Sentences with phrase «better aquatinted»

Not exact matches

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

The Hockney will be followed by three Alex Katz prints: two lithographs: Ann I (Est. $ 1,000 / $ 1,500) and Caroline ($ 700 / $ 1,000), as well as an unusual color spit bite and aquatint titled Beach Sandals, 1987 ($ 2,000 / $ 3,000) from an edition of 60.

Judd also explored screenprint techniques, sometimes using different techniques to generate the same shape, such as in the case of the parallelogram, which he used in his sculpture as well as in woodcuts, etchings, and aquatints.

Brice Marden produced several editions among them Focus I - V (1979), a portfolio of five etchings with aquatint on paper, as well as the After Botticelli series and the Han Shan series (1992).

Helen Frankenthaler Sunshine After Rain 1987 Etching, aquatint and drypoint in colors, on Fabriano paper, with full margins, I. 33 3/8 x 27 3/8 in (84.8 x 69.5 cm); S. 46 1/4 x 36 1/2 in (117.5 x 92.7 cm) signed, dated «87» and numbered 62/67 in pencil (there were also 8 artist's proofs), published by 2RC Edizioni d'Arte, Rome (with their blindstamp), minor soiling in the margins, otherwise in very good condition, framed.

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 9/46 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, with wide margins, in very good condition P. 8 3/4 x 19 5/8 in.

HELEN FRANKENTHALER A Page from Book III, from This is Not a Book etching, aquatint, mezzotint and stencil in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 20/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, pale time staining, traces of pale foxing, otherwise in good condition, framed P. 4 x 17 3/4 in.

In addition to popular favorites Francis Bacon, David Hockney, Alex Katz and Roy Lichtenstein, there is a selection of prints by Wayne Thiebaud featuring his iconic candies and treats, as well as two rare landscapes: Freeway Curve, color aquatint and etching, 1979 - 80 and River and Farm, color direct gravure with drypoint, 2002 ($ 6,000 to $ 9,000 and $ 3,000 to $ 5,000, respectively).

HELEN FRANKENTHALER Plaza Real (H. 139) soft - ground etching and aquatint, 1987, on Rives BFK, signed and dated in pencil, numbered 59/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., the full sheet, the palest mat staining, very minor soiling showing only in the margins and on the reverse, otherwise in good condition, framed P. 20 x 26 1/2 in.

HELEN FRANKENTHALER (b. 1928) Frankenthaler Deep Sun (Harrison 119) etching and aquatint in colors, 1983, on White St. Armand handmade, signed and dated in pencil, numbered «A.P. 13/16» (the edition was 54), with the Tyler Graphics blindstamp, with full margins, in very good condition, framed S. 30 x 39 in.

HELEN FRANKENTHALER A Page from a Book: I - III three etchings with aquatint in colors, 1997, on TGL handmade, all signed and dated in pencil, all numbered 11/60 (there were also 16 artist's proofs for all), all with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, all with full margins, very minor surface soiling, a few lightly skinned areas in the margins, one with a very pale moisture stain at the upper right margin edge, otherwise all in very good condition all P. approx. 4 1/8 x 18 1/4 in.

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

Helen Frankenthaler (1928 - 2011) Spring Veil etching, aquatint and drypoint in colour, 1987, Fabriano Rosaspina paper, signed and dated»87 in pencil, inscribed Bon à tirer, an impression aside from the standard edition of 51 (there were also eight artist's proofs), published by 2RC Edizioni d'Arte, Rome, printed by Vigna Antoniniana, Rome, with their blindstamps, in good condition, framed Image 233 x 355 mm., Sheet: 438 x 654 mm.

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 8/46 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with wide margins, the paper slightly attenuated, a small purple stain in the upper right margin corner (possibly inherent in the paper), remains of old hinges at the reverse of the upper margin corners, otherwise in very good condition P. 8 3/4 x 19 5/8 in.

Six of the seven offered lots by Hockney sold above or within their estimates, including the complete portfolio of Illustrations for Six Fairy Tales from the Brothers Grimm, 1970, with 39 etchings, some with aquatint, as well as an additional six etchings on handmade paper.

HELEN FRANKENTHALER Ochre Dust (H. 133) aquatint and lithograph in colors, 1987, on Rives BFK, signed and dated in orange pencil, numbered 35/44 (there were also 12 artist's proofs), with the Tyler Graphics Ltd. blindstamp, Mount Kisco, New York, the full sheet, a tiny crease at the upper left corner, otherwise in very good condition, framed S. 24 1/4 x 32 3/4 in.

On home page: Kerry James Marshall's Vignette (Wishing Well), 2010, color aquatint etching with collage.

Francisco Goya's Caprichos are probably the most famous aquatints, though some contemporary artists, like Alex Katz, often employ the aquatint technique as well.

The first room kicks off with a good «wow» factor from the overseas department of Honourable RAs - eight stunning Ellsworth Kelly lithographs, a bright, shaped - paper aquatint by Frank Stella, Rauschenberg, Tapies and Paladino.

Also noted for her fine pastels, as well as her prints, made using a variety of techniques including drypoint, aquatint, and etching.

Of the more than 40 paintings and aquatints gathered here, many depict that distinguished circle, as well as the iconic skyline where they changed the world.

HELEN FRANKENTHALER Soho Dreams; and Spring Veil (H. 124; and 125) two aquatints with drypoint (Soho Dreams also with etching) in colors, 1987, on Magnani and Fabriano, both signed and dated in pencil, numbered «AP IV / VIII» and «AP IV / XIII» respectively (apart from the editions of 71 and 51 respectively; Harrison calls for Spring Veil to have 8 artist's proofs), with the 2RC Edizioni d'Arte blindstamps, both with full margins, Soho Dreams with a few soft handling creases, Spring Veil with minor staining mainly on the reverse, otherwise both in good condition (2)

The three - color aquatint print, created during her first collaboration with Wingate Studio, employs larger patterns and blocks of color than the Jane's well - known microscopic dots of oil paint, allowing the viewer a sense of the structure behind her meaningfully configured compositions.

YELLOW SPAN (HARRISON 13) Color aquatint, 1968, signed, dated and numbered 50/75 in pencil, published by ULAE and with their blindstamp, minor foxing, discoloration and creasing in the margins, otherwise in good condition, with full margins.

Since then, they have attracted an impressive roster of emerging as well as internationally recognized artists — including Martin Puryear, Ross Bleckner, Hung Liu, Gary Simmons and Tauba Auerbach — who spend weeklong residencies at the Berkeley press, using centuries - old intaglio techniques (etching, drypoint, aquatint).

HELEN FRANKENTHALER (1928 - 2011) Pompeii Forte etching with aquatint in colors, on CM Fabriano Classico paper, 1976 - 82, signed and dated in pencil, numbered 3/5, published by Donn H. Steward, Halesite, New York, with his blindstamp, with full margins, in very good condition Image: 12 1/4 x 21 1/2 in.

HELEN FRANKENTHALER (1928 - 2011) Causeway, from Doctors of the World Collection etching and aquatint in colors, 2001, on wove paper, signed and dated in pencil, numbered 5/100, published by John Szoke Editions, New York, with full margins, in very good condition Image: 21 5/8 x 31 1/2 in.

Helen Frankenthaler (B. 1928) Soho Dreams (Harrison 124) etching, aquatint and drypoint in colours, 1987, on wove paper, signed and dated in pencil, numbered 68/71 (there were also eight artist»s proofs), published by 2RC Edizioni d'Arte, Rome, with their blindstamp, with full margins, in very good condition P. 400 x 476 mm., S. 648 x 780 mm.

Also on view is one of the artist's earliest screenprints, the 1986 «Blueberry Field,» as well as a portfolio of six aquatints called «Small Cuts» that Katz made in 2008 inspired by the early collages he made in the late 1950s.

Helen Frankenthaler (b. 1928) Ganymede (Harrison 69) etching with aquatint in colours, 1978, on Arches, signed, dated and numbered 15/49 in pencil, (there were also 32 proofs), published by Tyler Graphics Ltd., with full margins, a little soft creasing in the margins, otherwise in very good condition P. 260 x 165 mm., S. 570 x 420 mm.

HELEN FRANKENTHALER A Page from a Book II etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 38/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame P. 4 x 17 5/8 in.

HELEN FRANKENTHALER (1928 - 2011) La Sardana lithograph and sugar - lift aquatint in colors on Rives BFK paper, 1987, signed and dated in pencil, numbered 4/60 (there were also 12 artist's proofs), published by Ediciones Polígrafa, S.A., Barcelona, an area of pale discoloration below the subject, otherwise in good condition, framed Image: 27 1/2 x 18 7/8 in.

Amongst these selected works, one can admire engravings on fabric as well as drypoints, aquatints, and lithographs on paper that Bourgeois often enhanced with drawings.

Helen Frankenthaler (b. 1928) Sky Frame Orbit (Harrison 38) lithograph, etching and aquatint in colours, 1964 - 73, on pinkish - cream Arches paper, signed and dated in pencil, numbered 2/6 (there were also two artist's proofs aside from the edition), published by U.L.A.E, New York, with their blindstamp, with wide margins, the full sheet as published, a deckle edge to left and right, apparently in very good condition, not examined out of the frame L. 545 x 385 mm., S. 759 x 571 mm.

Helen Frankenthaler (B. 1928) La Sardana (Harrison 138) lithograph and aquatint in colours, 1987, on Rives, signed, dated and numbered 17/60 in pencil (there were also 28 proofs), published by Ediciones Poligrafa, S.A., Barcelona, with margins, apparently in very good condition, unexamined out of the frame L. 699 x 479 mm.

HELEN FRANKENTHALER A Page from a Book: Plate III etching with aquatint and pochoir in colors, 1997, on TGL handmade, signed in pencil, numbered «AP 13/16» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, small rubbed areas on and below the signature, hinged to the support in places at the reverse of the margin edges, otherwise in very good condition, framed P. 4 13/16 x 21 1/2 in.

HELEN FRANKENTHALER (B. 1928) Plaza Real (Harrison 139) etching and aquatint in colors, 1987, on BFK Rives, signed and dated in pencil, numbered 1/60 (there were also 12 artist's proofs), published by Ediçiones Poligrafa, S.A., Barcelona, with full margins, a scuff in the yellow, minor surface soiling in the upper margin, soft handling creases, otherwise in very good condition P. 20 x 26 1/2 in.

HELEN FRANKENTHALER A Page from a Book II, from This is Not a Book (not in Harrison) etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered «P.P. II» (a printer's proof, the edition was 60 plus 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, occasional soft rubbing in the margins, otherwise in good condition, framed P. 4 x 18 in.

HELEN FRANKENTHALER Frankenthaler Deep Sun (H. 119) etching and aquatint in colors, 1983, on White St. Armand handmade, signed and dated in pencil, numbered 52/54 (there were also 16 artist's proofs), with the Tyler Graphics blindstamp, with full margins, in very good condition, framed S. 30 x 39 in.

Adolph Gottlieb (1903 - 1974) Untitled (For the Benefit of Phoenix House) Etching with aquatint printed in black andyellow, 1972, signed and dated in pencil, numbered 78/125, published by Brooke AlexanderEditions, New York, on wove paper, with fullmargins, in good condition590 x 450 mm (23 1/4 x 17 3/4 in)

HELEN FRANKENTHALER A Page from a Book II, from This is Not a Book etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, otherwise apparently in very good condition, not examined out of the frame P. 4 x 17 5/8 in.

HELEN FRANKENTHALER Nepenthe (W. C. 41) etching and aquatint in colors, 1972, on Arches, signed and dated in pencil, numbered 22/50 (there were also 10 artist's proofs), published by John Berggruen Gallery, with full margins, extremely pale light - staining, a soft crease at the top right margin corner, mat staining on the reverse, otherwise in good condition S. 22 x 30in.

LA SARDANA Color soft - ground etching and aquatint, 1987, signed and dated in pencil, numbered 28/60, published by Ediciones Poligrafa, Barcelona, in good condition, with full margins.

ADOLPH GOTTLIEB (1903 - 1974) Untitled, for the Benefit of Phoenix House etching and aquatint in colors, 1972, on wove paper, signed and dated in pencil, annotated «Artist's Proof» (the edition was 125), published by Brooke Alexander Editions, New York, with full margins, minor surface soiling, vertical and horizontal lines of staining on the reverse (not showing through), otherwise in good condition, framed P. 23 1/2 x 17 3/4 in.

HELEN FRANKENTHALER Plaza Real (H. 139) etching and aquatint with soft ground in colors, 1987, on Rives, signed and dated in pencil, numbered 17/60 (there were also 12 artist's proofs), published by Editions Poligrafa, S.A. Barcelona, with full margins, a few faint surface scuffs in the lower subject area, otherwise in very good condition, framed P. 20 x 26 1/2 in.

HELEN FRANKENTHALER (1928 - 2011) Tiger's Eye etching, aquatint, lithograph, and screenprint in colors, 1987, on HMP handmade paper, signed and dated in pencil, numbered 39/56 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 18 3/4 x 22 1/8 in.

HELEN FRANKENTHALER (B. 1928) Pranzo Italiano (Harrison 44) etching and aquatint in colors, 1973, on White Fabriano, signed and dated in pencil, numbered 34/43 (there were also 3 artist's proofs), published by 2RC Edizioni d'Arte, Rome, with full margins, two pale foxmarks in the lower margin, moisture staining at the lower sheet edge (associated pale foxing, primarily visible on the reverse), occasional pale surface soiling in the margins, otherwise in good condition P. 8 1/2 x 7 7/8 in.

Helen Frankenthaler, Page from a Book II and III Two etchings with aquatint printed in colors, 1997, each signed in pencil and dated, numbered 40/60 and 6/60 respectively (total edition includes 16 artist's proofs), on TGL handmade paper, with the blindstamp of the publisher, Tyler Graphics, Ltd., with full margins, in good condition, framed (2 prints) Each sheet 257 by 629 mm 10 1/8 by 24 3/4 in

HELEN FRANKENTHALER Frankenthaler Blue Current (H. 134) aquatint, spitbite aquatint, soft - ground etching, lithograph and engraving in colors, 1987, on Rives BFK, signed and dated in pencil, numbered 41/52 (there were also 14 artist's proofs), with the Tyler Graphics blindstamp, the full sheet, slight rippling, a faint surface scuff in the bottom left, otherwise in good condition, framed S. 30 x 37.5 / 8 in.