Sentences with phrase «better slasher»

There's a good film here, one that is very underrated and is actually one of the better Slasher films of the early 80's.

Mother's Day is one of the better Slasher gems of the 1980's and genre fans owe it to themselves to hunt this one down.

Together we walk through the five best slashers in cinematic history, but first we had a couple of arguments to settle.

It's hard to talk about what some of the best slashers are in the past ten years with any genre fan without someone mentioning the french film Inside.

We love a good slasher flick here at Dark Universe, and director Johannes Roberts» The Strangers: Prey at Night is one of the latest horror movies...

John Carpenter «s Halloween is generally regarded as one of the best slashers of all time, and for good reason.

Help each other when needed but always show them who is the best slasher!

Not exact matches

Oladipo is quicker / slasher where Jrue might be better on D.

My own message to Left - wingers who think Conservatives are slashers - and - burners (as well as hangers - and - floggers) starts like this:

When not indulging in slasher - flick stylistics, Jarecki and DP Michael Seresin give All Good Things an icy, washed - out color palette, full of dull boardroom grays and the cool blues of a darkened, moonlit apartment.

It's probably the most light - hearted slasher / horror movie I've ever seen, and there's a mix of stoner comedy in here, as well.

Be forewarned, there's a lot of blood and severed bod parts in this one... «The Cabin in the Woods» mixes humor and gore well to put a fresh, if not twisted, take on the prototypical slasher movie.

Hider in the House is a well - made and produced but ultimately unsatisfying and formulaic slasher thriller.

This is a demented slice of early 80's Slasher cinema that is well done.

Overall, this is a sloppy sequel to a good little low - budget Slasher.

Well - crafted, eerie, thinking man's slasher flick, about a dysfunctional devout Catholic family under attack from an unknown assailant.

I played this at the MCM Expo & I thought it was quite good actually — However, I should probably note that I do quite like my hack «n» slashers & I was only playing in short bursts (due to playing at the expo), so I would say that the review is pretty spot on tbh.

It goes hand - in - hand with the Nixonian westerns littering the popular culture in the new millennium; no surprise to me that this administration — and the attendant feeling of paranoia and cynicism befouling our air — encourages this kind of revisionism, and really, who better than Zombie to helm an update of Carpenter's seminal slasher?

His uncompromising love for dubious and morally ambiguous characters is present, sparked with some female sensuality and a good serving of slasher film flavor.

Wes Craven's 1996 meta - slasher Scream may very well have brought about a resurgence of horror in what was a rather stagnant,...

The plot of this low budget 1989 slasher flick is... well... it's Halloween with a few absurd additions.

Leatherface was directed by Julien Maury and Alexandre Bustillo, the duo behind the slasher masterpiece Inside (À l'intérieur), as well as Livide and Among the Living.

Good performances and a handful of masterfully - crafted scares allow it to work as an above - average slasher flick.

• «HONEYSPIDER gives us the movie within a movie «Sleepover Slaughterhouse Part 3, ″ which is probably the best parody of the 80s slasher genre I've ever seen.»

They mix with the characters - doomed counselors at a summer camp menaced by a masked slasher - and wonder if they are doomed as well.

What I saw was a very funny comedy that has a good take on the tropes of slasher films, but also a movie that has a really effective core about dealing with difficult family trauma.

The movie centers on Max (Taissa Farmiga), a young woman desperate for a deeper connection with her mother (Malin Akerman), a failed actress best known for her role as the «shy girl with guitar and clipboard» in a 1980s slasher classic.

Being dull as dishwater is only the first crime of Ulli Lommel's The Boogeyman (1980), a pass by a Fassbinder protégé at American slasher flicks of the late»70s (Halloween especially, but also The Amityville Horror, Carrie, and The Omen) that produces predictably pretentious results without the pang of brilliance accompanying many of the films of Lommel's betters.

Never at risk of becoming staid, indie distributor of the moment A24 returns to the weirdo Swiss Army Man well for this pizza - delivery slasher movie, starring hip - hop artist and Chicago hometown hero Chance The Rapper.

If only slightly rewritten and recut, the film could very well have been a slasher movie — but from the slasher's point of view.

Interestingly, Olivia Hussey's casting is a bit of an homage as well, as she appeared in what many consider to be the first of the slasher flick genre that Psycho inspired, Black Christmas.

Ryuhei Kitamura — director of the action - packed Japanese zombie film Versus, as well as Alive, Godzilla: Final Wars, Lionsgate's Clive Barker adaptation of The Midnight Meat Train, and WWE's slasher No...

What happened to the good old days of having a psycho slasher appear out of the woods without cynical teenagers treating Mr. Axe Murderer like a foddy teacher?

I think fans of the 80s slasher films will absolutely love this film and I think many will be shocked with how well the mother / daughter story works and the amount of heart it brings to the film.

by Walter Chaw Christopher Smith follows up his listless slasher - farce Severance with the handsome - looking Black Plague / witch - hunting flick Black Death — a well - played, well - conceived piece that's ultimately distinguished by a few sticky after - images, even as it doesn't quite get to where you hope it's going.

I was so excited to see this film because of the cast as well as the fun premise of being stuck in an 80s slasher film.

Some of the better digs at slasher conventions include putting a fresh spin on the «it's only a cat» cliché, as well as making the heavy - breathing serial killer (a young Richard Belzer, credited as Richard Brando) an asthmatic who has to climb long flights of stairs.

by Walter Chaw Although by the end it isn't nearly as interesting as it is clever, James Mangold's take on the slasher genre Identity is a tricky little beast that fits in peculiarly well with the recent trend of deconstructive horror films (such as The Ring and Soft for Digging).

Best horror movies, scary movies, slasher movie, Friday the 13th, The Shining, Freddy Krueger, Voorhees

This gag was used to much better effect in Joe Dante's Gremlins 2: The New Batch (where it was similarly adapted for VHS viewers), not only because the monsters had a good reason to stop the film (they are gremlins and it is the nature of gremlins to muck up mechanical things, quite unlike mad slashers, who should just want to slash people), but also because Dante built on the joke by filtering it through his uniquely off - beat sensibility.

So we've assembled our take on the 50 best horror films of the 21st century — the zombie - apocalypse tales, things - that - go - bump - in - the - psyche ghost stories, retro - slasher flicks, neo-giallo nuggets, J - horror, K - horror, French extreme and Hollywood franchise films that have spooked us, shook us and scared us shitless since 2000.

A longtime friend of Sam Raimi and Bruce Campbell, Spiegel co-penned «Evil Dead II» with the former and wrote and directed the 1999 direct - to - video «From Dusk Till Dawn» sequel as well as the low - budget ’89 supermarket - slasher «Intruder».

Though testosterone - charged, action movie fans will enjoy this the most, this cross-genre excursion should also please the science fiction crowd, as well as aficionados of horror, as its plot feels very much like a slasher film, though with much better technical specs and a more developed premise.

One of the better 1980s slasher movies to not -LSB-...]

You may feel cheated that the subtlety and tension of the first two acts culminates in what is effectively a slasher finish with a bit of God delusion added for good measure.

I think most of us are pretty big fans of Julien Maury and Alexandre Bustillo, the duo behind the slasher masterpiece Inside (À l'intérieur), as well as Livide and Among the Living.

One of the most compulsively watchable slasher relics looks better than ever on Scream Factory's packed Blu - Ray.

Hopefully Cuthbert will be onto bigger and better things now that she has done the obligatory slasher film, as she certainly proved herself worthy in TV's» 24».

Mary Elizabeth Winstead becomes a parallel to «the good girl» in the slasher flicks from the 1980s.

Things go meta, in the best traditions of Scream and Terry Gilliam's 12 Monkeys, once Jackie clocks in at her job at the local movie theater, where of course they are showing a slasher flick called Sleepover Slaughterhouse III, giving the real life filmmakers a fun opportunity to show off a very differently toned movie within the tightly wound world they have already created around Jackie.