have resulted from the film's reshoots.

The movie is not good and will disappear from the awards scene rather quickly.

The movie is good, and it is surprising how different the cut - scenes are from the actually movie.

The best one can usually hope for from a Marvel movie heavy are fun or interesting qualities: the sardonic humor of Tom Hiddleston's Loki or Sam Rockwell's Justin Hammer; the one - scene menace of Michael Keaton's arms - dealing Vulture; the Machiavellian scheming of Daniel Brühl's Zemo.

Kidman is also good in parts (one scene she's actually pretty great) but occasionally feels like she's from a different movie completely.

The sex scenes have the calculated, controlled dynamics of Madonna's best videos, while the remainder of the movie — mostly flaccid courtroom drama involving the heroine's murder trial for using her body as a weapon against a man she's just inherited $ 8 million from, with Dafoe as her defense lawyer — chiefly comes across like daytime TV reruns.

From the tightly scripted dialogue — by turn sharp, harrowing & funny and without an ounce excess on its bones — to the beautifully melancholic score by Carter Burwell and the powerhouse performances from a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back cataloFrom the tightly scripted dialogue — by turn sharp, harrowing & funny and without an ounce excess on its bones — to the beautifully melancholic score by Carter Burwell and the powerhouse performances from a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back catalofrom a cast who've never been better, I fell in love with the entire movie, with every single breath - taking, nauseating, alarming, disturbing, uplifting scene, a fact made slightly more unusual given that I've tried — and failed on repeated occasions — to watch and enjoy Martin McDonagh's back catalogue.

I just think that whilst accepting that movie «adaptations» are always going to be different from a book, that certain scenes should never be touched or messed around with, and the scenes I have mentioned above should have been left well alone.

Aside from a couple of things not being explained well, mostly involving the final scene of the movie, as well as a rather horrible green screen effect used towards the end, there isn't anything else negative to say about Youth.

The argument could be made, really, that he's unsympathetic from his first scene, although the movie does a good job convincing us that Connie has the best intentions at heart, even though it doesn't have him state his motives at all.

You ever do that, where you just give out one quote, then someone else feels compelled to come up with a better quote from the same movie, and soon enough you've re-enacted the entire film, scene - by - scene for your own amusement?

While the actual teaser focused on Deadpool giving his best Bob Ross impersonation, complete with happy clouds and trees, we did get a brief collage of footage from the actual movie, snippets and all - too - brief looks at various characters and scenes of the film.

And the appearance of a certain character at the very end of the movie struck me as a well - intentioned attempt to include a significant idea from the book that ultimately left the final scenes slightly overstuffed.

If such scenes were a vector for more than pithy line readings, this would probably be more forgivable, but the movie finds its best humor in the friction grinding out from the idiosyncratic relational three - way between Krystal, Donny and Andy.

As well, you can take a peek at composer Harold Arlen's home movies, outtakes and deleted scenes, special effects sequences, the 1938 MGM short From the Vault: Another Romance of Celluloid: Electrical Power, the 1939 newsreel Cavalcade of Academy Awards, the 1939 trailer Texas Contest Winners, audio vault, the radio promo Leo Is on the Air, the 1939 radio show Good News, the December 25 1950 Lux Radio Theater broadcast, and stills galleries.

It's probably a loser's game to ask for better craftsmanship from a movie like Tower Heist, but even crowd - pleasing big - budget comedies would seem to owe both of their top - billed actors a final scene.

At just 90 minutes, A Quiet Place is brisk, but it's also patient; this is one of those monster movies that builds tension from the absence of the monster, at least until the full - bore, unbroken set - piece of the second half, when all the stillness and pregnant pauses give way to an extended riff on the best scenes in Jurassic Park.

The muse for the character of Danny (played by Manchester by the Sea's Lucas Hedges), a skinny kid with a good singing voice from an upper - middle - class Irish Catholic family, was Gerwig's high school boyfriend, Connor Mickiewicz, who remembers making out with her in the McKinley Park rose garden, inspiring a key scene in the movie.

Five deleted scenes (13:55) show us more of the shambles of grown - up Donny's life (getting fired from his hot tub salesman job, calling old talk show hosts) and a better look at the Ian Ziering / Alan Thicke 1980s movie of the week, in addition to extending two surviving scenes.

Sunday evening's MTV Movie Awards debuted a new action scene from May's Captain America: Civil War, and Cap, the Falcon, the Scarlet Witch and Redwing look like they're a well - oiled Avenging machine.

That's why, every year, The A.V. Club finds room not just to count down our favorite whole films but also to highlight the strongest standout, stand - alone scenes — some of them pulled from those aforementioned best movies of the year (which we'll unveil later this month), others most definitely not.

It only gets better from there, throwing us right into a crucial scene in the movie, where we see these actors as their Vietnam counterparts.

Fantastic special effects and plentiful debris aren't enough to make a good movie, and while the many scenes of destruction are certainly eye popping, they are a far cry from making the ineptitude of the rest of this action - drama remotely interesting.

Don't forget to check out today's post of the Best Official Movie Posters of 2013, and also our posts from earlier in the week with Joey Magidson's picks of the Best Performances of 2013 (for both actors and actresses) and his picks for the Best Scenes of 2013 as well.

There is an alternate opening as well as an alternate ending, a gag reel, a great line - o-rama bit where the actors riff a line until they find the best one, and several additional scenes from the show - within - the - movie, Sarah Marshall's «Blind Medicine.»

Behind the Scenes of Jersey Girl (16 minutes) is a making of featurette which features clips not only from Jersey Girl, but from Smiths other movies as well.

Despite having the underrated Michael Jai White as Spawn, the movie suffers from having an incoherent plot and perhaps too ambitious a verve for its own good, not least because the»90s CGI was clearly not ready for the Hell scenes.