Don't waste time worrying that you overused a certain word or type of word until your alpha or
beta readers point it out or you yourself are bothered by it when reviewing your manuscript after a break.
Not only do
beta readers point out errors your tired eyes will gloss over, but they are important for weighing clarity, consistency, pacing, timing and credibility.
(Among many other problems
my beta reader pointed out) You really need to get a few people to look at your novel while you are editing to make sure you are writing what you THINK you are writing.
Not exact matches
Sure, someone may
point out overused words or grammatical misfires, but what you really need from
betas at this stage in the publishing process is to
point out those areas of your book that aren't serving the
reader.
This article hits so many
points head on regarding
beta readers!
If we get feedback from an in - depth
beta reader or a developmental editor that
points out several big issues, we might get discouraged.
I usually can't see issues until someone
points them out, so I desperately depend on my
beta readers to help me with that.
If your work suffers from poor grammar, a good
beta -
reader will politely decline and
point out that your story might have merit, but it should be edited for grammar first.
Depending on the kind of book I've written, at the
beta read stage, I'm looking for
readers to
point out content issues — anything that's not clear, for example.
September 15, 2015 Jami Gold Writing Stuff advice for writers,
beta reader, character flaws, editors, feedback, Ironclad Devotion, Jami Gold, Learn about Writing, listening to characters, organized, paranormal author,
point of view, Pure Sacrifice, risk, subtext, Treasured Claim
The
point of acquiring
beta readers is to garner information that will help you write a better book.
That was exactly my
point in the post I did with the tips for being a better
beta reader, so I completely agree that
beta readers should always give a reason why.
Beta Readers can be very helpful in
pointing this out.
I like all the tips and good vs bad
points for
beta readers you have given.
Chuck
points out that posting your work online and using the experience to level up your writing is all well and good, as long as you're not expecting
readers to pay for the privilege of being your
beta readers.
Great blog, Jami, but I'm going to disagree on the
point of a
beta reader.
Although it may not be mandatory, the ethical
beta reader should also try to
point out positives in their feedback.
June 23, 2016 Jami Gold Writing Stuff advice for writers,
beta reader, critique partners / groups, drafting, editing, feedback, grammar, guest posts, Jami Gold, Julie Glover, Learn about Writing, pacing, paranormal author, perfectionism,
point of view, professionalism, risk, self - doubt, voice
These four
points can be helpful to consider before sending your manuscript to
beta readers:
At this
point, I knew there was little more I could do on my own and with the honesty and encouragement of my friends, family, and
beta readers.
February 23, 2016 Jami Gold Writing Stuff advice for writers,
beta reader, cause and effect, drafting, editing, feedback, genre, information dump, Jami Gold, Learn about Writing, listening to characters, Mary Buckham, pacing, paranormal author,
point of view, scenes and sequels, setting and description, tension, voice
However, I'm thankful for the nice
beta reader I met on one of your blog posts, and to make it easier for her, I plan to only ask her to
point out confusing sentences, character inconsistencies, and plot holes.
Usually,
beta readers look at the story from a
reader's
point - of - view and tell you what they enjoyed and didn't like about it.
Many of my
beta readers aren't in my genre, and I appreciate when the ones who are
point out something the others would have never thought of.
The
point she made that resounded most with me is this: If I want quality
beta readers, I'd -LSB-...]
Jen: Sure,
beta readers are essentially
readers that when you have a completed draft of your novel that you feel you have reached a
point where you can't really make any more changes knowledgeably but you don't think you are ready for an editor yet, then
beta readers are, sometimes they are professionals, I do it professionally myself and I know there are other people who offer it as a service, or there are a lot of fellow writers out there who will do it for you in exchange for a
beta read of their novel.
At this
point I usually publish anyway, or ask
beta readers to help me get rid of the typos — however because I'm focusing on publishing quickly, my books often launch with typos and I try to clean them up later.
Beta readers will often
point them out.
Allow time to find a willing
reader and receive feedback during our
beta read or developmental edit stage so we're still at the
point of being willing to make big revisions.
Beta readers will
point out structural issues and problems this exercise has easily identified or they may know that there is a problem but don't understand it.
I am taking it as a work in progress and a very
beta reader at this
point, however, and expect the IDPF and it's partners to put the work into that it needs to be a first - rate reading platform.
My last test will be to see if the
beta readers can tell at which
point in my book I stopped typing and started speaking, but I don't believe they will be able to tell.
Others have
pointed out that after writing several books and running arcs past
beta readers, they don't need developmental editing.
A genre - knowledgeable
beta reader can
point out the weaknesses in a story very quickly and easily because the
beta reads as a
reader, not an editor.
1 Structure, Plan and Write 1.1 Turning Real Life Into Fiction 1.2 Kurt Vonnegut on the The Shapes of Stories 1.3 The 12 Key Pillars of Novel Construction 1.4 Plot Worksheets to Help You Organize Your Thoughts 1.5 The Snowflake Method For Designing A Novel 1.6 Seven Tips From Ernest Hemingway on How to Write Fiction 1.7 Study the Writing Habits of Ernest Hemingway 1.8 Making Your Characters Come Alive 1.9 Vision, Voice and Vulnerability 1.10 10
Points on Craft by Barry Eisler 1.11 Coming up with Character Names 1.12 Using the Right «Camera Angle» for Your Writing 1.13 The Art of «Layering» in Fiction Writing 1.14 Weaving Humor Into Your Stories 1.15 On Telling Better Stories 1.16 The 25 Best Opening Lines in Western Literature 1.17 6 Ways to Hook Your
Readers from the Very First Line 1.18 Plot Development: Climax, Resolution, and Your Main Character 1.19 How to Finish A Novel 2 Get Feedback 2.1 Finding
Beta Readers 2.2 Understanding the Role of
Beta Readers 2.3 Find
Readers By Writing Fan Fiction 2.4 How Fan Fiction Can Make You a Better Writer 3 Edit Your Book 3.1 Find an Editor 3.2 Directory of Book Editors 3.3 Self Editing for Fiction Writers 3.4 The Top Ten Book Self Editing Tips 3.5 Advice for self - editing your novel 3.6 Tips on How to Edit a Book 4 Format and Package Your Book 4.1 The Thinking That Goes Into Making a Book Cover 4.2 Design Your Book Cover 4.3 Format Your Book 4.4 Choosing a Title for Your Fiction Book 5 Publish 5.1 A Listing of Scams and Alerts from Writers Beware 5.2 Publishing Advice from JA Konrath 5.3 How to Find a Literary Agent 5.4 Understanding Literary Agents 5.5 Association of Authors» Representatives 5.6 Self - Publishing Versus Traditional Publishing 5.7 Lulu, Lightning Source or Create Space?
Very good to
point out how both
beta readers and editors can help authors in general.
Honestly, you've just proven my
point that most people don't understand what
beta readers do.
So this book, the successful Author Mindset, which is the non-fiction I've just finished — a lovely
reader, author friend emailed and said, «I've got a degree in psychology; I'd love to
beta - read this for you from a psychology
point of view,» and I'm like — yes.